Warorot Market – Chiang Mai – Thailand

Last holidays trip was in Chiang Mai in Northern Thailand. This is my second trip there and I love place. This is the second time I travel with a Leica kit both Film and Digital. I have two bodies a M6 and a M262, a 28 Summicron, a 35 Summaron F2.8, an old Summilux 50 v2 and an Elmarit 90F2.8.

2 Bodies, 4 lens that sounds a lot and actually I packed the big Crumpler 8 Mio dollar bag. It is a bit over-sized, but then I have room for papers, wallet, reading and sun glasses and on the flight I can pack in a book, you can probably pack a tablet as well. I am proud I resisted the urge to buy a new bag.

I shot 4 rolls of film and a few hundred (but less than 1K) digital frames; this first set was done inside the Warorot market with the M6 and mainly the Summilux; film is the Kodak TMY 400.

I like the TMY400 for its low grain and slightly lower contrast that the Tri-x. I think all in all these shots turn out to be quite pleasant.

The Summilux is suffering from back focusing on the M262 but that does not show at all on the film shots.

People in the market are quite friendly, actually it is quite a touristic spot so the view of a tourist with a camera is not news.

I try to follow the advice of pro photographer Bobby Lee : let people know you are here, that you want to take a picture of them or their activity, but once they agree (or ignore you) don’t just snap and run away; as they don’t bother the least you can do is hang around until you have a good shot.

All scanned with the now antique Epson v500

 

Warorot Market – Chiang Mai – Thailand

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

Bye Bye Dakota

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For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.

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Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.

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The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.

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The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.

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As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I  went there again last week. But that will be for 2017.

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Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.flickr-013flickr-014flickr-019flickr-026flickr-027flickr-028flickr-030flickr-031flickr-1003444flickr-1003463flickr-1003489flickr-1003484flickr-1003486flickr-1003488flickr-1003493flickr-1003500flickr-1003491

 

Bye Bye Dakota

Sydney on Film

I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:

  • Leica M6
  • Leica M262
  • Summicron 28F2
  • Summaron 35mmF2.8
  • Summilux 50mmF1.4v2
  • Elmarit 90mmF2

5 or 6 rolls of film (I just shot 2) and small accessories.

I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.

On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.

The fish market is packed with Chinese tourists.

Men’s biz : a trendy barber in one of the galleries in central Sydney.

Sydney on Film

Panguni Celebration – Singapore

So what happened since the March Photowalk? No pictures ? Well a bit of the contrary, I have been in a film frenzy and I now average 2 rolls a week, but then this takes  a lot of time to process and there is little time left to put this us in a post. Also of course has there’s been a bit of travelling, but that will be for other posts…

So at the week after the March photowalk, on a Wednesday morning, was the celebration of Panguni.

Panguni is a Hindu celebration similar to Thaipusam (you can see my post for this year here). In Singapore it is held two lunar months after Thaipusam, in the Yishun area, at the Holy Tree Sri Balasubramaniar Temple.

Like Thaipusam it involves body piercing, carrying Kavadis, music, friends and family support.

It is always amazing from the outside to see people going through this ritual. But you can also find some laughter there.

Panguni is a lot smmaller celebration that Thaipusam and it is less crowded. A lot less photographers and onlokers as well. Some of the people I spoke to pput the emphasis on the local dimension of the ceremony.

Pictures are done with Leica M4 and M6, with Summaron 35F2.8 and Summilux 50F1.4v2, using Kodak Tri-X. I also shot some colours pics but they did not make it through the selection.

Panguni Celebration – Singapore

Singapore Tyler Print Institute open doors

Sunday was an open doors day at the STPI along Singapore river. On top of excellent exhibitions through the year the STPI does an open day each year for the biggest joy of kids and adults alike.

Screen printScreen print

It is an opportunity to learn about the many techniques of printing, and try them first hand.

Printing press

Printing press

Blouses

On one of the workshops you also have the opportunity to make your own paper.

Paper making workshop

For more information about the STPI check http://www.stpi.com.sg/

Eitaro Ogawa - Chief printer
Mr Eitaro Ogawa – Chief printer

This was also the day I tried my “new” Canon (yes you read correctly)

My friend Chum gave me his EOS-1N last week. In pristine condition I must say. I rushed to Excelsior Plazza Saturday to get a lens. I bought a 50mm1.8 MKII for 99 SGD. Load 8 new batteries in the grip, a roll of TMAX and Sunday was the day I shot a Cannon SLR for the first time.

Camera: Canon EOS-1N
Lens: Canon 50mmF1.8 EF MKII
Film:Kodak TMAX 100ISO

Singapore Tyler Print Institute open doors

Leica M6 + summaron 35mmF2.8

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That’s it, it did not took me one year to upgrade, or at least expand my Leica toolbox.

I was a bit frustrated last summer when trying the M240 for nearly 4 days. This is of course a wonder of a camera but I found all in all a few issues. Definitely for its price it is not the one fits all camera I am wishing for; it cannot take Circular polarizers, the close range is not so close, older lenses are visibly outdated, for the price you would wish every shot to be a piece of art which actually it is not. Also, having to wear glasses to see things at short distance the back screen and live view is a total loss for me (maybe there is something I have to learn here). Don’t get me wrong I had a lot of fun, and probably I will end up owning one sometime, but really I felt no urge to do so. I concluded my small review saying that instead I would more likely invest in a newer film body in the short term.

I already own a M4 with a Summilux 50mm V2, a Leica IIIc with a Summitar 50mmF2 and a few Ltm lens; most notably a Color Skopar 21mmF4. I was quite interested in getting a body with a meter and a wider lend. I ended up purchasing a boxed M6 Classic black and a Summaron 35mmF2.8, the version with the goggles.

Subodh Gupta – Le Domaine du Muy – France Shot with Fuji Provia 100 ISO, Summilux 50mmF1.4

Both pieces come in excellent condition (but I am not a collector), no dents or scratches, difficult to see how much films they shot.

I have now shot 6 films with the M6 and the Summaron or the Summilux and I must say I am very happy. Both works very smoothly and are very easy to use.

The metering is a lot better that using a handheld meter. Actually this cause a bit of a problem because if I have the M6 and the M4 in the bag, the M4 tends to stay there. Focusing is very easy; the finder is very bright, although I suspect there is a bit of haze in one of the front glass. With the goggles of the Summaron the viewfinder is a bit less luminous, something I would not have though of.

Compression de Porsche – César – Mougins – France TMAX100 – Summaron 35mmF2.8

There is absolutely no difficulties using the M6 if you had another M before; actually I would think that if you played with a few film cameras before it’s difficult to come with a surprise. The only small problem, which Leica solved in the M6TTL is the size of the speed dial. It is quite frustrating to manipulate it when looking at the meter arrows inside the finder.

The Summaron is a nice piece of kit; the infinite lock is particular and easy to handle. The focusing is smooth and does mot require as much course as the Summilux. I think F2.8 is fine for daylight. Some shots have a very nice 3D effect as the lady from the lab puts it.

All in all I am very happy; for the price of a new Elmarit 28mmF2.8 (That I did not found great last year) I have a new kit. I went on my summer holidays with the two bodies, the two lenses and the Color Skopar a very happy combo. All of this fits in a Crumpler 6Mio, with a couple of spare films, wallet, keys, sunglasses and reading glasses.

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Church of the black Nazarene – Manila – Philippines – Portra 400 – Color Skopar 21mmF4

Film wise, I had the chance to shoot a mix of :

  • Provia 100 slides
  • Kodak Tmax 100, my favorite B&W for daylight
  • Kodak TriX and Rollei RPX400, different grain but both nice for street shots
  • Kodak Portra 400, an excellent film, unfortunately under bad weather
  • Cinestill 50, first try, very promising

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La Kitchenette – Katong – Singapore – Cinestill 50 – Summaron 35mmF2.8

It is difficult to conclude. Having a better film camera is not replacing having a digital body, none of the shortcomings of the M240 are solved by the M6, but I can do better Leica shots. But I feel I did a good move. I saved a lot of money, I can happily have my new toy around my neck and still agree that the D700 is the best camera I ever had without looking like a fool. Which is important at my age.

Leica M6 + summaron 35mmF2.8