D-Day trip with WWII area Leica

The Braves – Omaha beach

Last holidays, I organized a mini trip with my family to the Normandy landing beaches used by the allies during D-Day. This is a quite common thing for French people, but I never had the opportunity to bring my son there neither my wife who is quite reluctant with anything war related.

Omaha beach memorial

The D-Day beached area is actually quite wide and there are plenty of sites to see. We had a bit of limitations for various reasons and I wanted not to overwhelm everybody. Factor in that the weather is not great in Normandy in February, so I had to cut short on my bucket list.

The west side of Omaha beach

I thought it would be a good tour to include Omaha beach, one of the most well know areas. The beach is kilometres wide, and I was mostly looking to picture the new sculpture “The Braves” that was added to the old memorial some 10 years ago.

A bunker.

Of course we landed ( that’s an easy one ) on the wrong side of the beach, but I found the bunker above ( bucket list ticked).

Omaha beach National Guard Monument

My next stop was the American Cemetery of Normandy in Coleville sur mer. An understandably sad place.

American Cemetery of Normandy – 21mm View

There is a museum at the entrance which is very interesting, I have not visited the one in Arromanche which is supposed to be very good as well so I cannot compare.

American Cemetery of Normandy – 50mm View

Second tick box of my list. There are sadly many military cemeteries in Normandy, I remember being very impressed by the German one in La Cambe when I visited it as a teenager.

Remains of Arromanche artificial harbour

Third thing I really wanted to visit was the artificial Harbour of Arromanche. It is hard to fathom that nearly 80 years later the concrete cubes used to create a practicable arbour for the allies are still here ( not all of them of course). This is an testimony of the incredible D-Day adventure if needed.

A concrete element of the Harbour

One element of the Harbour that can be approached at low tide, so I planned my visit timely.

As I mentioned above, Arromanche sports a museum that reopened last year but was originally built in 1954.

The museum is well guarded

At that point we had to head back to our base in Deauville. That was quite a full day, a couple of things I wanted to see that I did not manage : some big batteries and bunkers before reaching Arromanche, the German cemetery mentioned before, Utah beach where you can find well preserved bunkers and some planes.

Bunker in Etretat

Just to be safe I also shot the above bunker in Etretat the day before, you can see the hollow needle.

I found mildly interesting and border bad taste to visit the sites with my WWII area Leica. The body dates from the late 40’s but the Summitar 50mmF2.0 is definitely contemporary to the war. So I carried the Leica IIIC, the Summitar and the Voigtlander Color Skopar 21mmF4.0, with the Sekonic light meter. I intended to shot this subject with the Agent Shadow film, which gives a kind of more vintage look, but actually I finished the roll before reaching Normandy and I switched to the TMAX 400, crisp as usual.

If you haven’t watched it, I recommend watching The Longest Day the 1962 epic about D-Day.

Leica IIIC, VC 21 and Kodak Profoto : mundane shots in London

Knightsbidge

Quite a while back actually, I shot a first roll after the IIIC was repaired. But one roll is not enough right?

Notting Hill

So, on a sunny day, I loaded the little fellow with a roll of Kodak Profoto 100 a fool proof colour print film that comes and goes from the shelfs, and screwed the Voigtlander Color Skopar 21mmF4 on its front.

First set of pictures were taken during a big walk to Notting Hill, Portobello road and back.

The area is usually very colourful and have a lovely rendering on film.

And the 21mm give some good dynamics to the pictures.

If you are familiar with my blog, you remember that a couple of years back I bought a metal 21/25mm external viewfinder made by Voigtlander to replace the plastic one that comes with the lens.

The optics of the plastic finder seems to unglue itself and move so its not fit for its purpose. I brought it back to the shop once, then tried to repair it myself, not so easy. In the end I bought the separate viewfinder for about half of the price of the lens ( both new).

As I am in no haste of finishing any roll, a week passed for the next stroll to Brick Lane.

Crossing the City on our way to Brick Lane ( because the tube broke down), we came across this white dead tree which in fact an art work by Maurizio Catellan.

… and we finally hit brick lane and its murals.

And another week passed, until we finally walked by Marylebone (above) and Soho ( Below).

In between, the Thai restaurant below is situated opposite the Aperture Camera shop where the IIIC was repaired.

There is always some action in Soho, but not enough to finish the roll. Luckily there is always a Sunday walk to Hyde Park…

where a lucky young fellow turned 30.

Very happy to walk around with the IIIC again and see that’s its working fine. The 21mm is still a hard beast to master and there are a couple of missed shots with my fingers in the frame. I finally quite like the film, maybe its better for evenly lit scenes. But overall I cannot complain.

A Royal Affair ( 2023 Roll 09)

As most of the planet knows 6th of May 2023 was the coronation of King Charles III of Britain. Being in London it was another good occasion to go out and burn some film.

That was a particularly wet Saturday even for London, so I had a bit of hesitation on the weapon of choice.

I finally settled for the infamous duo : the Leica M6 for film, the Leica M262 for digital. This is the roll of Kodak TMY400 shot on the M6 with the 50mm v5 Summicron.

I did not want to carry too much gear, so I just put the 35mm Asphv2 on the M262 and put the Elmarit 90mmF2.8 in my Wotancraft bag (I cannot remember the model), which usually makes a pretty good job keeping the gear dry in wet weather.

The first set of pictures was shot in Hyde Park after a cumbersome walk around Hyde Park Corner then nearly up to Exhibition road where the park could be entered.

We hang around the giant screens with my friend L. an avid Sony shooter.

Cool crowd, good but not outrageous quantity of drinks ( well ok that was 10h30 am), a bit of silliness and dressing up in a festive mood.

Most everybody was happy to be snapped.

My roll ended up a bit dark, but what do you expect with such a weather.

Finding the exit of the park was just as complicated as getting in but we head out, looking for greener pastures. Through Mayfair and Regents street we made our way to the “Little Republic of Trafalgar Square” where Republicans were demonstrating their opinions on the affair of the day.

Also in good and cheerful atmosphere.

I swapped the lens for the Voigtander 21mmF4, time for a horizontal et a vertical snaps.

These pictures are a bit less descriptive but quite dynamic.

Finally a last supporter of the the King met on the way back, in full attire.

A bit later it was time for the maintenance team to regroup and head back home.

The Leica III goes out for a spin in London

Captain Tom Moore ( Primrose Hill)

It has been a year since I moved to London but it still feels like I just arrived and there are still so many things I have not done. But this is one I have done now : I took the Leica IIIC for a spin, and we had a great time.

Old 120

The pictures have been taken over a few weeks, mostly in London, but actually I realised I even brought the little fellow to Paris. It all started the week of the “Secret Gardens” walk : a week-end of open gates in private gardens around London. An opportunity of long walks and discoveries.

The first pictures are not really garden like, but I found this beautiful beast parked outside a garden. I had loaded the camera with my last roll of Fuji Across 100 (the old version) expired since a couple of years now. A souvenir from Singapore. For that first day I brought two lens (I think) the VC 21 Color Skopar and the 50 Elmar F3.5.

Nature

Light

The choir in the ultimate garden.

I have a small choice of LTM lenses: the VC 21mmF4, the Elmar, a Summitar 50mmF2 and a Summaron 35mmF3.5. And also a poor 135mmF4 Canon Serenar. But I particularly love the Elmar because of its ease of use and very predictable results. The 21mm, I love because it is sexy, particularly with the VC 21-25mm Viewfinder.

Ride in Piece.

I went to Paris that week end with the little fellow and I think that’s the first time he’s been there. I only brought the Elmar, a week end in Paris is not for fussing around.

Swing in Paris

The above scene is badly centred, I blame the viewfinder for this. I sometime wish I could have a 50mm external finder like the cool Leica SBOOI.

Saint Sulpice

A choir was rehearsing in Saint Sulpice church and I capture the above is a beautiful subdued light, probably wide open 1/15s, slow lens and 100 ISO film can do that.

Chelsea Old Townhall

I was back in London to capture the most beautiful day of the life of the lady above, and indulge in my gothic tendencies in Brompton cemetery

But soon it was time for Wimbledon and tennis balls grew on trees

I finished the roll in Chelsea harbour, back with the 21mm with the two shots below.

The pub around the corner, I love the tones.

Top picture is of a mural on Primrose hill, a portrait of Captain Sir Thomas Moore, more popularly known as Captain Tom, who was a British Army officer and fundraiser who made international headlines in 2020 when he raised money for charity in the run-up to his 100th birthday during the COVID-19 pandemic.

Film was processed in Analogue Films is Shoreditch as usual.

My last roll of Ektachrome

Lady in Red

No worries : this is only the last roll of Ektachrome in my box. It expired sometime in early 2021 and travelled in a container from Singapore to London, and probably made a couple back and forth on airplanes without being shot.

Nic G, The friendly gardener at All Hallows By The Tower Garden

It all started by the Secret Gardens open days in London, where I loaded the M6 Classic with the said roll, and attached the Voigtlander Color Skopar 21mmF4 and the famous 21-25 viewfinder. It was a very lovely day and we headed first to the Tower of London where we visited the garden of All Hallows By The Tower garden, where Nic the gardener grows plants he saves from the streets.

London Bridge

We walked back along the Thames , for the very touristic shot above, we also visited the Nomura building with its rooftop garden but I managed to screw-up the shots.

Panning action

A bit of panning on passing vehicles is never lost, above on Lower Thames street.

Harry and Edwig

Catching up with the city, we visited the Lincoln’s Inn, as they put on their website a “thriving society of barrister”, I am totally ignorant of this, but there were beautiful grounds and I could shot a few birds. Getting there we crossed the London’s Naked Ride, for which I made a couple of shots but not so funny with 21mm, so I’ll pass. Use google if you have no idea what I am talking about.

A Jag in London

We continued the game the next day, spotted the nice vintage vehicle above.

Singing in the park

We finished sometime Sunday afternoon around Notting Hill visiting some private gardens.

Le Pont-Neuf

As I am a slow shooter, I finished the second half of the roll in Paris. Which I find very inspiring since my return to Europe. By then I had changed the lens to the vintage 35mmF3.5 Summitar LTM.

Boarding

l’Ile de la cité

Photoshoot for a Japanese wedding, place Dauphine

The queue for essential goods

Saint Sulpice

In Saint Sulpice church, a German Choir was practicing, the light was wonderful and I regretted not having a better set-up, but I think the above shot gives an idea of what was going on.

In France everything end with cheese.

This was my first E6 roll processed and scanned by Analogue Films. Good job as usual and I was nicely surprised they were able to do it in the same one week period as they do for C41 or black and white.

I hope you enjoyed the reading.

CAFFENOL REBIRTH : WEEK 4 : Errare Humanum est

Happy Birthday SIngapore

Here I am back for the fourth week with my Caffenol. I intended this week to be the last of my first brew. I was encouraged by the last weeks experience and became a bit too bold maybe and alas the issues added to the issues.

Let’s go shopping

First for this last batch I chose to process a roll of Tri-x that I shot over the week end with friends and family. Tri-x is said to be not super Caffenol friendly and my first roll was not a massive success. How to calculate for both the estimates 7.3 minutes leading to over processing and the exhaustion of the Caffenol? I settled to try for a 6.3 minutes (including pouring in and pouring out time). To put odds on my side I also filtered the fixer that seemed to show some flocculation last week.

Tiong Bahru riders

Alas again the gods of the dark room were not with me today, and after fiddling for a while (in the dark) I managed to load the film incorrectly in the spool of my Patterson tank. And the result is here : half of my roll is not processed. As I write it I think  could have put it back in the Caffenol, but actually I just binned it. Well we learn by our mistakes, so I will have to iron out this process. All in all I may only have loaded 10 to 15 rolls in my life.

The Scalper

The film shows a bit of reticulation, but I think it may be the tap water used to rince the film, may have been to warm (tap let on hot after the washing up). Also it i snot as clean as my first negs so on top of it maybe the Caffenol need also to be filtered.

Anyway, I think the point is that my negative looks ok, so 6 minutes 30 seconds in 3 weeks old caffenol is OK for processing Tri-x and also maybe the caffenol can last 4 weeks?

The umbrella academy

Mirror ok my mirror

Refection in Tiong Nahru

The small Tiong Bahru Durian stall

That’s what a partially destroyed picture looks like

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

SMU

We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,

At the crossroad

I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.

Peninsula shopping center

The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.

Coleman street

The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).

Tiong Bahru

The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…

The party is over

… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.

Bincho

A choir

With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …

Fun for everybody

… for everybody’s fun.

Carlsberg for free

Or willing models as above.

The Instax team

Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).

Fancy fair

I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.

Fancy fair

Indonesian model

Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.

 

SMU : Looping the loop

A  few weeks after the first shot back  at the SMU (Singapore Management University).

The culprit! 

In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.

You can’t hurry love but you can try (More about the VC Color Skopar 21mm F4)

One George Street in Singapore CDB

This is a follow up of my first write up YOU CAN’T HURRY LOVE (ABOUT THE VC COLOR SKOPAR 21MM F4) For those who don’t feel like digging back in the archives (pitty, there are a couple of nice shots there and probably my best piece of text in a while), this is about picking the Voigtlander Cosina Color Skopar 21mmF4 back from the dry box and putting it back to work.

Ice cream parlor near Singapore river

Very quickly, the 21mm had two terrible defects for me: the color fringing in digital and the difficulty to frame in general. I decided in June to invest into a proper viewfinder to try to overcome the second issue : I picked a 21-25 VC metal finder.

Walk down the bridge

The viewfinder did a really good job, it very bright and accurate, well built and on top of it it is super sexy (I have to post pictures of the Leica IIIc with it).

Keong Saik road corner with Teck Lim road

All pictures here are from a single roll of Kodak Portra 400 shot with Leica M4 and VC Color Skopar 21mm F4 with the now famous 21-25 VC metal finder. Even vertical framing is accurate now.

“MY CHINATOWN HOME” by  Yip Yew Chong 30 SMITH STREET

Horizontal framing works as well. As I am a slow shooter these were probably taken over a few week ends in different areas of central Singapore.

The guitar hero

To shoot portraits the 21mm requires you to get very close to your subject, and still you will get some distracting details in your frame. Also you may get funky perspectives even if you frame correctly your subject (thanks to the perfect new viewfinder)

Tan Boon Liat Building – a commercial / industrial building

When yout wan to put a lot in the frame as the Tan Boon Liat Building, actually it goes in. Colors with the Portra are quite rich, and vignetting is limited.

The Monkey God temple in Tiong Bahru

Or when you are close to buildings and want to put them in the frame as above, this is a great ultra wide angle.

Don’t go away

I did not do many “street” shots on this roll, but the 21 gives an amazing dynamics to the shots like above.

Sakya Muni Buddha Gaya Temple in Little India

I was very convinced by these first 2 or 3 rolls, and this has slightly changed my photographic practice recently. I use the M262 and M6 with the summicrons for holidays or events, the M4 and IIIc with older lenses for fun( or street, or burning film name it as you want) and recently the 21 is glued to them.

Sakya Muni Buddha Gaya Temple in Little India

So expect more posts like this one, but as you know that I found love with the VC21 again, so i will have to find out new titles.

The Singapura Club – Little India

 

 

Polypan 50 ISO with Leica IIIc and a slow lens

Crossing strangers

This is my third post about the Polypan 50 and thanks to my friend Felix who is always eager to feed me some more this is probably the 10th roll I have shot.

The subtle art of panning and the scratched negative

This roll is a bit old and traveled in and out of the fridge a few time, also Felix warned me about the first two frames to generally better be avoided. Finally the film is quite thin and this may result in a bit of struggle when loading the film on the reel.  so one or two early

Film shooters unite

So this particular roll I decided to shoot with the Leica IIIc and the Color Skopar 21mm. I am still trying hard to love this lens and the camera looks super good with the VC finder I bought last summer.

At the skate park

At this point I have small problem because  I am not really able to guesstimate the light and I have relied on my Sekonic 308, that i bought new in 2010 with my first Leica. The little fellow is now more dead than alive, draining batteries like hell and giving random measures. So after the first half of the film I decided to go the the shop and get a new light-meter. To cut it short I bough the same one, lets hope it last as long.

Do not disturb

So this is a recipe for disaster, a slow film, an old camera, and a slow lens. Luckily last Saturday the weather was nice when I hit Chinatown and came across Felix of course.

Crossing

I am not a big theoretician, but what i like with the 21mm is the dynamic it gives to (rather mundane) pictures where people are moving like above or below.

More crossing, but to slow to catch the lady’s face

Chinatown is also the opportunity to catch again and again the old folks playing Chinese checkers or chess. Some slow action going on, so speed can be lessen, perfect for my set-up.

 

Another obvious thing with the 21 : you need to be close to your subject. How close is close?  Probably all the pictures in this post are done between 2 and 4 meters ; the one below more like 1 meter.

Even better, people are rest

And finally a bit more panning for that young lady.

You can see my old posts about polypan50 here:

A first roll of Polypan F50

35mm Film in hassy back

Bye Bye Dakota

For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.

Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.

The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.

The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.

As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I  went there again last week. But that will be for 2017.

Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.