Agent Shadow in Paris

The Leica M4 was my first Leica, I bought it in 2011 for the incredible amount of roughly 2000 Eur with a Summilux 50mm v2 attached, to the amazement of my son ( 9 years old then ) who looked at me counting 100 SGD bills as I paid the seller.

Bibliotheque Mazarine, Institut e France – Paris

The M4 had a strange double effect on me : first it was not love at first sight, second it still pushed me further down the Leica rabbit hole. Fast forward 12 years, I only shoot rangefinders ( 90% or more of my pictures ) and I sold my Nikon Digital Kit (awesome gear) .

Libre Service

So as per the opening picture I still own the M4, and shoot with it from time to time, the lack of a meter make me use the M6 more ( or the IIIC if I want to go back to basic). Over all these years however I am ashamed to admit that I have only shot about 50 rolls with it, so roughly 4 a year.

Bourse du commerce

Heading for Paris recently I attached the Summicron 35mm Asph v2 ( the only Leica Lens I ever bought new ) and loaded my second roll of Kosmo Foto Agent Shadow film. This is a pretty sexy combo, I also carried the Sekonic 380x.

La petite tailleuse de pierres

Actually not : the young lady above is not a stone mason, but close enough : she is a project manager in a company renovating historical buildings. And she was giving a hand for the “Journées du Patrimoine”, and yes : she can handle a hammer.

I can’t I have pop-up

So back to Agent Shadow… I found the name a bit ridiculous, why do you have to give witty names to films? Also I was not so amazed by my first roll. But at a third of the TMY / TRI-X price, it is worth giving it a second chance.

A Love Letter to Paris by Peter Turnley, by the Paris Townhall

In fact this roll gave me some good reasons to like the film : it is not too contrasty, grain is small, details are good. All in all this a very good midway between the HP5 and the TMY.

La Sorbonne

Mazarin statue on his tomb

We were lucky to be in Paris during the Journées Européennes du Patrimoine as we could visit a couple of historical buildings like the Institut de France, la Sorbonne and the College de France.

La Sorbonne library

A professor introducing us to the College de France

On the last day we had a bit of street action as the sun was going down. Walking towards Chatelet, we met what was left of a street party / demonstration.

On n’arrete pas un peuple qui danse

When suddenly arrived a massive party of rollers / cyclists.

Causing an interesting / interested reaction from the party side of the place.

Ensemble / together

I hope you enjoyed the pics. Film was processed ( and bought ) at Analogue Films in Shoreditch.

2023 ROLL#05 – PARIS IN THE SPRING (2)

Sunday newspapers sold at the corner of the street

As the proverb says “errare humanum est perseverare diabolicum“, so here my second post with the second roll shot in Paris ( in the spring) with the Leica IIIC and its curtain problem

A bright jazz band

Of course I did no knew at the time that the infamous back curtain was lazy and that my pictures would be overexposed on the left and underexposed on the right.

Meanwhile Kuzama was painting a vertical line

I was so happy shooting away because as per my last post ( 2023 ROLL#04 – PARIS IN THE SPRING ) Paris and Leica III make for happy shooting. Particularly when a jazz band is playing at the foot of a giant Kuzama painting in the sky ( courtesy of LVMH advertising) .

Canal Saint Martin

We made a particularly long walk that day from the Seine to the Canal Saint Martin, aiming to reach la Villette ( we stopped before and turned back, that was already a 10 km plus walk).

Silence Kills

When I lived in Paris, I rarely ventures in this area, I probably did not set foot there in 20 years. For the cinema aficionados along the canal is the famous “Hotel Du Nord” from eponymous movie by Marcel Carné with Arletty.

Walk your plants

The canal seems to have become a fashionable leisure area where the young and the less young go for a stroll, a ciggie or a drink on a beautiful Sunday afternoon. Particularly if the sun is out.

Rediscovering comics

.. playing pétanque, reading, lounging, studying, making music, drinking again, sunbathing, all typeof activities seems to fit along this calm water piece.

Unwilling victim of my camera

Our road ended at the “base nautique de la Villette”, visiting the park of la Vilette will be for another time.

A Vintage Citroen DS, with its vintage driver, shot with a vintage camera.

In 2023 we bring our empty bottles for recycling

The country of food (like any other country)

Next day was the last day in Paris, time for a couple of snaps like the creperie above of the other jazz band below.

A young fan

Ok I did not emphasize too much but the all the shots show signs of the curtain problem, at various level, depending on the speed of the shutter. I played a bit with Lightroom trying to balance highlights and underexposed areas, but I think as the scanner was fooled by the problem, there is just that much I can do. I think I can try to rescan some shots twice and blend… not sure there as any worthy of such work, maybe the next one…

Hyde Park Corner, London

Back in London I still had a few shots in the roll. I changed the lens for the Voigtlander Color Skopar 21mmF4 and shoot away on a Saturday stroll. The mounted police above is quite nice, very dynamic, the 21 has some charm.

Vintage on vintage again

This roll was shot on Kodak Tri-X (ROll 04 was TMY 400).

So the Leica IIIC went to Aperture UK for a CLA and they called me after a little more than a week to announce it was ready. I went to collect it yesterday and put a roll on it so I am checking that its definitely ok. The CLA cost 240 GBP, already the cleaning of the rangefinder is awesome, even if the window is small, it is super bright, focusing is a bliss. It looks like I have anew curtain also.

Tottenham court road – London

Is it worth it? Well how long is a piece of string? The gentleman from the shop told me a IIIC is about 250 GBP, so I could buy a new non CLA’d one instead of fixing mine : that’s an easy answer. Now on the other hand this starts to be an expensive camera. I bought it for about 200£ 10 years ago, had an initial service of about 200£ and now an 240, that’s a 640£ body. On the plus side its newly CLA’d, is in good condition. I shot something north of 40 rolls over 10 years, you can try to make some maths see how much vintage shooting costs.

Lets see how the new roll turns up…

2023 ROLL#04 – Paris in the spring

Munching in the sun

“Are you feeling lucky punk?”, the famous line of Clint Eastwood in Dirty Harry was probably a warning. How lucky was I feeling picking up the Leica IIIc for a week end in Paris?

Girls in Uniform

I had not used my oldest Leica for a good year, so it was time for a walk outside the cupboard. I attached the Elmar 50mm3.5 and took a couple of rolls of Kodak film. One TMY 400 (this one), one Tri-X (the next one).

Everything that shines…

I also packed the Sekonik 308x light meter, as I cannot guesstimate and I found it easier to use than the flash shoe one I use from time to time.

A movie character

The IIIC is charm to use, and shooting with it you really feel lucky (I do). The Elmar itself is another story, the aperture setting at the front of the lens is not very user friendly, and it puts me in a mode where I set my speed and aperture only every few shots.

Pass me the lotion

So far so good, and I can add, probably for the 10th time, that the camera is quiet small and funky so it is quite appropriate for street photography ( I don’t like the term cause I am a bit snobbish, but that’s what I kind of do).

Another kind of street artist

So where does it go wrong? As usual with film photography it goes wrong when you get home, wait a week for the lab to process your film and you discover that the film has not turned out quiet as expected.

But the band played on

With some reframing and photoshopping I managed to minimized it, but on that beautiful week-end where most of the shots were done at high speed ( for the IIIC that means 1/100, 2/100 or 1/500, I never trust the 1/1000) the left of the pictures is constantly overexposed and the right underexposed.

Ciggie break

It is more noticeable in the scenes which are brightly lit, like those at the market, not at all in the one below shot in dim light. This is due in my experience to the back curtain being lazy.

Sketching in St Eustache

Lost

The painter

The two pictures above were actually shot in landscape and resized, as half the frame is black.

The harder rat will last (I can’t translate the French wordplay)

So what happens next? Well first thing I shot a second roll because I did not knew, and you will see it in a couple of days.

Then last week I brought the camera to Aperture UK in London to have it serviced. For the second time this little fellow will cost me more than I paid for it in the first place (230 USD back in 2013). Ok I realised that this is 10 years back! I can’t believe it. I think I shot about 35 rolls with it, so we’ll probably say that each roll cost me 20$ of camera usage, not counting the lenses. Film is definitely not cheap.

A popular Japanese place

I hope you enjoyed the reading, be patient, next roll is coming

The last roll of 2022

A Well travelled one.

Well actually this roll was shot between mid December and the first week of January. It travelled around a bit as it started from London (Spitalfields market on the first three shots)

Then came Xmas holidays and a trip to see the family in Cannes on the French Riviera, and the long awaited trip to Lapland (Guess which shot). I will try to talk about my (limited ) experience shooting in Lapland but maybe another time.

We were back from Lapland in Paris the 1st of Jan

Then finally back in London (one have to work)

Then back to Cannes and Nice again.

and finally back to London where I have to go to Brick lane to drop this roll.

Ok so these two months were not very good for my carbon footprint and I feel a bit ashamed, although some of the trips were done by train. This also mean this roll of Kodak TMY-400 travelled quite a bit and went through at least 6 scans, and is still faring pretty well. I still have a TMZ 3200 that I bought for Lapland and did not shot, so it will also have a bit of mileage and it will be interesting to see how it turns out.

All shots were done with a Leica M6 classic and a Summicron 50mm v5 or 35mmAsph v2.

Thanks for watching.

Paris in Summer

“Paris est une fête” as goes the say (Paris is a party) ; I am not 100% sure about it but Paris in summer surely put me in a great mood, and I enjoy shooting in the streets that I am rediscovering after so many years.

— Asian tourist checking a Korean restaurant —

This is summer 2022, probably my 5th or 6th trip in a year, carrying the M6 (The old one) and the Summicron 50v5 and a roll of Kodak TMA100, my favourite film very appropriate (I think) to the summer time. This is my 16th film of the year, so I am now far from my past One-roll-a-week diet, but ok this is not a competition.

— Lets go surfing —

— Watching the world goes bye —

— two trios —

— A classic style paint shop —

— Saint-André des Arts —

— Passage Choiseul —

— The Conran shoppers —

— an odd workshop in the centre of town —

2022 Roll 10

Paris rue de Buci

I still keep track of my rolls and sort them by date and year and enrich in Lightroom, the camera, film and lens ( Often an estimate). But when I used to boast of my one roll a week productivity, I must say I have now fell below one roll every second week.

Paris – Azabu

I would like to shoot more but I don’t have time and may lack enthusiasm / drive / inspiration. This roll was shot in June 2022, with the Leica M6 classic, over a week end in Paris and the next one back in London.

Paris, 4th Arrondissement – Communist Party “Art and Society” branch.

This is a roll of Kodak TMAX 100, a film I really love for its high contrast in sunny weather, I bought a couple of rolls from Analogue Labs a few weeks before.

A Jazz band busking in “Le marais”

Most of the shots were taken with the Summicron 35mm Asph v2, really my go to lens. I love it for the perspective, but the 35 makes the pictures a bit too wide for me, my subject is always a bit lost in the frame, as I tend to avoid confrontation when I snap in the street with my wife/family.

Histoires de Paris – Hôtel d’Hallwyll

On the other hand I frame my shots with just a couple of different styles, I think I manage to build a consistency in my flickr photo stream. I like my subject centred most of it.

The embrace

We are so much into candid and street photography nowadays that sometimes I find it difficult to shoot non human subjects. They form a big part of urban poetry nonetheless.

Back in London it was Wimbledon and Mayfair offered public screening, with desk lounge chairs and drinks (of course)

Wimbledon

Outside Paul Smith in Marylebone

Finger pointing

Above shot is a bit missed, I thought the shadow would be more obviously funny/interesting, maybe I should reframe, but I rarely do too radical reframing just put upright a bit.

The music shop

Heading to Soho always gives some opportunities, I met an American photog when shooting the above also carrying a M6 and a TLR.

Crossing carefully

Soho I said is always offering some opportunities.

As the light was going down, with 100 ISO the shutter speed had to go below 1/30’s hence the slight blur above.

The Harvest

I carried the camera to the office on Thursday to finish the roll and bring it back to process to Analogue Lab, so I did a few shots between Liverpool street station and Spitalfields market… but not enough to finish the roll. I am pretty good with the rapid loading on the M4 and M6 so I easily hit 38 frames in a film, sometime 39.

I hope you enjoyed the roll.

The Leica III goes out for a spin in London

Captain Tom Moore ( Primrose Hill)

It has been a year since I moved to London but it still feels like I just arrived and there are still so many things I have not done. But this is one I have done now : I took the Leica IIIC for a spin, and we had a great time.

Old 120

The pictures have been taken over a few weeks, mostly in London, but actually I realised I even brought the little fellow to Paris. It all started the week of the “Secret Gardens” walk : a week-end of open gates in private gardens around London. An opportunity of long walks and discoveries.

The first pictures are not really garden like, but I found this beautiful beast parked outside a garden. I had loaded the camera with my last roll of Fuji Across 100 (the old version) expired since a couple of years now. A souvenir from Singapore. For that first day I brought two lens (I think) the VC 21 Color Skopar and the 50 Elmar F3.5.

Nature

Light

The choir in the ultimate garden.

I have a small choice of LTM lenses: the VC 21mmF4, the Elmar, a Summitar 50mmF2 and a Summaron 35mmF3.5. And also a poor 135mmF4 Canon Serenar. But I particularly love the Elmar because of its ease of use and very predictable results. The 21mm, I love because it is sexy, particularly with the VC 21-25mm Viewfinder.

Ride in Piece.

I went to Paris that week end with the little fellow and I think that’s the first time he’s been there. I only brought the Elmar, a week end in Paris is not for fussing around.

Swing in Paris

The above scene is badly centred, I blame the viewfinder for this. I sometime wish I could have a 50mm external finder like the cool Leica SBOOI.

Saint Sulpice

A choir was rehearsing in Saint Sulpice church and I capture the above is a beautiful subdued light, probably wide open 1/15s, slow lens and 100 ISO film can do that.

Chelsea Old Townhall

I was back in London to capture the most beautiful day of the life of the lady above, and indulge in my gothic tendencies in Brompton cemetery

But soon it was time for Wimbledon and tennis balls grew on trees

I finished the roll in Chelsea harbour, back with the 21mm with the two shots below.

The pub around the corner, I love the tones.

Top picture is of a mural on Primrose hill, a portrait of Captain Sir Thomas Moore, more popularly known as Captain Tom, who was a British Army officer and fundraiser who made international headlines in 2020 when he raised money for charity in the run-up to his 100th birthday during the COVID-19 pandemic.

Film was processed in Analogue Films is Shoreditch as usual.

Paris in the spring

Batmaid (Boulevard Beaumarchais)

So this is the second part of my second roll of Cinestill XX I started in Biarritz. I was not super satisfied with the scanning so I plugged the old Epson v800 and rescan the whole film. I did not like the scan for two reasons, first I forgot to ask for high res, and I though the pictures were a bit small. Second I thought it was too grainy and had too much contrast.

City of Romance (Rue Amelot)

I quite liked the result of the Epson, if I recon correctly I scanned in 2400 dpi, saved as B&W JPG using the standard holders. The result is a bit smooth, that you may assimilate to lack of sharpness.

Fun in Paris (Ile de la cité)

I think there is a bit on compromise between sharpness, grain and details. Well anyway I am not very technical, I like these scans better.

Ready maestro (Rue de Buci)

These shot are still part of the same trip so I think the lens is either the Summicron 50mm v5, either the Summicron 35mmF2 Asph v2, attached to the Leica M6 classic

Glorious food (Rue du pas de la mule)

After the second roll, its a bit difficult to make an opinion on the Cinestill XX, as I am not sure how properly my lab process it. As I said before a bit too much grain for my taste (remember my favourite film is the Rollei Retro 80), but maybe there is a ratio between the distance to the subject and the grain that makes it less suitable to my may of shooting (I usually do streets shots between 5 and 10 meters) ? Did anybody consider that?

Public transport ( Rue Saint Antoine)

Enough of the technical bit, Paris in the spring is a beautiful place to be. That’s a first for me in about 15 years so I was under the spell, and I thing that will be the same for the seasons to come.

A l italienne (Boulevard Saint Germain)

Paris is not as eccentric as London, but there is a good mix of old and new, tourists and locals, fake and authentic, making you raising your camera every 5 minutes. Ok I am a slow shooter so that will be once every thirty minutes.

Lost if thoughts (Rue de la petite boucherie)

One last technical thing: I can see on forums the never ending question of bringing films through airports: remember that there are x-ray machines as well when you take the Eurostar. I never cared being worried about X-ray machines damage to film. I think if you are an amateur this is irrelevant. If you are a pro that’s different, but then you can always buy and process locally if its so important.

For the ladies : the firemen of Paris (Bords de Seine, quai François Mitterrand)

Lost ( Quai des Grands augustins)

Thanks for reading.

All shots Leica M6 Classic, Summicron 35 or 50, Cinestill XX shot at 200 ISO, I put an indication of where the pictures were shot so you can plan a tour. This roll is older that the one displayed in My last roll of Ektachrome.

My last roll of Ektachrome

Lady in Red

No worries : this is only the last roll of Ektachrome in my box. It expired sometime in early 2021 and travelled in a container from Singapore to London, and probably made a couple back and forth on airplanes without being shot.

Nic G, The friendly gardener at All Hallows By The Tower Garden

It all started by the Secret Gardens open days in London, where I loaded the M6 Classic with the said roll, and attached the Voigtlander Color Skopar 21mmF4 and the famous 21-25 viewfinder. It was a very lovely day and we headed first to the Tower of London where we visited the garden of All Hallows By The Tower garden, where Nic the gardener grows plants he saves from the streets.

London Bridge

We walked back along the Thames , for the very touristic shot above, we also visited the Nomura building with its rooftop garden but I managed to screw-up the shots.

Panning action

A bit of panning on passing vehicles is never lost, above on Lower Thames street.

Harry and Edwig

Catching up with the city, we visited the Lincoln’s Inn, as they put on their website a “thriving society of barrister”, I am totally ignorant of this, but there were beautiful grounds and I could shot a few birds. Getting there we crossed the London’s Naked Ride, for which I made a couple of shots but not so funny with 21mm, so I’ll pass. Use google if you have no idea what I am talking about.

A Jag in London

We continued the game the next day, spotted the nice vintage vehicle above.

Singing in the park

We finished sometime Sunday afternoon around Notting Hill visiting some private gardens.

Le Pont-Neuf

As I am a slow shooter, I finished the second half of the roll in Paris. Which I find very inspiring since my return to Europe. By then I had changed the lens to the vintage 35mmF3.5 Summitar LTM.

Boarding

l’Ile de la cité

Photoshoot for a Japanese wedding, place Dauphine

The queue for essential goods

Saint Sulpice

In Saint Sulpice church, a German Choir was practicing, the light was wonderful and I regretted not having a better set-up, but I think the above shot gives an idea of what was going on.

In France everything end with cheese.

This was my first E6 roll processed and scanned by Analogue Films. Good job as usual and I was nicely surprised they were able to do it in the same one week period as they do for C41 or black and white.

I hope you enjoyed the reading.

Last black and white shots of 2021

Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.

Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.

This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.

Hope you enjoyed watching…