London on Film

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I spent a week in London recently with my family and brought the usual travel kit (Leica M, M262 and the Summicrons 28mm Asp, 35 Asph v2 and 50mmv5), I brought a nice set of films but in the end I did not shoot much, only a roll of TriX and half a roll of Portra  400. And on digital as we are here I took a mere 300 shots.

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Looking at the TriX shots I am quite pleased; as usually they have been dropped for processing at Ruby photo in Singapore and scanned at home ; but when I was there I was a bit puzzled about what or who to shoot.

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On one hand I am so used to travel in Asia that I am a bit lost in European cities, I am not sure about people reactions to the camera (I like candid shots), but also I think the whole way the big city works need so getting used to. So a bit of frustration. Maybe also my expectations were a bit too high, who knows.

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London as changed a lot since I was last there 14 years ago. The south bank area is so lively now, also packed with tourists and street performers.

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Asian tourists selfy-ing themselves are everywhere, but that’s the same all over the planet. Here at the Borough Market, a place that I never saw before, this is definitely a good area to shoot.

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There are many food stalls there.

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Some attractions on South Bank are using old lorries that are worth a shot imo. I only realized today that the London eye was reflecting on the bonnet of the lorry, I would have framed it better if I have known.

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A morning stroll in SOHO, is also a nice opportunity for people shooting.2019-22-M6-15-22

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Or just window shopping.2019-22-M6-15-27

In the places I never visited before was Ealing Broadway, home of the Ealing Studios who produce(s/d) cinema and television shows.

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Finally another happy discovery was Old Spitalfields Market that I visited the day of the vintage records market.

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A couple more Portra shots below:

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London on Film

You can’t hurry love (About the VC Color Skopar 21mm F4)

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A few weeks back I was in Riceball Photography shop where our friend Leon tempted me with the new Voigtlander 21mmF3.5. This is a beautiful lens, particularly with the metal hood attached. I had a try on my M262 in the corridor of the mall (below) and also a week later on the M6 (above).

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I was very enthusiast about the test shots, very sharp, no distortion to my eyes, no color shift on the digital sensor, unlike the test I did of the old Super Angulon F4 a couple weeks before (see below).

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At a price of about 800USD, even when adding the hood (100USD) and the finder (200 USD for 21-25 metal finder), this is a steal for a bout a third of the price of the next Leica lens.

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VC21mmF4 on M6 with the 21-25 VC finder

At this point I came back to my senses and remembered that I bought a 21mmF4 Color Skopar back in 2013, to fit the Leica IIIc. This lens did not get a lot of love for the following reasons : the plastic finder is shait and was replaced once and repaired twice, the color banding on the digital bodies is awful, more subjectively I have a bit of difficulty with the 21mm : I always end up with skewed perspectives that I don’t like very much and also, yes, 21mm is very wide.

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Street shot : VC21mmF4 on M6 with the 21-25 VC finder : 21mm is wide but gives very dynamic shots

So the reasoning was that, as I have a 21mm already, why not try to address the finder issue first and if I still don’t love the 21mm then there is no point getting a new one. Of course that does not address the digital issue, but everything in its own time.

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Vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder

So lets hunt for a 21mm finder. There is a bit of  choice on the market : the plastic VC, the metal 21-25 VC, the old Leica in plastic or metal version, the Leica Universal Wide Finder. Ken Rockwell vouches for the plastic version of the Leica, but I ended up with the VC metal version that Riceball provided me in two weeks.

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More vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder

The VC metal finder is a nice piece of kit. It feels very good in the hand, (it better for about 200 USD), fits the cameras (IIIc, M6 and M262) and provide a nice view. I immediately tried it on the digital body and on two rolls of film. and I must say I am pleased with the results.

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Horizontal framing checked, VC21mmF4 on M6 with the 21-25 VC finder
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More Horizontal framing ( VC21mmF4 on M6 with the 21-25 VC finder)
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More vertical and back light( VC21mmF4 on M6 with the 21-25 VC finder)

So now what about the 21mm? Well I will probably have to shoot more before I decide, but already I think going back to my VC 21F4 by buying a new finder was a smart move : shall I love the 21mm and get the new lens, I already have a finder, shall I want to sell it I have a full kit now, or maybe I can just stick with the 21F4 for a  while.

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The 21 is very (very very) wide, the three street shots in this page were taken at about 2 to 3 meters from the subjects and they feel like I was miles away, so I will really need to step very close for my candid shots.

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I generally shoot 28, 35 and 50 Summicrons, so I must say that F4 is not mindblowing, but this is minor. On another hand the 21F4 is very tiny and pleasant to use, so I feel very comfortable when walking around that I look inconspicuous.

On a final note about the color shifting on digital bodies, some of the Leica profiles help correct it, I think one the 28mm F2.8 profile provides better results that others, have try.

  • Film color shots done on Kodak Portra 160NC with Leica M6 Classic
  • B&W shots done on Kodak TriX with Leica M6 Classic
You can’t hurry love (About the VC Color Skopar 21mm F4)

Not shooting much in Naoshima

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Kusama Iconic Pumpkin in Naoshima

Naoshima is an island town in Japan’s Seto Inland Sea, it has been a long time project to go there, as it hosts several arts museum built by Tadao Ando as well as a famous hotel made by the same architect.

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This year we finally made the trip to Osaka and on the way to Hiroshima we stopped at Naoshima. Getting there seems difficult at first, but in the end it is quite easy, you take the train either to Takamatsu or to Tamano and ferry to the island.

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The Benese house hotel is full 6 months in advance so we had no chance to stay there. We then decided to sleep in Takamatsu and take a ferry for a day trip in Naoshima. Takamatsu is a secondary town, with a big hotel “JR Clement” (a bit expensive for what you get) and a few restaurants where you can manage in english. It also hosts the garden-museum of Isam Nogushi which is well worth the visit.

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A day is Naoshima is probably enough, the Chichu museum hosts some art pieces made to measure and the Benese house museum has an awesome collection of modern and contemporary art. The Lee Ufan museum is also worth the visit, although less well know if you are not into minimalist art. We took a bus to the Chichu Museum with is the furthest palace from the ferry and walked our way back from there.

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The subtle architecture of Tadao Ando is beautiful and invite to meditation. All the buildings are no photo, so you will see here no photos of the them. And I must say I did not miss being surrounded by people taking selfies, not that the place is packed though.

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The rest of the island contains minor exhibitions in some traditional houses and some outdoors installations.

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We spent a nicely filled 10 hours there and probably enjoyed most of it. Time to take the ferry back to Takamatsu

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Pictures shot with Leica M262 and Summicron 28/35 or 50.

Not shooting much in Naoshima

By the sea in Thailand with the Leica M6

I always found the mix of photography and beach repulsive, the salty breeze, the sand that gets everywhere, hands oily with sunscreen, splashes and the odds of falling into the water,… so much things happening that you don;t want a camera, let alone your precious Leica mixed into.

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Well I must say I am a bit fantasizing here, as an adult the experience of the beach is not necessarily the one I had when I grew up along the shore of the french riviera. A stroll along the water not involving leaving the camera on a beach towel or in a bag in the sun is now more common that is use to be, and if it is a day I intend to go for  dip, I generally take a lesser camera (read MEDIUM FORMAT ON THE BEACH : “LE CABANON DE LA PLAGE” AND MORE)

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The sea side always offer a special quality of light, that works particularly well in black and white.  2018-51-M6-21-05

Also it is an endless opportunity of activities, landscapes and man made constructions.2018-51-M6-21-082018-51-M6-21-092018-51-M6-21-102018-51-M6-21-132018-51-M6-21-14

All shots with Leica M6 on Kodak TMAX400 (The shop ran out of TriX), the first three were taken with the Summicron 50 v5, the rest with the Summicron 28mm Asph v1. Shooting at 400 on this very bright morning means the lenses are completely stopped down and the shutter speed at 1/500s or 1/1000s, which may not be idea technically. My favorite film the TMAX100 would surely have been better, but…

As I am here, on the same roll of film were also some street shots taken in Bangkok on the say back from Hua Hin.

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A young film photog with his Olympus pen, he also shoots medium format.

Below are four shots of the food hawkers around our hotel near Lumpini park.

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A friendly and muscular worker along the Chao Phraya river near the Grand Palace2018-51-M6-21-32

Finally below are two shots of worshipers inside the Grand Palace i think.

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By the sea in Thailand with the Leica M6

The year of the piggy

L1006363What took me so long to write the next post? Frankly no idea. I probably said that I have a few other projects, like running a half marathon in June and also keeping an eye on the counter of the bike so I beat my mileage of last year. Plus a couple of family,  friends and (yes) work related things adding up.

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Nonetheless I keep shooting, so here are the digital shots of the week end before Chinese new year. These are shots with the now familiar Leica M262 and the not so faithful Summilux 50mmv2.

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The Summilux is back focusing a bit but I think I manage to compensate for it now.

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Traditional CNY outing is in Chinatown, where you can find a lot of stall selling food.

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And  a lot of people hanging around, shopping or not.

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Amazing enough this year is the year of the Pig again, meaning I arrived  in Singapore 12 years ago and completed the cycle of the Chinese zodiac.L1006388L1006390L1006406L1006408L1006413L1006415L1006417L1006688L1006693

The 50mm is a bit tight sometimes as below; I must say I am a recent convert to the 35 focal length.

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Below one of the many murals in town inspired by local life as it was a few decades back.

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The year of the piggy

Ceremony in the street in Hua Hin – Thailand

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This a somewhat long post (30 shots) of a ceremony I came across in the streets of Hua Hin in Thailand during Christmas break. Getting of the main temple in the center of the city we came across the person above dancing of a building at the sound of loud reggae type music. 02

This happen to be in the honor of a your man turning 20, the one you can see with a shaved head in some shots after.

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I am not a specialist, I believe this guy is going to become a monk for a certain  time. Kids in Buddhist countries often spend some time in monasteries for their education but in Thailand they cannot spend any time as a monk until they reach 20 and it seems this is quite mandatory in a man’s life.

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The parade involved a group of people walking the whole city center area around the temple. Carrying alms as above.

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Dancing as the sound of a band, plating from the top of a lorry.

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There i some support for the guy carrying alms or umbrellas, the pink bucket is for quench his thirst.

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The birthday boy and the older lady below are paraded on cycle rickshaws.1415

More dancing …

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The auntie had a lot of energy and  good sense of rhythm.

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I am not sure if they are strictly singers or also MC’s my command of Thai is very poor.

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That was a very enjoyable moment, I really love shooting these events, and the lovely Thai people seemed not to matter my presence.

  • Color shots: Leica M262+Summicron 35mmF2
  • Black and White shots: Leica M6+Summicron 50mmF2 + kodak tri-x
Ceremony in the street in Hua Hin – Thailand

The roll of last day of 2018

So here we go, back from Ruby here are some shots of the last roll of the year shot exclusively on the last day of the year.  This was an initiative of Low Che Ng from the FB group Lets Shoot film SG.

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I loaded a roll of Kodak Colorplus 200 in the Leica IIIc and Summaron 35mm F3.5. This has been my walkabout set for 2018 so it was justice that I used it for the last day of the year.

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A nice start for the day

I am not posting all of the 38 shots of the roll; shooting a full roll on a single day on my own was a bit challenging, but good fun.( I did four shots of the view from my flat to finish the roll). So given the constraints here is my (wide) selection, not art mind you.

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The opportunity for last minute shopping
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Good by cruel world : Club Street Social has closed down

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Family

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The two dollar note worshiper

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The roll of last day of 2018