A Harman Phoenix 200 test roll

Happy new year dear readers. January is coming to its end, but its never too late, so here is my first post of the year.

Back in December we visited the amazing exhibition of Daido Moriyama at the Photographer’s Gallery in Soho ( London) and I discovered that their shop in the basement has a dream selection of films.

I am still going to patronize the usual smaller shops but I think it’s great to be able to put one’s hand on the stuff you read about in blogposts. So I browsed the shelves and found a roll of the just available ( and if I am correct not for long) color film from Harman.

I vaguely remembered that Harman is the company producing the Ilford films, but frankly I don’t know much more. So at the end of December we were back home in Cannes for family holidays and I finished my roll of TMY400 and loaded the roll of Phoenix 200.

As you can see on the first picture the film has a very pretty ( odd?) yellow color out of the canister and once processed a pronounced purple tint. I loaded the film in full light, in the skate park above, but I don’t think it had any effect. And set the meter to 200ISO, although the film is said to have latitude ( but not so much if you read some reviews).

The skate park is a new addition to the Cannes cityscape, that day was really gorgeous and the tint of the film goes pretty well with the colors of the place.

Moving a bit further towards the Pointe de la Croisette I took a couple of shots of boats. I think we see here what people mean by the film being very contrasty.

I quite like the picture above, probably the color scheme fell right into the soft spot of the film, and the light being softer the contrast is less accentuated ( oxymoron )?

The four pictures above are taken along the promenade des Anglais in Nice. A certain atmosphere develops there, probably mid afternoon winter light and overcast day helps with the contrast. The feeling is very vintage.

Back in London, the dummies below were remarkable by their red heads. The glow is quite funny, I would say unexpected.

The Standard building renders pretty well ( overcast, mid afternoon ) with not so much color cast. Definitely vintage and some glow around the lights.

Bye Bye Georg Baselitz sculpture in Hyde Park.

Finally walking on a beautiful lunch time towards Hyde Park I met these two nice Brazilian students, one holding a Nikon F3, we had quite a long chat ( in the cold), and parted our way after taking this shot. This gives an idea of how skin tones are rendered.

Final word? Probably worth a try. Surely has a lot of character, I think Hartman said the film was experimental. A very specific vintage look, a lot of contrast but I probably won’t try again to be honest. If I compare with the post about the Cinestill 400 D I think the Cinestill has a lot less color cast, a smoother rendering of contrast, but ok its more expensive ( 12.5 GBP vs 17 GBP if I remember well).

Malta on Cinestill 400D

Here are a bit too many pictures of my first ever Cinestill 400D roll for my first ever trip to Malta.

I bought this roll a while back, maybe 6 months, from Analogue Labs ( where this roll was processed) for what seemed to a bit too much money ( about 18 GBP).

Marsaxlokk

I waited for the correct opportunity and here I am going to sunny Malta for a family holiday.

Marsaxlokk Sunday market

The D in 400D stands for daylight, and the film is described as a fine grain color film with daylight balance. It has soft tones, natural saturation, warm skin tones. The film can be shot between 200 and 800 without push process and up to 3200 with push process.

Marsaxlokk Sunday market cleaning up

I loaded the film in the faithful Leica M6 classic, fitted with the Summicron 50mm v5. ( some shots may have been taken with the 35 Asph v2 or the 38 Asph v1, but generally the 50 is attached to the M6 and the others to the M262)

I set the ISO dial of the camera to 400, not knowing what was best for my situation, the box speed seems to always be a safe bet.

Valetta

The days were very sunny so a lot of the shots were done with high speed and smaller apertures. The colors remind of Kodak Portra ( warm tones) maybe and surely has a certain vintage look to them. Is this expected or not, I am not sure.

The film surely has very fine grain and shows a lot of details.

I also find the shots to have a lot of contrast, maybe just bit too much for my taste. But it is a very nice result I think. I an already looking to buy some more.

Oh and Malta in this story? Malta is a small country consisting in a few islands, the capital Valetta is where we stayed. If you are open minded there are plenty of things to do, mostly around history and architecture.

There are also plenty of outdoors activities.

Diving just outside the city walls is one of them.

The place is attracting quite a crowd of tourists, in this mid-term holidays the place was packed with French and Britons.

A street photographer with his box camera

A couple of steep streets with stairs are hosting several bars and eateries.

Our first stop was Marsaxlokk with a famous Sunday fish market. You can access from Valetta by bus or Uber. From the ferry terminal in Valetta you can access the northern island of Gozo ( we missed because the schedule changed the day we planned to go) or you can take a 2 Euros ride across to the 3 cities.

Tourist boat touring the harbour

Boats in the Three Cities marina.

Typical houses with their bow windows

The fortifications and the war museum

Wuestenwinds beach

At night

Finally on the light picture, you can see a very special effect around the led lights. I think its called halation. Very common on the 800T film, but I was not aware that the 400D would also produce it. Anyway, this picture managed to go in Explore on flickr, so thank you Cinestill.

I hope you enjoyed the reading.

ROLL 2021#14 COLORFUL JOO CHIAT

So after Roll15, here is Roll14. This one is a bit late as I had to bring it to the lab and it took me the whole week to do it. Well so here is a beautiful roll of Kodak Ektar, processed and scanned by Whampoa color. The roll was shot with the Hasselblad 500CM with the kit lens (Planar 80mmF2.8), as last Sunday I stick to the rule, one camera one lens.

So these are 12 shots done when I met Ez in Joo Chiat, you can see him in one of the shots.

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It was a beautiful morning, with a lot of light (and very hot), I shot the Ektar at 100 measure with the Sekonic 308x. As usual there was not a single AA battery in sight at home, so I started my photowalk by scouting for batteries.

Around Singapore in November 2020

A very quick post of shots done earlier this month on an expired roll of Kodak Portra 400 with the Leica M6 and the Summicron 35mm Asph v2.

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  The umbrella academy

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The roll was processed and scanned at Whampoa Photo. I find the scanning job they do of equal quality (or better) than what I do myself, so no point wasting time. The first set above was done around Marina Bay, over a couple of different week ends, one being just before Halloween.

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  Deepavali shopping

Second section comprise photos of Little India around Deepavali celebration and the first shot was in Chinatown during a meet up with fellow film photographers.

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  Fort Siloso

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  Clemenceau North

Third section contains some shot shots fort Siloso in Sentosa, and a couple of random shots from a walk around Newton.

Finally a shot of fellow film photographer from Japan who has been around in Singapore for quite a few years and always carry his two pristine Nikons F2. He will go home soon for good, so farewell.

This was roll number 42 of the year, and the 11th with the M6, I hop eyou enjoyed the ride.

Feb 2020 in Singapore with the Leica III

Regular readers already know the Leice IIIc is my go to camera when I just walk around without goals. This roll was loaded at the end of a supposed Hasselblad walk with the Hasselblad User Group Singaore (HUGS).

Masks and hankies are out to fight the Coronavirus

This is a roll of cheap Kodak Color Plus. I shot a few of them so far, and I think it is good enough when you have no special goal.

Reading your fortune for the year of the rat

This is quite an easy film to scan, the ISO 200 is quite convenient for color street shots on a nice day.

Roasted Chestnut stall

Walking from Bugis and Waterloo street area, the weather was beautiful, and I think the colors are very nice, vivid enough but not over saturated.

The newly renovated Indian temple on Waterloo street

That day I had the Voigtlander 21mmF4 mounted on the Leica IIIc, and as above and below I think it realy renders movement very nicely.

The shy passer by (cropped)

The colors on the next two shots are outstanding, but light was exceptional too.

HDB block at Middle Road

Ezekiel the HUGS master

The Chinese tourists at Chimes

Of course sometime as above the 21mm gives a bit too much negative space.

Capitol theater

Over this last year I shot a lot of with the 21 VC and I like it a lot. On the negative side I would say that sometimes it gives a very crisp and modern look to the pictures you may or may not like.

Man at work

From this point the pictures are taken with the vintage Summaron 35F3.5. They are mostly taken in the afternoon where the light if not as good.

Miror Miror

The ugly Jag in from the Raffles hotel

I also think the Summaron is an excelled lens. 35mm is a lot more manageable than 21, but I also have a 35mm finder,

Boom

The above is taken inside the National Design Museum, but there was plenty of light.

The Man Machine

I don t realy know the relationship between the expo and Kraftwerk, but…

Beaty Street Tibetan temple

A random arcade game

A Hot Road is a rare sight in Singapore

Film is scanned at home with Epson v800, I do a bit of colour and exposure correction in Light-room .