So the good news is that yes the Hassie made it to London. It looks a bit more used than I remember, from when I used it last in Singapore, last year un June. A different time a different place.
For those who picked this blog recently , my Hassie is a 500 CM with the classic 80mmF2.8 lens. I am lucky enough to own the hood for this lens, but also an original strap 9or a knock off) and a second back plus a couple of filters.
I picked up the Hassie probably 8 years ago when I wanted a bit better medium format that my usual folding Agfa. I used the Hassie quite nicely and carried it quite a bit around the world : France, Italy, India, Sri Lanka and more.
The Hassie is a great camera but I kind of fail out of live with her. Well first I invested so much in the Leica system that I have to justify spending the money. But also as I was warned the Hassie is a big, heavy beast, not super fast to use when you are walking around.
I think its pretty good for an outing with photog friend or a photo-walk on your own, definitely not a carry around camera when walking 15K a day on weekends with my wife.
Anyway… this is however a great camera, I I still enjoy using it, and also I shave a few films around, particularly a box of Ektar 100 that I bought before leaving Singapore.
I like the particularly vibrant colours of this roll (and the next). Processing was done by Analogue Lab in Shoreditch once again.
One thing the Hassie is for sure is a conversation starter.
Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).
That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.
This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.
The Fiat 500 is associated to the Dolce Vita, a movie that was host in … Technicolor black and white.
In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.
On the seaside you can also so some street type shots.
Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.
Finally two random shots, trying to see what can be done a bit closer.
My posts since July are like a pinball : London – Paris – Cannes – London – London – London – Paris – Cannes – London. There are worst things in life particularly by the time being.
I have tried many times to shot the water on pebbles and finally above is a picture I like. Probably the only picture with amazing colors.
This a roll of expired Portra 400 shot on the French Riviera during the Christmas season.
I missed Santa but the Christmas trees were growing very close to the sea this year. I used the faithful Leica M6 and either the Summicron 35mm Asph v2 or the Elmar 50 F3.5.
I found the seaside less inspiring that the city, but if you look closely there is always something to capture.
Older gents playing chess with their Covid masks on or not. I generally prefer to shoot Black and White on film, as I think the digital M renders more live like colours and the picture are popping more.
The misaligned sign of the “pétanque” club…
Nice is nice as goes the song, not too far away from Cannes, a big 30 minutes by train, and a bit more city like.
Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.
Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.
This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.
I am a slow shooter and a slower poster. So here is a roll shot in late October / November 2021 in London and in Paris for the last few shots.
I am sure the film was from my 30m meters roll of Ilford HP5, and shot with the Leica M6. I cannot se so sure about the lens.
The roll was processed by AnalogueFilms in Shoreditch again. I had to explain a bit that the film was not what was said on the canister, but I think the message passed across. They were also very kind and gave me a handful of empty canisters that I will replenish with more HP5.
The first three shots were taken during a long walk from Knightsbridge to Borough Market, the one above and the one below were taken another week around Covent Garden. The guy above was having some kind of practical joke with friends.
Then we went to Paris for the last week of November, from now on I used the Elmarit 50 only on the M6.
We are all kids in front of the Galleries Lafayette Christmas display.
After leaving Paris, I travelled to my hometown of Cannes, famous for its festival, the beaches and its beautiful weather.
Cannes also boasts two main harbours, filled with oversized yachts but also with fishermen’s boats as in the two pictures above showing some traditional fishing boats called “pointus”.
The end of the bay on the east side is called la Pointe Croisette and hosts the casino named “Palm Beach”, whose name is sometime used to designate the area. The casino is under renovation, and for those with a culture in French cinema, the crane you see is located where the famous swimming pool of “Melodie en Sous Sol” was located.
Cannes is not just for stars : locals still play the “petanque”
And not all drive Rolls Royces.
A tiny Autobianchi can be found on the harbour (in excellent condition)
There was a lot of activity along the beach this year. Some relax, some have to work, thats life.
All shots with Leica M262 and 35mm Summicron Asph v2 or Elmar 50mmF3.5 ltm, what else do you need?
If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).
So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.
You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.
Goldilocks’ car a pre WWII Citroen Rosalie I think
6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.
I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…
Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.
One of the new things I wanted to visit in Paris was the recently opened (Summer 2021) Bourse du Commerce. Very briefly : this building which was originally a place to trade grain, has been leased by French billionaire Francois Pinault to host the art collection of its group (well a part only as he also owns similar exceptional place in Venice, you can check back my post about the Venice Biennale of 2017 and also some of the 2011 Biennale).
Beside its exceptional architecture and location in the hear of Paris, the bourse du commerce as it is today, also boasts two major attractions to my eye. A work by Tadao Ando, under the form of the concrete cylinder at the heart of the main exhibition hall. I have made a few posts about Tadao Ando in the past, you can for instance read about the church of light in Osaka here.
But also in this same hall is a masterpiece by swiss artist Urs Fisher, that I already saw in Venice in 2011.
On the outside the concrete cylinder, forms a galley where work of arts by Bertrand Lavier
The glass ceiling
All shots were done with the Leica M262 and I think the Elmar 50mm F3.5 (otherwise that’s the Summicron 35mm Asph vII, but Lightroom tells me its 50mm). One of the constraints I feel when shooting in big cities it to limit the kit I am carrying : I feel like it is a bit silly (lack of style, overly touristic, …) to carry too much gear in such occasion so I often carry a single body and a single lens for the day.
I travelled to Paris in November last year for the first time in more than 10 years, the main reason being that I left the last 14 years on the other side of the planet. We were blessed with nice weather for the first part of our stay.
It was real fun being a tourist in a city I leaved for in the late 80’s. Like London, it takes me a little time to adjust and turn my eye to the local subjects and actually press the shutter, but there are really plenty of subjects here.
I carried my usual set in Paris, the M262 and the M6, but due to some luggae constraints I only carried two lenses : the Summicron 35mm Asph v2 and the vintage screw mount Elmar 50mmF3.5.
The Summicron is as always a great performer, and the Elmar is very pleasant. I must say the aperture adjustment at the front of the lens is a pain on a film camera without meter, but with the M6 or even better with the M262 set on auto mode, its no longer a problem.
Yes subjects are plenty in Paris, the sites, the people, the tourists, there is always something to shoot. I found there are also a lot of smaller shops that in London, which are making nice subjects.
Of course I was blessed being there during Christmas season where a lot of decorations are making the city even more attractive.
Below a few more random pictures. I have a couple more sets on Paris to come and in a few weeks, some analogue shots will come up.
If read until now you deserve me to whish you a happy new year, keep on shooting and may the light be with you.
That’s it Roll#2 is finally back from the lab. Thanks to some film fotogs I met in town, I finally find a more affordable lab, although I must say the over all price is still steep, but I am down to 10 £ for processing and scanning down from 16£ for my first roll.
Still a long way to go to beat Singapore prices. On a side note, I have ordered some Vitamin C and a thermometer so I can go back to Caffenol, as soon as I find some Soda wash.
Good job from the last, scanning is quite ok, I chose the high res JPG option for the price. I must say that after 18 month of Cafenol, I really cannot make the difference. More grain, less grain? I am not very technical.
Definitely London offers different scenes that Singapore, I still don’t feel at ease shooting random strangers, but there is enough going on to make useful subjects.
Roll 3 is under way, but as I mentioned somewhere else being grounded 10 days with Covid is not helping my photographic activity.