Summer holidays have been over for a few weeks, and it is time to go back to this blog. As usual I did not shoot as much as expected during the holidays. One poor roll of medium format Rollei 80S with the old Kodak Autographic, and with the M6 a roll of Kodak Gold and the present roll of Rollei Vario Chrome.
The Rollei Varichrome is a reversal (slide) film, claimed to have high latitude and can be shot between 200 and 400 ISO, 200 being recommended for scanning. Although introduced in 2017 it seems it is a “new old” stock that will have a limited availability. some reading suggest this is altogether expired material already. Note this film can be cross processed in C41 as well.
My complete roll is a bit over exposed, in particular those of the Atomium, generally the dark areas are not dark enough.
Above shot of the botanical garden in Brussels is very pleasing, the lack of contrast gives a great mood.
The following street shots taken during the FIFA world cup final also work quite ok. The vintage look is overall quite nice, except maybe the picture of the two young ladies, but it may just be the exposure being off on that one.
I like very much the first shot and the one above taken in the vintage café “La Mort Subite”.
All in all this looks too much like an Instagram filter to me, some shots are very satisfactory, but it will become very gimmicky to use. The experience is quite expensive as well, I think the roll was like 18SGD and the processing 13 SGD, so more or less 1SGD a shot. Shooting a roll of Kodak Gold would cost half of this and Instagram filters are free. In conclusion it is worth giving it a try, but then it’s better have a subject on which you will shot your whole film, the gimmick effect being lost in the consistency of the subject. For instance I imagine a wedding photographer may like to shot a roll of this as a special feature. For me I don’t think I’ll use this again.
Finally two shots below on quite different subject :
All shots at 200 ISO with Leica M6 and one Summicron or the other (28, 35, 50) and scanned on Epson v800.
I had a couple of events recently and thought about trying the new Kodak TMax 3200. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012.
I loaded the Leica M6 and used my brand new Summicron 35mm Asph v2. The M6 meter is basic but consistent.
The result is quite disappointing, chances are that can be some issue with the processing as the lab may not get used to this film yet (but they have been quite reliable so far).
What is so disappointing? Mainly the high level of grain. I shot a roll of Ilford 3200 last year and it was far lot better. Ok the lighting conditions vary, last year was a concert where the band was quite lighten up on a dark background.
On this roll there are different scenes with various lighting conditions. The first shot isoutdoor, late afternoon light. The next two ones are a show for kids, one make up session lighten through a bright large window, the second a little girl during the show.
Shots 4 and 5 are taken during the preparation of the Charity day in my office. Light on shot 4 is challenging, as it’s shot through glass. But 5 is standard office neon light.
The last 6 shots were taken during the opening party of Merci Marcel restaurant in Singapore (thank you guys this was a nice party). The pictures are quite moody, and the 35 mm is a great party lens. Maybe I should have overexposed a bit?
I read this brilliant idea last week, but I I cannot remember where nor who to credit, so my apologies to the original writer. So here it is, Sunday was father’s day and what nicer tribute to my dad that to shoot with his camera?
So I loaded his Agfa Isolette III with a roll of Bergger Panchro 400 and went for the usual family stroll in the city center.
The alms ceremony in Luang Prabang is a unique ritual that makes the charm of this small city. It is a also a well know one and pictures of the monks lining the streets of Luang Prabang at 5am are famous worldwide. I could not attend it the first time I was there 10 years ago, but I made sure to see it this time.
The little lady above lives on the other side of the street, where I am shooting from. The people on her right on the first picture are tourists (Korean, Thai, Chinese?) renting a stool, and buying alms from the merchants. So this has become a real touristic attraction, many stools are ready for Buddhist tourists or anybody who want to participate, and the non participating are legion.
I try to keep a safe distance and show respects for the monks but as usual this is not the case for everybody. This is a bit frustrating, but I generally prefer to miss a shot than to fight or be a nuisance. All of this spoils a bit the ceremony for me, but it can be that I am just a tad difficult.
I may stand corrected but what make it unique is the fact that monks from the 7 or so monasteries in town go out in the street to collect alms in procession, rather that visiting houses of people who will donate food.
If you are out in the street at 5h30 you can assist roughly to one hour of procession, and i f you follow the rules you can approach the monks up to 3 meters.
We were sitting on the pavement of the main street and it is quite busy. I think there may be many “spots”, like places where the procession turns who may offer better photo opportunities, same from the exits of the monasteries of the path along the river.
Outside of the center you will see random people waiting for monks from place to place, which surely would enable a closer encounter with this local customs.
Regardless of the crowd it is a great experience.
We enjoyed very much sitting opposite the lady-from-across-the-street as we regarded her devotion more authentic. But this is quite subjective and I don’t want to be judgmental.
Flash photography is forbidden or course, so high end DSLR will probably have the upper hand here.
For this lady renting stools and selling alms this is time to ring the end of the show.
Color shots taken on Leica M262 with 50mm F2 Summicron v5, Black and white taken with Leica M6 classic and Summicron 28mm F2 Asph on Ultrafine Xtreme 400ISO film.
A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).
The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.
I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.
You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.
Sure this will come a popular spot for street photography.
The 4 shots above were taken in a rainy afternoon, with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.
As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.
Hello, today a little pointless exercise consisting in reviewing the shots of an entire roll. You will see below keepers in a larger size that the dismissed shots.
I loaded the roll during the LUGS (Leica User Group Singapore) outing in Little India last month inside Sri Veeramakaliamman Temple. This is always a good place for shooting.
Lesson from the first frame: always skip the first 1 or 2 frames, otherwise in the unlikely event you like the shot, it may be half burned.
It is quite rare that I shoot color films with the IIIc, actually I mostly shot Black and white film anyway, I feel very restricted by color film, I generally prefer to shoot digital for color.
So far no shot is great, maybe number 5 is ok, street activity, a bit of the documentary style, probably ok technically. I like the color of the Ektar for “street” photos.
There are many mural in little India now, this one is in a back alley, it is not so great , or maybe too much. The shot is quite bad, not sure its even in focus.
Probably an Indian actor, the first good shot, nice color. Taken bottom up with the 35mm, the vertical line are of course not straight, but that’s the name of the game.
Not as good.
Ok you get that it it about the plight of people making a leaving from urban scraps. Not such an uncommon sight in Singapore. Informative, but not necessarily a great pic.
I would find that picture quite uninteresting, but technically ok; color-wise it is another chance for the Ektar to rock.
Leaving Chinatown and moving toward city center, two visions of hotel 81 in Jalan Besar.
Second shot is better exposed an less traffic in the middle. Roughly ok, The Art Deco building is attractive, but not overwhelming.
In the street with a camera in hand it is tempting to catch passers by, in particular if they are charming.
Too far, would you even have noticed her?
Motion blur, Out of focus, bad framing.
Maybe yes, maybe not, that was just a try.
The same afternoon I walked into Chinatown
Quite a bad pic, maybe OOF ? Shame. I thinks it’s also not Ceno2’s best mural.
The two commercial buildings are quite ok, I would be happy to show the second one, the colors and details are good to my taste, and the composition not so bad.
Second version is probably an ok street shot, movement, color and overall an umbrella.
Buddha tooth relic temple, one random shot
I tough the light was great and worth capturing
I quite like this one, unusual.
Another random shot, not great angle, too far, not showing much.
Ok ok we can try.
Next great spot is the Merlion Park, it is always endless fun shooting people taking selfies there.
It would have work with better light, the subject here is a bit lost in the background.
This one is really random.
Something was going on, but it was not the right moment yet.
I think that one is ok, just average but ok. Nice light, funny pause and all.
Nothing easier to ask somebody who pause if you can also take a shot. Too contrasty but probably OK.
These three Muslim ladies remind me of the good fairies in Walt Disney’s Cinderella. They were very happy to oblige. I like he colorful bags, maybe a second closer shot without the bags would have been a nice complement.
The new building on Beach Road in the evening light. Nice tourist shot.
Finally the next 5 shots were taken during the next LUGS outing in Tiong Bahru, on my birthday.
Ok I think I took enough fish stalls so far not to call this one a keeper.
I would keep this one, framing is nicer, action is clear. technically I think it’s ok, may need to be overexposed a little bit.
The lens was attracted by the lady in the center, but one week later it does not look like it is enough.
So where am I a the end of the exercise? I managed to shot 36 and half frames on this roll, all exposed properly and focused reasonably well (two are debatable), the only thing you can take from this is that my IIIC works reasonably well and, probably, produces a comparable result to a modern camera. One picture out of three, I will probably share on one of the Facebook groups I partake in. Real keepers (going on Flickr), will be “Working Class Hero“, “Strangers with brolly“, “the three good fairies“, maybe the “Other fish stall“.
At this point in time he Leica IIIc is my favorite 35mm film camera : it is small and sexy and over the time it get slightly improved : by the addition of the a 35mm Summaron (f3.5), then by the one of a 35mm finder. I always dismissed the 35 finders as being not useful, but in the end this accessory proved very good for composition. Over the years I had the curtain changed, there is still a a small defect when shooting at fast speeds, the right side exposure is a bit under exposed, but it looks like using it more often, at least one roll a month, it seems to be less obvious.
Hope you enjoyed the reading and viewing, to later
A follow up of the last post , I showed pictured made with the Hassie 500 CM on Cinestill 50D, but that was the Leica User Group Singapore outing after all, so I carried along a Leica M4 for film shots (here) and a M262 for Digital.
On the recommendation of fellow members of the group I brought my longer lenses, the 90mm Elmarit and a Canon Serenar 135mmF4 (the bad version). I did not use the Serenar on the M4, it is too unpredictable no use to throw away valuable shots.
It is easy to see here what shots are taken with the 90mm and whose with the 50mm.
Shooting with the 90mm is very unusual for me, specially on film. The Elmarit often comes with me on holidays but only for a couple of digital shots. The results are quite pleasing, it offers very different point of view.
The film is another roll of my bulk Ultrafine Extreme 400 hand-rolled. The processing from the lab was a bit below the usual quality, that’s life.
You see mostly men in these pictures, but there were many women as well, they just did not come on the frame at the right time.