The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.
The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.
It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.
(The above rectangular shot is due to an issue with the Hassie back frame spacing)
On competition days judges are walking between the birds and give notes.
The city is one of the most sacred places in Sikhism, it is a big hour drive from Chandigarh.
The main Gurudwara is situated on a hill, you walk up from the parking.
It is quite beautiful and offers a great view on the surrounding area.
This place receives a lot of pilgrims as it is the place where the last two Sikh Gurus lived, so it is quite interesting to see the infrastructure. Below a hall were pilgrims can rest.
And below a young Sikh guarding the guesthouse for pilgrims (we unfortunately could not visit one).
The communal kitchen of this Gurudwara is also hudge. They have big pots.
In the kitchen he lady below started singing while making chapatis.
Finally a good shot of the chapati making machine:
Next we walked to a nearby temple with a sacred well a hundred stairs below ground.
From the outside there is a beautiful view on the Virasat-e-Khalsa, the museum of Punjab and Sikhism.
This museum is very well done, interesting and didactic, although it may sound a bit propagandist or proselyte , it gives a lot of information on the history of Punjab and Sikhism. I think it is a must do, to help memorize or clarify the things we learned through our trip.
Beginning of the year and excitement to try the Ultrafine Xtreme 400 that I am bulk loading, I am taking the odd camera from the treasure box.
A couple of weeks back it was the turn of the 1970’s Minolta Himatic 7s. Actually the 7s was released in 1966 same year as me. The Himatic is a rangefinder camera with a sharp, fast 45mm F1.8 lens, and in-camera metering.
Ok I don’t quite like the the Himatic too much : it is heavy feels clunky compare to the German rangefinders; it is not that fast to operate, and also the metering died on mide during a bike tour.
I also the viewfinder to be not that bright and having too many signs inside; there are just three visible sides of the frame, so I always wonder how to frame the fourth.
BUT when I got the roll from the shop I must say that I am impressed by the result, the lens is fast and sharp and the 45mm give a bit of air to the shots.
This is my 3rd roll of the Ultrafine Xtreme 400 bulk and I quite like it. I am new to handrolling, the picture below is the last of the roll, so the first from the bulk that I attached to the canister and I think it was exposed to light. Pitty I like this shot.
I think I like the film, it is now 3 rolls I shot this year and 2 last years, it is on the contrasty side but nothing too extreme, so it makes a good replacement for TRI-X or TMY 400. The shot below is quite smooth as I like it. Actually tones quality reminds me of a proper wet paper print.
Mmm also I fell the Epson v800 gives immediately better results that the v500, but this may be just because I paid so much for it.
There will be no declugging for the Minolta, it belonged to one grand uncle, so that’s a keeper even if it goes out of the box only once a year.
So here we are on the last day of our trip, on the road to visit the Capitol Complex; the heart of Chandigarh, designed (partially) by Le Corbusier in the late 1950’s. An ode to modernist architecture that we have been longing to visit for years.
Well not quite; aside from the bad planning (in my own opinion) of our travel agent, visiting Chandigarh is a bit more complicated than we thought. So apart from the 3 sites cited in my last post, there is nothing organised to visit the habitations buildings and finally you have to go through a guided tour to visit the Capitol Complex.
This is not quite all : the two main buildings on the Capitol, the High court and the Assembly are in use (why should they not be after all?). So you cannot enter the High Court and you are lucky (we were) to enter the Assembly ( but no photos inside).
Add bye the time the guide assembled the small crowd of tourists we started our visit by mid morning, time was starting to be short and the light was quite bad for taking pictures.
As you can see above the high court is in use with layers in their work outfits.
In the opposite site of the plaza from the Hight court, the Palace of Assembly has a better lighting. It is overseeing a large pond and offers a spectacular view.
The holes in the front walls give nice perspectives and see through views.
Patterns on the assembly walls, reminding that man is the scale of the construction.
Getting out of the Assembly House the inevitable Ambassador car, now a civil servant official car, which used to be common taxis.
Our visit was accompanied by Mister Mohan, from the tourist Police who turned out to be a friendly person.
A few more things:
For the habitations buildings there are no restrictions to go and visit them, ask inhabitants,… we met some passionate french people who were spending a full week there. But Chandigarh is a big city so you better plan for what you want to see.
You can “pass by” on a road at the back of the Open Hand monument, in a certain distance, without getting into a tour and then be able to take picture at better moments (I did not)
The tour of the Capitol Complex is a bit rushed through, you are not welcome to wander around or take too long with your photography nonsense,
You do not see on the pictures, the parking lots, the vans, the 20 Spanish tourists of our tour, the barriers,…
How did I manage to take so poor pictures of a site I longed to visit for decades? It shows (if needed) that some skills need working on.
Camera geekerry : color shots Leica M262, black and while Leica M6, Summicron 28 and Summicron 50
Chandigarh was supposed to be the highlight of our trip to Punjab with the Golden temple of Amritsar, but it turned out it is a bit more complicated that it looks. We have been longing for years to visit the building designed by Lecorbusier, and finally they were in reach.
But Chandigarh has a few more things to visit, the first one we head to was the market of Sector 17. The market is in fact a vast open space where people gather at night and have a stroll, meet and have fun rather than an actual market.
Of course there are actual stalls selling food and shops in the arcades of the modernist buildings. But for our firs glimpse of Chandigarh we were not very impressed.
Ok this was the night, we spent the day on the road, and I thought it was not a real market, so I was a bit upset. Also talking to our guide I realized ( a bit late) that the next day we will be out to visit an important Gurudwara and will only be back again in the evening to Chandigarh.
So the next day after our day trip we visited the next two attractions : the rose garden (there were no roses at this time of the year, or maybe we just spot one) and the Sukhna Lake.
The Sukhna Lake is an artificial lake made after the city was constructed by one of the city benefactors, the same that did the rose garden.
It is another popular spot where locals and tourists went out for a walk at night and enjoy fresher air.
But I started being in quite a bad mood : I wanted to see concrete modernist building not an expanse of water in the dark.
As a bonus we tested the delicacies above.
And tomorrow we have only 4 hours to visit the legendary public buildings of Lecorbusier.
Here we go again, here is my new year message to the world : happy new year to all go out and keep shooting film.
I think 2017 has been another very good year for film photography; the medium is getting more and more momentum. We saw a lot of new films released :Cinestill finally delivered the 120 version of 800T and 50D, Rollei gave us the Vario slide, Kodak is working on reviving Ektachrome, Japan Camera Hunter made more street pan and now has a second line, and more niche brands are creating or reviving special films. Of course Fuji keep on thinning his product line and Film Ferania is still not able to deliver its products. All in all the future of film is bright and it looks we are living more than just a fad. On the down side film camera prices are going up, but for most of it probably just from insanely low to still acceptable. The most expensive gear, Leica like, has not gone up much. Only the lenses that can be used on DSLR or four third cameras has seen unreasonably hikes.
As in the past (2015, 2016) lets see how I plaid my part this year.
I managed to beat my own record once again by shooting 65 rolls this year, 1 more that last year. With both 120 and 35 mm format that should be close to 2000 pictures. I would say that 1 roll per week is a good average, as I also shoot digital.
Below is breakdown of the rolls shot by camera:
Number of rolls
Last year rank
Agfa Isolette III
Kodak Autographic Jr 3a
Heineken Toy Camera
Clearly the Leica’s are the star of the year, now I shoot Leica digital, I always carry the M6 on holidays. Apart from a small issue on the winding side, this is a perfect image making machine and I now have a good set of lenses (28, 50, 90) that are foolproof and cover most situations. The Leica IIIc, is still my most used “lesser” camera, I invested in a beautiful 35mm F3.5 Summaron this year, and despite maybe a small intermittent curtain problem I can now use it without second hesitation. I still love the M4, but lacking meter it stayed home most of the year, until I dig it out this autumn, this one is faultless. I still love the Hasselblad, but I hardly carry it with me on holidays anymore, pity because my fridge is loaded with 120 rolls ,I have a long standing project of portraits that I may finally launch this year… The rest is done with my older cameras which for most have issues now, so I managed to make some odd nice shots but I would think twice before using them again.
This year again I offer you a breakdown of the films I shot :
Count of Film No
Rollei Retro 400s
Kodak TMY 400
Kodak TRI X
Fuji Fuji Xtra 800
Kodak Portra 160
Kodak TMX 100
Rollei Retro 80s
JCH 400 pan
Kodak Portra 400
Rollei Superpan 200
Fuji Superia 400
FilmNeverDies Shirokuro 400
Fuji Velvia 50
Rollei Retro 80s
Ilford Delta 100
Rollei ATP 32
This is a big variety; but as last year majority is 35mm, back and white; but there are about 20 colors rolls (10 last year) and a total of 16 120 format films (7 last year). The surprise may come at the Polypan 50 iso coming first with 9 rolls, these (and more) were given to me by my friend Ray, I like how it goes out and enjoy shooting at iso 50. Kodak and Rollei are still high up in the list.
The news was the Bergger Panchro, the Cinestill 50D and 800T in 120 format, but I did not made anything outstanding with them.
I confirmed this year my attachment to Leica systems, I nearly did not shoot any Nikon, apart on digital for some events. This year I plan to stick to the same program, camera and film wise, I have a bulk roll of Ultrafine Extreme 400, so this will give me 20 roll of 36 shots more or less, and the fridge is still stocked (around 50 rolls in there). I plan to upgrade my scanner, I have the Epson 500 for 8 years now, it served me well, I may have scanned, 300 rolls with it so that’s 1.5 $ a roll for scanning, I think it paid well for itself.
Patiala looks to be a very interesting place, but we had little time to hang around. We try to visit the two palaces but both were under renovation and although we were allowed to the grounds in both (many thanks to our guide), I was denied using my camera. The first palace was a residence for the maharajah and his many spouses; the buildings we could see are set around a very large pond. It is located in a residential area on the town outskirts.
The second palace, Qila Mubarak, is located in the heart if the city, it is normally hosting a museum which was closed at the time of our visit (Oct 2017) and the building also under renovation. This is an incredibly big compound to be located in a city center. There is a fort behind the main buildings and more buildings behind the fort. No pictures available unfortunately.
We then start our drive to Chandigarh through the busy city streets and then on the very good roads off Punjab. Chandigarh is only 70 km away, but with a few stops, we got there in about 4 hours.
The main stop was in Sirhind-Fategarh, the Gurdwara Fatehgarh Sahib there is famous as it is the place where younger sons of Guru Gobind Singh, who were bricked-up alive in 1704 by Wazir Khan and a place to commemorate the memory of the brave Sikhs who were killed while fighting with Mughal forces.
Outside the Gurdwara itself is a shop for religious artifacts where I finally decided to satisfy my long lasting envy to buy a Kara (a Sikh bangle). After a long debate we decided to by one each (ok my wife wanted two) and to our great surprise the shop keeper refused us to pay for them and offered them as presents. Another sign of the great Sikh hospitality and friendliness.
Next to the main Gurdwara is another one, where we met the guy in charge (below). Very happy to talk about his religion; probably on of the first guys we could exchange in English.
Not far from this site is a Mosque, which is supposed to be linked to friendly Muslim people at the time of the war with the mughals. The complex is very nice and spacious. Not all places are allowed for women to visit and photography is a bit more limited than in the Gurdwaras.
The basement of the main building above contains the tombs of some saints where people come to make offerings.
Back on the road again, our guide stopped us by one of the many places where a few men where boiling some sugar cane to make some solid sugar.
We tasted the sweets and pack-up after a little while and finally made it to Chandigarh.