… and some friends from the HUGS (Hasselblad User Group Singapore), just before we could not hug anymore. A very small mid week post, 10 shot of a Rollei Superpan 200.
This is taken with a Hasselblad 500 CM with the Planar 80mm F2.8 CF, processed at my usual lab and scanned at home with the Epson v800, and edited in Lightroom. I don’t particularly like the Superpan, but I must admit it was OK on this occasion.
It seems to be a tradition to write about the F3 magically getting out for a spin (You can read the 2012 post ANOTHER OLD FELLOW BACK FROM THE MAGIC CUPBOAD – NIKON F3 ) the last picture I put on Flickr with this old fellow dates back from 2015 so it had time to gather dust inside the magic box. When I took it out the mirror foam was all gone but I have some spare foam, maybe a bit thick, so I replaced it in a 5 minutes. The 5 years old batteries were dead (not stored inside the camera), but I found some for 4$ at the convenience store of my condo. I fiddled a bit to find the correct direction for the batteries and of we go! The meter is metering and shutter is shutting. Attach the 50mm F1.4 AI-S, load a roll of H5 and lets roll.
I will start with my favorite images, above two tourists wondering the streets of Chinatown, a rare hip-shot, I have not used a SLR for years i am not sure about using it for street shots.
A friendly man in Karon (Phuket Thailand) building a new extension to the local temple (Wat Karon), he is molding cement Buddhist wheels to decorate the wall outside the building.
Russian lady with a tambourine humming to Buddha while fiddling with her instrument I say : she a Shaman.
Okay so appart from these 3 shots that I really like, the rest of the roll is pretty good as you can see there after (I spared you those of my family by the pool)
First stop was in Singapore Chinatown, a few days before flying to Phuket, one of the reasons why I stopped using the F3 was because I keep on thinking it is not focusing properly. Indeed the distance on the lens always looks off compared to the actual distance. But the shots of this roll seems to prove otherwise.
I used the original B screen (micro-prism) which is more difficult to focus than the split screen (model K on top of my head).
I have loaded a second roll now and will try to split screen on the second half of it just t try to assert where the issue is.
Also I used the A mode for aperture, so the speed adjust automatically to the aperture you select. I never use it on the Leica, as I always found the speed to be too low and result in camera shake, but again it proved to work nicely here.
Then we flew to Thailand for the week-end, which was the reason to resurrect the F3 ; I did not want to bring the M6 or the M262 to the beach. Oh but I did in Australia last year. Well OK, that’s just how it is.
A rickshaw in front of our hotel, close focusing seems to work, I am not sure I actually focused on the horn, but that sounds (ha ha) realistic.
And off to the beach .
Back light as the sunset if approaching the metering works great.
Street / beach scene, another nice action by the F3 meter.
On the next day we walk from our hotel to Katong center town, very bright light. All shots were done at F11 with 1/1000th. The shutter of the F3 is limited to 1/2000th so I could not use wider apertures with a 400 ISO film.
And we reach Wat Karon the local temple.
Inside the temple we just missed the lunch of the monks , normally no later than 11am. Pity.
From the seaside at Karon we took a taxi to visit Phuket Big Buddha, a seated Maravija Buddha.
It is big indeed, like 40 meters high.
Here as well the light was very powerful, so maximum shutter speed and min apperture.
I spent 30 minutes at the shot yesterday discussing with other photogs of the potential focusing issue of my body. This roll seems to prove me wrong, but on the other hand most shots were done at very small apertures, so the focusing may not matter much.
A quick comparison with the M6 ? The F3 is slightly bigger, but just a sexy, the weight is probably very close, actually the M6 is 200 grams heavier. Both cameras have an integrated meter, but with slightly different methods, teh F3 is 80% center weighted the M6 is roughly spot metering, I actually quite like the exposure of the shots above.
Another long post, but I don’t fill like splitting this story up, hey that’s my third post about Thaipusam this year.
On arriving at Farrer park MRT, we met our first Kavadi bearer.
And then more devotees waiting for the traffic light.
The little devotees
Then when moving inside the temple the devotees are assembling the Kavadis
or prepare their offerings
While others use their phones to snap their friends.
Pictures above are taken Ilford HP5 shot at box speed, I used not to be a big fan of this film, but actually I am very satisfied with these results. The pictures after are done with the Kodak TMY 400, not exactly my usual Tri-X, but i generally quite like it.
Actually I don’t see any difference, so I may shoot more of the cheaper HP5 going forward.
Still osculating but looking more steady.
All shots with Leica M6 Classic and most of them with the Summicron 35mm F2 AsphvII (the last version), processed at the usual lab (well dropped at Ruby and they get the usual guy do the work) and scanned at home with the Epson v800.
This is a follow up of the first roll shot in Hanoi (here). On the way back to Sapa, we stopped in the area from Hanoi which is close to the lake for a single night, lucky enough thee was this nice market next door.
Best shot of the roll was the first one, on the evening of the arrival, this man was barbecuing meet outside of the market.
This also is a roll of Tri-X 400 shot with the Leica M6, and the Summicron 50mm v5.
The market is small but large enough to shop with your moped.
The market though small has several entrances making for interesting lights (not that I may have used it).
Outside the market the area is very lively with street sellers, small shops and all.
On the fringe of the old quarter this is a nice area to visit, a lot of small hotels, shops, an further out you can walk to the lake are.
So off to Vietnam for Xmas 2019, for a bit of chilling time over Christmas. In the bag, the usual kit, M262, M6, 28,35 and 50 crons and of course a couple of Tri-x rolls.
Hanoi is a great place to shoot. People are friendly and generally not photo adverse. There are so many pictures to take, that if you cannot take one, just walk to the next.
As usual, the M6 is most often mounted with the 50 cron, that ensures a reasonable distance for candid shots.
Street side food vendors and their patrons are still a great subject.
I was last in Hanoi 10 years ago and the traffic has not changed, crossing the roads still feels like an adventure and motorcycles are omnipresent.
We arrived late on Christmas eve, so our first outing was a walk to Saint Joseph Cathedral on Christmas day. The mass was already going on when we reached and people were standing outside of the church.
After the service an orchestra was playing outside.
A good opportunity for selfies.
We walked down to the Metropole hotel, where the two Citroen below are standing guard. I stayed there 10 years ago, and at that time they could be sent to fetch you from the airport in style.
We then walk north in direction of Long Bien bridge, going through the old quarter.
Among many, I met these local photographers and we took shots of each others.
Finally we made it to Long Ben bridge.
Where I met the two young film photographers below.
Hey this was a long post. Be reassured the next roll is not as good.
We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,
I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.
The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.
The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).
The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…
… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.
With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …
… for everybody’s fun.
Or willing models as above.
Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).
I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.
Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.
A few weeks after the first shot back at the SMU (Singapore Management University).
In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.