The happy people party in the park

A few time last summer we bumped into this lot of happy skaters, who were engaged in what can be described as a party.

Good atmosphere, disco music and smiles all around, all lead by the above MC.

Hurry up Alice or you ll be late to the party.

The sun was going down and available light was no much, but good enough for the Summicron 50 and the roll of HP5 loaded in the M6.

A bit of line dancing.

I m just passing by, please ignore me.

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The happy people party in the park

Hare Krishna Celebration in Trafalgar Square

A strange sadhu

Here are a few shots of a Hare Krishna celebration in October in Trafalgar square in London. Is stumbled over the party by complete chance.

Hare Hare its all in the flare

I was armed for the occasion ( well not for the occasion then as it was by chance) with the Leica M6 classic and the Summicron 50mmV5.

Hare Hare its all in the flare

For once I had a Kodak TMAX 100ISO film loaded, not the usual Ilford HP5 coming from my endless bulk roll.

Cling cling
And the band kept on playing

Very friendly atmosphere, an opportunity to remember and share our love of India and its culture.

Some may still be lost…

Hare Krishna Celebration in Trafalgar Square

Paris in Summer

“Paris est une fête” as goes the say (Paris is a party) ; I am not 100% sure about it but Paris in summer surely put me in a great mood, and I enjoy shooting in the streets that I am rediscovering after so many years.

— Asian tourist checking a Korean restaurant —

This is summer 2022, probably my 5th or 6th trip in a year, carrying the M6 (The old one) and the Summicron 50v5 and a roll of Kodak TMA100, my favourite film very appropriate (I think) to the summer time. This is my 16th film of the year, so I am now far from my past One-roll-a-week diet, but ok this is not a competition.

— Lets go surfing —

— Watching the world goes bye —

— two trios —

— A classic style paint shop —

— Saint-André des Arts —

— Passage Choiseul —

— The Conran shoppers —

— an odd workshop in the centre of town —

Paris in Summer

4 MONTH IN THE BACK OF THE HASSIE (THE BLACK AND WHITE VERSION)

If you have read the last post you have probably guessed the plot of this one : a roll of HP5, loaded in the back of the Hasselblad with no label, is first loaded around May, and used to shoot a single frame, the above view of Battersea Power Station as seen from other side of the river.

A few weeks later it travelled to Brick lane on a sunny Saturday afternoon, very close to where my photo lab is (Analogue Films).

The area is famous for its murals.

Probably the next day, I went for a walk in Chelsea Harbour and its surroundings

and then the camera, the back (the other back) and the film they contain all go back in to the box. Until a couple of weeks back, where I started the famous walk from Maida Vale to Regents park and further.

I thought this film was contained in the back with the “400 ” label, when it was on the other ones, so the shots from the one above were “pulled” at 100. I think the film handled it pretty well, if not for obvious marking problems.

Regents Canal is pretty nice place to walk through, a bit of Venetian style given by the boat, but something more urban brought by the metal bridges and the street art.

At the end of the Canal is the unique Chinese floating restaurant.

Back in Regent’s park to look at Freeze Art Fair open air sculpture, the tree of socks was waiting for my last frame

Is there any moral? One stop does not mater much surely, probably don’t keep your film 4 month in your camera. Ilford 120 rolls are known to have some backing paper issues, I should check if this is the case with this roll instead of blaming the storage in the cupboard.

4 MONTH IN THE BACK OF THE HASSIE (THE BLACK AND WHITE VERSION)

Occupy Westminster

Something different today, a few shots of demonstration dubbed “Occupy Westminster”, by climate activists Just Stop Oil and Extinction Rebellion.

I missed the blocking the bridges part, and just caught the tail of the protest, pity.

You can read the article of Guardian here

All shots Kentmere 400, Leica M6 Classic and a lens or the other 🙂

Occupy Westminster

My Last roll of Polypan 50

Summer holidays are just a memory now and after much procrastination, here is one of the rolls shot in this happy time (12th Roll of the year)

This is a roll of Polypan 50 shot at 100 ISO with the faithful M6 Classic and some Cron or another but most probably the 50mm v5. I have asked the lab to push one stop as this roll was given to me quite a few years back now by a friend in Singapore.

The street scenes are shot in Ai- en-Provence where I spend a couple of days with my family in August. The sun was hitting pretty hard which is quite ok for a low speed film.

You already know I am not too technical, but here we go for the techie moment: The Polypan 50 lacks a anti-halation layer ( I think it means no protection from the light bouncing from the back of the camera); this makes it glow in some areas, making the images a bit old time and dreamy. I also quite like the rather profound blacks, although not as much as in the Rollei retro 80s.

The edges of the fountain are really glowing here you see what I mean.

Aix is quite picturesque, but the next day we went to Chateau Lacoste, a magnificent estate 40 minutes drive from Aix, with Michelin starred chef restaurants, a vineyard, an entrance building made by Tadao Ando and dozens of art works spread in the garden.

Yes the music pavilion was made by FRANK O. GEHRY

Oh no that’s just a barrel.

A beautiful tractor

The olive tree
Yes that’s a Richard Long

More trees
A dirty spaceship
Art work in progress

Really worth visiting, I ll post more shots in the next posts.

Oh I lost track of the Polypan roll, well I think it aged a bit it seems there are marks here and there that are not common to processing issues, so I guess this is a bit of an experimental roll. For such a slow speed film it is a bit grainy, but all in all I really like it.

My Last roll of Polypan 50

2022 Roll 10

Paris rue de Buci

I still keep track of my rolls and sort them by date and year and enrich in Lightroom, the camera, film and lens ( Often an estimate). But when I used to boast of my one roll a week productivity, I must say I have now fell below one roll every second week.

Paris – Azabu

I would like to shoot more but I don’t have time and may lack enthusiasm / drive / inspiration. This roll was shot in June 2022, with the Leica M6 classic, over a week end in Paris and the next one back in London.

Paris, 4th Arrondissement – Communist Party “Art and Society” branch.

This is a roll of Kodak TMAX 100, a film I really love for its high contrast in sunny weather, I bought a couple of rolls from Analogue Labs a few weeks before.

A Jazz band busking in “Le marais”

Most of the shots were taken with the Summicron 35mm Asph v2, really my go to lens. I love it for the perspective, but the 35 makes the pictures a bit too wide for me, my subject is always a bit lost in the frame, as I tend to avoid confrontation when I snap in the street with my wife/family.

Histoires de Paris – Hôtel d’Hallwyll

On the other hand I frame my shots with just a couple of different styles, I think I manage to build a consistency in my flickr photo stream. I like my subject centred most of it.

The embrace

We are so much into candid and street photography nowadays that sometimes I find it difficult to shoot non human subjects. They form a big part of urban poetry nonetheless.

Back in London it was Wimbledon and Mayfair offered public screening, with desk lounge chairs and drinks (of course)

Wimbledon
Outside Paul Smith in Marylebone
Finger pointing

Above shot is a bit missed, I thought the shadow would be more obviously funny/interesting, maybe I should reframe, but I rarely do too radical reframing just put upright a bit.

The music shop

Heading to Soho always gives some opportunities, I met an American photog when shooting the above also carrying a M6 and a TLR.

Crossing carefully

Soho I said is always offering some opportunities.

As the light was going down, with 100 ISO the shutter speed had to go below 1/30’s hence the slight blur above.

The Harvest

I carried the camera to the office on Thursday to finish the roll and bring it back to process to Analogue Lab, so I did a few shots between Liverpool street station and Spitalfields market… but not enough to finish the roll. I am pretty good with the rapid loading on the M4 and M6 so I easily hit 38 frames in a film, sometime 39.

I hope you enjoyed the roll.
2022 Roll 10

Biarritz in Black and White

So holidays were not over by then and I was still in Biarritz with the Leica M6 and a couple of Summicrons (35 and 50) when I loaded my second roll of Cinestill XX ( purchased in Aperture UK shop in London).

The Market

I think I changed the roll around the market, so some pictures of this place can be found on my previous post.

Markets are different that in Asia a Singaporean friend told me, Same same but different I reply. Goods, people, food, money,… all the same.

I found this set a bit flat to my taste, although the light was great that day, and it was still reasonably early.

I made the mistake not to ask the lab to scan in high res, so this format is the one at which I got my negs. I will have to rescan them but probably not immediately. I think the low res scan adds to the grain, but maybe I am wrong.

To go or not to go that is the question

Biarritz has a market and also a seaside famous for surfing.

Nah not enough waves
Baywatch

It has sometime a bay watch vibe.

Surf is family thing here
Cal look

Biarritz in Black and White

My first roll of Cinestill XX

London, where else?

A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.

I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.

The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.

Balthazar’s bride

It is very difficult to tell which one I used from the pictures.

Twins
Off the wall

So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.

Fashion addicts

When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.

But here are three shots of the park of the Chenonceau castle.

At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.

A street in Cite Fujes built by Le Corbusier

Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.

The market
The blue oyster cult
Street life

The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.

The last part we moved to Biarritz in the Basque Country, capital of surfing in France.

Life is a beach

I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.

Bay watch
Local artists
The market

I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.

Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.

Hope you enjoyed the ride.

My first roll of Cinestill XX

Cannes in black and white

Welcome

Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).

Vintage Vedette projector, Cannes is home of the film festival right?

That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.

This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.

Topolino

The Fiat 500 is associated to the Dolce Vita, a movie that was host in … Technicolor black and white.

The Blue chairs

In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.

A walk along the dock

On the seaside you can also so some street type shots.

Smells fishy

Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.

Finally two random shots, trying to see what can be done a bit closer.

Cannes in black and white