Caffenol rebirth : week 3

I am pushing my luck by trying the my brew from two weeks ago again this Sunday.

First things first, shooting a bit of film. The weather is not improving and I did not had a chance to shoot much this past week. So this morning I loaded the old Agfa Isolette with a roll of Rollei 80s (my favourite film) and hit the road in direction of Arab street with a detour by Little India to finish the roll of Acros I processed last week.

The Agfa uncouple rangefinder is no longer working so distance are guestimated. I also use the EM-01 KEKS light meter.

For processing I used the two week sold Caffenol stored in a green bottle in the shade at ambient temperature (more or  less 28 C). I think it turned out quite well (5 minutes processing at 28 degrees, 30 second inversions then 3 inversions every minute). The negatives are of average thickness, maybe I could have added 30 seconds. The caffenol is now old and this is the 3rd film processed with this batch.

I made a fatal mistake by wiping the film with my kitchen towel, lot of dust I had to clone in Photoshop. I will have to find how to do this properly. The fixer is starting o have some deposit. Maybe it wont last after the next couple of films.

Plans for next roll is to start a new batch of caffenol to see if the process is repeatable.

Caffenol rebirth : week 3

The lock down roll

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Banana-ah-ah

This is not actually a full roll of the lock-down, I did not shoot much and probably on the first 20 frames of this roll.

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Cooking for take away only

This is a roll of Kodak Tri-x shot with the Leica M6 classic and the Summicron 35mm Asph vII.

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Deserted hawker center

The first part of the roll was taken on a Saturday around lunch time in the Balestier area. Shops were half closed, hawkers were deserted and the rare shoppers wearing masks.

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The masked shopper

Little traffic rare cyclist allowed not to ear masked while ridding, life seemed to have come to a halt under the scorching sun. We had dreadful weather for a while, but the day I go out at lunchtime with a 400 ISO film, I am forced to shoot at F1/500 and F16.

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The unmasked rider

There is always a nice outcome : I stumbled across the coffee shop below, I first stopped to take a shot (the symmetry of the arrangement caught my eye), then the chord bring the entry puzzled me and finally I bought some coffee. I usually use some arabica in my old Moka machine but they sell only robusta. In the end for a bit more than 5SGD for 250 grams that was a ok deal.

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The old style coffee shop

Of course life is full of encounters, an sometime you meet fellow Leica Shooters

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Another M6 with 50mm cron

I am no sure that Grab food riders made a fortune during the lock-down (my good sense tells me otherwise), but they were ubiquitous during the period and thanks to them we managed to have entertaining food at our table. (Thanks guys and gals).

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The ubiquitous Grab food rider
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Hawker at work
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Tiger’s haunt
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The other unmasked rider

As no many activity goes on to finish the film I walked the places where people were going out to exercise or just take a bit of fresh air while respecting the prescribed social distancing procedures. It is funny how here again  you meet some acquaintances.

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A well known Leica figure caught during his jogging (hard to resist)

The Singapore river was usually packed with joggers and cyclist, we  will surely do great at next Olympics when they eventually happen. The Marina Bay Area, though not empty was really a lot quieter that it used to be.

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Sorry ladies can you get out of my the view
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MBS in black and white

Skaters did had much problems crossing big roads carelessly.

The last few shots where taken after the lock down when we entered what was known as phase 1 and now phase 2. More freedom to roam around, retail shops reopening, still as nothing exceptional is happening, back to my usual vice : random shots of people in the streets, preferably with masks.

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Hope you enjoyed the roll. I manage 38 shots on this roll again, unfortunately the process suffers from reticulation (same as the one I took a couple of month back ), I ll tell about it to the photo shop and maybe i ll try to process the films myself going forward.

 

The lock down roll

Touring Singapore Chinatown with the 500CM

During the last outings of the Leica User Group Singapore (LUGS) of 2019, I had the good idea to carry the Hasselblad 500CM loaded with my favorite film: the Rollei Retro 80s

I love the range of grays and the profound black that this film can produce. This is not all art but a nice walk with friends at a time when this was possible. I put the full roll, no censorship and some edition in Lightroom. Film was was processed at the usual lab (Ruby Photo) and scanned at home of Epson v800.

 

Touring Singapore Chinatown with the 500CM

Around Arab Street with the Hasselblad

… and some friends from the HUGS (Hasselblad User Group Singapore), just before we could not hug anymore. A very small mid week post, 10 shot of a Rollei Superpan 200.

This is taken with a Hasselblad 500 CM with the Planar 80mm F2.8 CF, processed at my usual lab and scanned at home with the Epson v800, and edited in Lightroom. I don’t particularly like the Superpan, but I must admit it was OK on this occasion.

Around Arab Street with the Hasselblad

The Nikon F3 gets out the closet

It seems to be a tradition to write about the F3 magically getting out for a spin (You can read the 2012 post ANOTHER OLD FELLOW BACK FROM THE MAGIC CUPBOAD – NIKON F3 ) the last picture I put on Flickr with this old fellow dates back from 2015 so it had time to gather dust inside the magic box. When I took it out the mirror foam was all gone but I have some spare foam, maybe a bit thick, so I replaced it in a 5 minutes. The 5 years old batteries were dead (not stored inside the camera), but I found some for 4$ at the convenience store of my condo. I fiddled a bit to find the correct direction for the batteries and of we go! The meter is metering and shutter is shutting. Attach the 50mm F1.4 AI-S, load a roll of H5 and lets roll.

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I will start with my favorite images, above two tourists wondering the streets of Chinatown, a rare hip-shot, I have not used a SLR for years i am not sure about using it for street shots.

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A friendly man in Karon (Phuket Thailand) building a new extension to the local temple (Wat Karon), he is molding cement Buddhist wheels to decorate the wall outside the building.

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Russian lady with a tambourine humming to Buddha while fiddling with her instrument I say : she a Shaman.

Okay so appart from these 3 shots that I really like, the rest of the roll is pretty good as you can see there after  (I spared you those of my family by the pool)

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First stop was in Singapore Chinatown, a few days before flying to Phuket, one of the reasons why I stopped using the F3 was because I keep on thinking it is not focusing properly. Indeed the distance on the lens always looks off compared to the actual distance. But the shots of this roll seems to prove otherwise.

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I used the original B screen (micro-prism) which is more difficult to focus than the split screen (model K  on top of my head).2020-11-F3-1-8

I have loaded a second roll now and will try to split screen on the second half of it just t try to assert where the issue is.

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Also I used the A mode for aperture, so the speed adjust automatically to the aperture you select. I never use it on the Leica, as I always found the speed to be too low and result in camera shake, but again it proved to work nicely here.

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Then we flew to Thailand for the week-end, which was the reason to resurrect the F3 ; I did not want to bring the M6 or the M262 to the beach. Oh but I did in Australia last year. Well OK, that’s just how it is.

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A rickshaw in front of our hotel, close focusing seems to work, I am not sure I actually focused on the horn, but that sounds (ha ha) realistic.

And off to the beach .

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Back light as the sunset if approaching the metering works great.

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Street / beach scene, another nice action by the F3 meter.

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Speeding in speedos.

 

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Back to USSR

On the next day we walk from our hotel to Katong center town, very bright light. All shots were done at F11 with 1/1000th. The shutter of the F3 is limited to 1/2000th so I could not use wider apertures with a 400 ISO film.

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Asoline ?

And we reach Wat Karon the local temple.

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Inside the temple we just missed the lunch of the monks , normally no later than 11am. Pity.2020-11-F3-1-262020-11-F3-1-32

From the seaside at Karon we took a taxi to visit Phuket Big Buddha,  a seated Maravija Buddha.

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It is big indeed, like 40 meters high.

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Here as well the light was very powerful, so maximum shutter speed and min apperture.

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Family praying the Big Buddha
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Another quite big statue at he back of the main one

I  spent 30 minutes at the shot yesterday discussing with other photogs of the potential focusing issue of my body. This roll seems to prove me wrong, but on the other hand most shots were done at very small apertures, so the focusing may not matter much.

A quick comparison with the M6 ? The F3 is slightly bigger, but just a sexy, the weight is probably very close, actually the M6 is 200 grams heavier. Both cameras have an integrated meter, but with slightly different methods, teh F3 is 80% center weighted the M6 is roughly spot metering, I actually quite like the exposure of the shots above.

The Nikon F3 gets out the closet

Thaipusam 2020 on film

Another long post, but I don’t fill like splitting this story up, hey that’s my third post about Thaipusam this year.

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The first Kavadi bearer

On arriving at Farrer park MRT, we met our first Kavadi bearer.

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Pots bearers

And then more devotees waiting for the traffic light.

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The little devotees

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And the older ones

Then when moving inside the temple the devotees are assembling the Kavadis

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or prepare their offerings

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While others use their phones to snap their friends.

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Looking proud
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Family and friends accompany the devotees.

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The drummer
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A member of a Chinese groups of devotees (and a friend of a friend)
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This one goes into a trance.

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Pictures above are taken Ilford HP5 shot at box speed, I used not to be a big fan of this film, but actually I am very satisfied with these results. The pictures after are done with the Kodak TMY 400, not exactly my usual Tri-X, but i generally quite like it.

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Actually I don’t see any difference, so I may shoot more of the cheaper HP5 going forward.

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Still osculating but looking more steady.

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Holly smoke

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One of the priests of the temple

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Preparation is everything

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All shots with Leica M6 Classic and most of them with the Summicron 35mm F2 AsphvII (the last version), processed at the usual lab (well dropped at Ruby and they get the usual guy do the work) and scanned at home with the Epson v800.

Thaipusam 2020 on film

Cho Cau Long market Hanoi

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This is a follow up of the first roll shot in Hanoi (here). On the way back to Sapa, we stopped in the area from Hanoi which is close to the lake for a single night, lucky enough thee was this nice market next door.

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Best shot of the roll was the first one, on the evening of the arrival, this man was barbecuing meet outside of the market.

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Mother and son breakfast before school (I just imagine)

This also is a roll of Tri-X 400 shot with the Leica M6, and the Summicron 50mm v5.

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The market is small but large enough to shop with your moped.

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Toufu stall

The market though small has several entrances making for interesting lights (not that I may have used it).

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Outside the market the area is very lively with street sellers, small shops and all.

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Street fruit seller

 

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Street flower seller

On the fringe of the old quarter this is a nice area to visit, a lot of small hotels, shops, an further out you can walk to the lake are.

 

Cho Cau Long market Hanoi

A NIGHT TRIP TO SENOKO FISHERY PORT (Film version)

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This is  a small follow-up to my former post : A NIGHT TRIP TO SENOKO FISHERY PORT .

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These pictures were shot on Cinestill 800T with a Leica M6 with Summicron 35 Asph v2 or 50mm V5. Processed at the lab around the corner and scanned at home with the Epson v800.

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I shot the roll at 640 ISO, still I found the pictures being under exposed, unlike the roll I shot in Tokyo last year.

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She is the boss.

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A NIGHT TRIP TO SENOKO FISHERY PORT (Film version)

Christmas in Vietnam (Roll 1)

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I think this one  is a great cover.

So off to Vietnam for Xmas 2019, for a bit of chilling time over Christmas. In the bag, the usual kit, M262, M6, 28,35 and 50 crons and of course a couple of Tri-x rolls.

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Hanoi is a great place to shoot. People are friendly and generally not photo  adverse. There are so many pictures to take, that if you cannot take one, just walk to the next.

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As usual, the M6 is most often mounted with the 50 cron, that ensures a reasonable distance for candid shots.

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Street side food vendors and their patrons are still a great subject.

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I was last in Hanoi 10 years ago and the traffic has not changed, crossing the roads still feels like an adventure and motorcycles are omnipresent.

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We arrived late on Christmas eve, so our first outing was a walk to Saint Joseph Cathedral on Christmas day. The mass was already going on when we reached and people were standing outside of the church. 2019-38-M6-23-12

After the service an orchestra was playing outside.

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A good opportunity for selfies.

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We walked down to the Metropole hotel, where the two Citroen below are standing guard. I stayed there 10 years ago, and at that time  they could be sent to fetch you from the airport in style.2019-38-M6-23-17

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Grab delivery men are ubiquitous through the city

We then walk north in direction of Long Bien bridge, going through the old quarter.2019-38-M6-23-21

Among many, I met these local photographers and we took shots of each others.

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Finally we made it to Long Ben bridge.

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Where I met the two young film photographers below.

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Hey this was a long post. Be reassured the next roll is not as good.

Christmas in Vietnam (Roll 1)

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

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SMU

We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,

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At the crossroad

I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.

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Peninsula shopping center

The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.

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Coleman street

The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).

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Tiong Bahru

The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…

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The party is over

… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.

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Bincho
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A choir

With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …

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Fun for everybody

… for everybody’s fun.

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Carlsberg for free

Or willing models as above.

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The Instax team

Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).

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Fancy fair

I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.

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Fancy fair
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Indonesian model

Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.

 

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SMU : Looping the loop

A  few weeks after the first shot back  at the SMU (Singapore Management University).

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The culprit! 

In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)