Amritsar street photography

Tea merchant

India is a feast for the street photographer, photo friendly people, a lot of color, everything is so different, so many things happening all the time. The tea merchant with his yellow scarf is one of the first pictures I took. Through the window of the car stuck in the traffic jam.

One of the many horse carts around

Soon we had to step out and walk to the golden temple as the traffic was so bad on Sunday. I stumbled on one of the many horse carts with the driver standing up gauging the traffic.

You can read the visit of the temple here.

Rickshaw driver

After the temple visit looking for our car, I came across this friendly rickshaw driver.

In the afternoon we went to Wagah border ceremony; here also the crowd after the ceremony on the way out offers many photo opportunities.

Ice cream

The crowd after the ceremony is eager to partake in ice cream, pop corns

The last pop corn parlor before the border

It gets dark quickly, and there is nearly one km of little stalls stretched along the car parks.

A fruit stall
Some more spicy stuff
“Let’s ride”: the burger stall

There is not enough time to stop at every stall to take some shots of vendors and their patrons. In this early evening, the lights, the fumes and the colors of the stalls make a beautiful composition every meter.

All shots with the Leica M262, Summicron 50mmF2.

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Amritsar street photography

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

Sydney on Film

I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:

  • Leica M6
  • Leica M262
  • Summicron 28F2
  • Summaron 35mmF2.8
  • Summilux 50mmF1.4v2
  • Elmarit 90mmF2

5 or 6 rolls of film (I just shot 2) and small accessories.

I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.

On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.

The fish market is packed with Chinese tourists.

Men’s biz : a trendy barber in one of the galleries in central Sydney.

Sydney on Film

The year of shooting with Leica(s) – Part 1

 

I bought my first Leica in 2009; it was a very nice M4 paired with a Summilux 50mm version2; both from 1967 as close as I could to by date of birth (I was a bit worried at the time about getting involved in the double stroke or single stroke on the M3).  In 2009 I was already back into film for 2 years, I was lusting for a Leica. After much considerations I splurged the equivalent of 2500 USD on the above combo.

M4

If was not love at first sight with the Leica. First I was back to the shop (actually another) to invest in a light meter (Sekonic 380s). Then I brought it in  couple of trips, but with mixed feelings.

Japan 2010

I enjoyed using the little fellow, but really the results were no all great and also I have a trouble bringing the Leica on travel : I though the 35mm was redundant with my DSLR; at least in term of format.

The following years I bought a few other film cameras and got distracted, so indeed the love story with the M4 was not going the right way.

In 2013 I invested in a small LeicaIIIc and a Summitar 50mmF2; this fellow had a couple of problems, but I quite liked it for shooting around.
The Leica IIIc

I got a couple on third party lens in various stage of in-usability to pair him with (a back focusing Jupiter 35mm, a non-focusing Canon 135F4, not mentioning  the Industar of the Zorki 1) , but all in all we had good fun. Around this time I also invested in a 21mmF4 Color Skopar, that I always found difficult to use. And I made my first Leica trip only to Taiwan.

LeicaIIIc Taiwan 2013

Leica M4 Taiwan 2013

Last year finally when Lee Kwan Yew passed away I shot a lot of the funerals with the M4 and my interest was aroused again by the Leica M, so finally for a similar amount of the M4 kit, I bought a minty M6 Classic (Back) and a Summaron 35mmF2 (The version with the goggles).

And so started the year of shooting with Leica(s) (to be followed)

The year of shooting with Leica(s) – Part 1

CENO2 Graffiti Artist

This is the second time I bump into CENO2  over the past few years he is a Singaporean graffiti artist that lives abroad, apparently often in Chicago.

This time again I saw him working on a mural at Somerset Skate park in central Singapore. This was one of the first days where I was carrying around the M262 and Summicron 28.

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Back two weeks later I saw he had already replaced his drawing with the two followings.

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These were taken with the old Summilux 50mm V2 mounted on the M262.

You can learn more about Ceno2 at https://www.facebook.com/Ceno2Artkhalytis/

 

 

CENO2 Graffiti Artist

Leica M – Model 262 – Back to Digital

So this is it 3 years after borrowing a M9, 2 years after renting a M240 and deciding it was not for me and I better buy a M6 (Which I did), I just turned 50 and offered myself a beautiful M262 and a Summicron 28mmF2.

 

On the first day I went out to the Kong Siak road festival and managed to catch the following shots with the Summilux 50mm VII.

 

A more elaborated review will follow shortly, but it was time to share those.

Leica M – Model 262 – Back to Digital

Leica M240 – A rented friend for a lonely week end (Day two, Saturday)

So Saturday I woke up pretty excited and checked the dream was true and the M240 was still on my desk : yes it was. I am not a pro and no capacity of doing any technical test; all I am interested is to see how the camera feels and how it fares for my usual type of shooting. So I have planned a kind of tour of Singapore for the week-end, visiting some of the places where I often go when I am free and in shooting mood.

This morning direction Chinatown, in walking distance from my place. I still have the Summilux on the camera and I’ll keep it for the whole day.

First stop at the Tan Si Chong Su chinese temple, to take some pictures of sculptures and decorations. Here comes the first revelation of the day : the original Leitz filter of the Summilux is hazy! This beautiful peace of metal and glass that goes for a fortune on ebay is just no good. I never spotted it on film. So the filter goes in the pocket and I go on with my walk.

 

On the way to Chinatown if the popular area of People’s Park Comples with many eateries like the above roasted duck store. The quality in subdued light is nice and I would day the color rendering is perfect to my taste.

Getting into the Chinatown Complex, I walk to the wet market where you can find a lot of different things, including frogs and turtles. The above is quite sharp with focus on the eye of the frog on the left.

Fish stalls are the most attractive, but for vegetarians you can also find vegetables stalls. The above shot is my favorite, but as someone pointed out lacks of sharpness.

At this point I must give my second conclusion of the day: I messed up with the auto ISO and the Aperture mode. I was happy to find this mode on the M240 and the M9 because this is how  like to shoot in the Nikon world, however here because of my lack of knowledge of the settings, the camera chose some ridiculous low speeds instead of cranking up the ISO. So a lot of my indoors shots are lacking crispness because of minor camera shake.

 

Outside of the Chinatown Complex is an area where older men are playing Chinese chess and checkers. It is always a delight to shoot the game.

 

The Summilux close and wide open

It is quite nice to have such a small camera, people are not afraid of it, it does not look out of place like my D700 would. All in all I look like a tourist with a retro looking compact digital camera.

Back in the Chinatown complex, I head for the food center (In Singapore life revolves around food) for  a drink (Sugar Cane juice) and browse through the stalls of the hawkers. Here again my pictures suffered from the same issue with speed and ISO.

 

Life is not only about photography and I must go on the other side of town to have lunch with a friend and collect my bike. Cycling home, I have a nap and head for a traditional show later in the afternoon. On the way some young dudes are doing some graffiti on Somerset skate park.

 

The pictures of the show are useless but that’s nothing to do with the camera.

This first real day of shooting was great, this is a nice camera for what I am usually doing. There is nothing that I do not like. Some small remarks:

– yes I should have known, but this is not really a camera for close range, the minimum range for the rangefinder is about 1 meter so it is not great for shooting food or firend over the lunch table

– on the Summilux it takes a while to adjust from close to far; I much prefer the quick focus of the Elmarit or the Summicron; I will have to try a Cron 50 or 35

– unlike it has been said in some reviews I did not hit the “M” (movie) button once,

– the On-Off button is very easy to use,

– my half case however press on the live view button and this is a bit annoying

 

Leica M240 – A rented friend for a lonely week end (Day two, Saturday)