STPI Open day and Takashi Murakami: From Superflat to Bubblewrap

This year the STPI in Singapore had its open day during the Takashi Murakami exhibition “From Superflat to Bubblewrap“, this was the opportunity to kill two birds with one stone.

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No need I think to introduce the iconic Japanese artist who uses manga like practice to depict modern Japan. I only had B&W film that day so I did not took many pictures of the art works.

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Open days at the STPI (Former Singapore Tyler Print Institute) are always enjoyable, if you have young children they can discover and experiment various print practices, that also work it seems for  teenagers and young adults alike.

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For guys (or gals) with a camera, it is a nice opportunity to captures willing models engaged in not so common activities.

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The STPI now positions itself as a gallery, aiming to promote the usage of print and paper mediums.

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Artists shown in the gallery often have a collaboration with the print makers.

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The smiling lady at the printing press has been working there for years, she is now an independent architect ; time flies.

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All shots were done with the Leica M6 and Summicron 50mm on Kodak Tri X, at 400 ISO.  genarally shot between F2 and F4 and 1/60s ro 1/12s. The film was processed by Ruby photo (or rather their usual contractor) and scanned at home on Epson v800 with Silverfast.

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I generally convert the images to grey-scale and remove dust spots in Adobe Elements and adjust the contract and brightness in Lightroom.

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The workshop can also be a treasure where odd objects can be found and pictured for eternity.

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One of the DIY items of the week end was an STPI apron.

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You can see picture of the last workshop I went to 4 years ago STPI at that time pictures were shot with Canon EOS 1N and 1.8 Canon lens.

 

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STPI Open day and Takashi Murakami: From Superflat to Bubblewrap

A tour around Taipei

I am cleaning a bit of my backlog, and found on my work-space some remaining pictures of our Taiwan trip back in Feb/March.

The only day we decided to take a tour with our friendly guide was also the only rainy day of the trip so it ends up being a no so great experience.

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We took off from our hotel in Daan and headed to the North West, to visit what I believe is the Wufeng Lin Family Mansion and Garden. A historical house and garden from a rich Taiwanese family.

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This is a very nicely preserved house, a quite interesting visit, not a good as the Lin Family mansion in Banqiao  district but still a nice thing to see.

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We then drove down to see the change of the guard at the National Revolutionary Martyrs’ Shrine, but we arrived too late, and the rain started. Continuing further west we stopped in Beitou, a suburb of Taipei known for its hot springs

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The place made its living through mining and hospitality, including bath and spas.

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There is a very nice museum is an old bath house, including the beautiful pool below.

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At this point we headed along the Tamsui River to the fisherman’s wharf for lunch. We did not find anything much exciting, had a sandwich and then a long walk, without rain, before finding our car again.

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The last stop was Tamsui old street, that we reached after visiting the interesting Fort San Domingo, showing an interesting display of the colonial times. By then the weather started to be very.

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We nevertheless spent a good hour walking along the Tamsui River and through the old street with a stop at the beautiful Longshan temple, above and below.

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Finally, after a nice Taiwan beer in a dry place, we happily headed back to the city and our hotel ( probably the rain stopped along the way ).

All shots Leica M262, Summicron 28/50/35, it was another day where the weather was not enticing to pull out the M6 and play with two cameras.

A tour around Taipei

London on Film

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I spent a week in London recently with my family and brought the usual travel kit (Leica M, M262 and the Summicrons 28mm Asp, 35 Asph v2 and 50mmv5), I brought a nice set of films but in the end I did not shoot much, only a roll of TriX and half a roll of Portra  400. And on digital as we are here I took a mere 300 shots.

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Looking at the TriX shots I am quite pleased; as usually they have been dropped for processing at Ruby photo in Singapore and scanned at home ; but when I was there I was a bit puzzled about what or who to shoot.

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On one hand I am so used to travel in Asia that I am a bit lost in European cities, I am not sure about people reactions to the camera (I like candid shots), but also I think the whole way the big city works need so getting used to. So a bit of frustration. Maybe also my expectations were a bit too high, who knows.

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London as changed a lot since I was last there 14 years ago. The south bank area is so lively now, also packed with tourists and street performers.

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Asian tourists selfy-ing themselves are everywhere, but that’s the same all over the planet. Here at the Borough Market, a place that I never saw before, this is definitely a good area to shoot.

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There are many food stalls there.

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Some attractions on South Bank are using old lorries that are worth a shot imo. I only realized today that the London eye was reflecting on the bonnet of the lorry, I would have framed it better if I have known.

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A morning stroll in SOHO, is also a nice opportunity for people shooting.2019-22-M6-15-22

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Or just window shopping.2019-22-M6-15-27

In the places I never visited before was Ealing Broadway, home of the Ealing Studios who produce(s/d) cinema and television shows.

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Finally another happy discovery was Old Spitalfields Market that I visited the day of the vintage records market.

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A couple more Portra shots below:

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London on Film

You can’t hurry love (About the VC Color Skopar 21mm F4)

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A few weeks back I was in Riceball Photography shop where our friend Leon tempted me with the new Voigtlander 21mmF3.5. This is a beautiful lens, particularly with the metal hood attached. I had a try on my M262 in the corridor of the mall (below) and also a week later on the M6 (above).

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I was very enthusiast about the test shots, very sharp, no distortion to my eyes, no color shift on the digital sensor, unlike the test I did of the old Super Angulon F4 a couple weeks before (see below).

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At a price of about 800USD, even when adding the hood (100USD) and the finder (200 USD for 21-25 metal finder), this is a steal for a bout a third of the price of the next Leica lens.

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VC21mmF4 on M6 with the 21-25 VC finder

At this point I came back to my senses and remembered that I bought a 21mmF4 Color Skopar back in 2013, to fit the Leica IIIc. This lens did not get a lot of love for the following reasons : the plastic finder is shait and was replaced once and repaired twice, the color banding on the digital bodies is awful, more subjectively I have a bit of difficulty with the 21mm : I always end up with skewed perspectives that I don’t like very much and also, yes, 21mm is very wide.

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Street shot : VC21mmF4 on M6 with the 21-25 VC finder : 21mm is wide but gives very dynamic shots

So the reasoning was that, as I have a 21mm already, why not try to address the finder issue first and if I still don’t love the 21mm then there is no point getting a new one. Of course that does not address the digital issue, but everything in its own time.

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Vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder

So lets hunt for a 21mm finder. There is a bit of  choice on the market : the plastic VC, the metal 21-25 VC, the old Leica in plastic or metal version, the Leica Universal Wide Finder. Ken Rockwell vouches for the plastic version of the Leica, but I ended up with the VC metal version that Riceball provided me in two weeks.

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More vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder

The VC metal finder is a nice piece of kit. It feels very good in the hand, (it better for about 200 USD), fits the cameras (IIIc, M6 and M262) and provide a nice view. I immediately tried it on the digital body and on two rolls of film. and I must say I am pleased with the results.

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Horizontal framing checked, VC21mmF4 on M6 with the 21-25 VC finder
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More Horizontal framing ( VC21mmF4 on M6 with the 21-25 VC finder)
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More vertical and back light( VC21mmF4 on M6 with the 21-25 VC finder)

So now what about the 21mm? Well I will probably have to shoot more before I decide, but already I think going back to my VC 21F4 by buying a new finder was a smart move : shall I love the 21mm and get the new lens, I already have a finder, shall I want to sell it I have a full kit now, or maybe I can just stick with the 21F4 for a  while.

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The 21 is very (very very) wide, the three street shots in this page were taken at about 2 to 3 meters from the subjects and they feel like I was miles away, so I will really need to step very close for my candid shots.

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I generally shoot 28, 35 and 50 Summicrons, so I must say that F4 is not mindblowing, but this is minor. On another hand the 21F4 is very tiny and pleasant to use, so I feel very comfortable when walking around that I look inconspicuous.

On a final note about the color shifting on digital bodies, some of the Leica profiles help correct it, I think one the 28mm F2.8 profile provides better results that others, have try.

  • Film color shots done on Kodak Portra 160NC with Leica M6 Classic
  • B&W shots done on Kodak TriX with Leica M6 Classic
You can’t hurry love (About the VC Color Skopar 21mm F4)

By the sea in Thailand with the Leica M6

I always found the mix of photography and beach repulsive, the salty breeze, the sand that gets everywhere, hands oily with sunscreen, splashes and the odds of falling into the water,… so much things happening that you don;t want a camera, let alone your precious Leica mixed into.

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Well I must say I am a bit fantasizing here, as an adult the experience of the beach is not necessarily the one I had when I grew up along the shore of the french riviera. A stroll along the water not involving leaving the camera on a beach towel or in a bag in the sun is now more common that is use to be, and if it is a day I intend to go for  dip, I generally take a lesser camera (read MEDIUM FORMAT ON THE BEACH : “LE CABANON DE LA PLAGE” AND MORE)

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The sea side always offer a special quality of light, that works particularly well in black and white.  2018-51-M6-21-05

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All shots with Leica M6 on Kodak TMAX400 (The shop ran out of TriX), the first three were taken with the Summicron 50 v5, the rest with the Summicron 28mm Asph v1. Shooting at 400 on this very bright morning means the lenses are completely stopped down and the shutter speed at 1/500s or 1/1000s, which may not be idea technically. My favorite film the TMAX100 would surely have been better, but…

As I am here, on the same roll of film were also some street shots taken in Bangkok on the say back from Hua Hin.

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A young film photog with his Olympus pen, he also shoots medium format.

Below are four shots of the food hawkers around our hotel near Lumpini park.

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A friendly and muscular worker along the Chao Phraya river near the Grand Palace2018-51-M6-21-32

Finally below are two shots of worshipers inside the Grand Palace i think.

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By the sea in Thailand with the Leica M6

The year of the piggy

L1006363What took me so long to write the next post? Frankly no idea. I probably said that I have a few other projects, like running a half marathon in June and also keeping an eye on the counter of the bike so I beat my mileage of last year. Plus a couple of family,  friends and (yes) work related things adding up.

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Nonetheless I keep shooting, so here are the digital shots of the week end before Chinese new year. These are shots with the now familiar Leica M262 and the not so faithful Summilux 50mmv2.

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The Summilux is back focusing a bit but I think I manage to compensate for it now.

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Traditional CNY outing is in Chinatown, where you can find a lot of stall selling food.

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And  a lot of people hanging around, shopping or not.

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Amazing enough this year is the year of the Pig again, meaning I arrived  in Singapore 12 years ago and completed the cycle of the Chinese zodiac.L1006388L1006390L1006406L1006408L1006413L1006415L1006417L1006688L1006693

The 50mm is a bit tight sometimes as below; I must say I am a recent convert to the 35 focal length.

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Below one of the many murals in town inspired by local life as it was a few decades back.

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The year of the piggy

Tadao Ando’s Church of the Light – Osaka

The Church of the light is Osaka, is one of the most famous designs of Japanese architect Tadao Ando and it was the highlight of our first day is Osaka.

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Built in 1989, is it located 20km from the center of Osaka. It is a quite small building the chapel which is the original building is only a bit more than 100 sq meter.

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When the parish approached Tadao Ando, the most important point was the lack of funding that was available for the building. That suits the minimalist approach of the architect who also chose to use some recycling planks for instance to built the bench.

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The most iconic feature of the building is the wall of the chapel at the back of the altar wit its hollowed cross from which the light pours.

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Bare concrete, narrow spaces, the emptiness is expected to make room for the spirituality.

 

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The chapel also contains an organ (with rear view mirrors)

10 years later a second building, the Sunday school,  was added on the side of the chapel with similar architectural elements.

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From the practical side : you can visit the web site of the church : http://ibaraki-kasugaoka-church.jp/e-forvisitors.html

You will learn that the church is not open for visits every day and that you have to register online for the visits. (we did). The ladies there were so nice that I don’t think it is  a problem if you forget to do it, but given the time to get there better be safe. The entrance is free but you are asked to make a small donation for the  maintenance of the building

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Accessing the church from Osaka you have to take the train to Ibaraki station (30 minutes) and then the bus the church. All in all it should take 45 minutes to an hour. At the station there are not many signs, you have to take but number two  which starts on the left most bus stop outside of the station when you face outside. There is a taxi stand there, you better ask than wandering for 20 minute like me.

The are plenty of excellent resources on the web of the church itself.

Color shots Leica M262, BW Leica M6+Ultrafine Xtreme 400ISO lens – Summicron 28,35 and 50

Tadao Ando’s Church of the Light – Osaka