Around city center with a 1970’s Minolta Himatic 7s

The Himatic 7s

Beginning of the year and excitement to try the Ultrafine Xtreme 400 that I am bulk loading, I am taking the odd camera from the treasure box.

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The painter (who is also a photographer)
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Major checker competition
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Back alley

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A couple of weeks back it was the turn of the 1970’s Minolta Himatic 7s. Actually the 7s was released in 1966 same year as me. The Himatic is a rangefinder camera with a sharp, fast 45mm F1.8 lens, and in-camera metering.

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Ok I don’t quite like the the Himatic too much : it is heavy feels clunky compare to the German rangefinders; it is not that fast to operate, and also the metering died on mide during a bike tour.

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I also the viewfinder to be not that bright and having too many signs inside; there are just three visible sides of the frame, so I always wonder how to frame the fourth.

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Shoe locker outside Mustapha

BUT when I got the roll from the shop I must say that I am impressed by the result, the lens is fast and sharp and the 45mm give a bit of air to the shots.

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This is my 3rd roll of the Ultrafine Xtreme 400 bulk and I quite like it. I am new to handrolling, the picture below is the last of the roll, so the first from the bulk that I attached to the canister and I think it was exposed to light. Pitty I like this shot.

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Upside down nap

I think I like the film, it is now 3 rolls I shot this year and 2 last years, it is on the contrasty side but nothing too extreme, so it makes a good replacement for TRI-X or TMY 400. The shot below is quite smooth as I like it. Actually tones quality reminds me of a proper wet paper print.

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Mmm also I fell the Epson v800 gives immediately better results that the v500, but this may be just because I paid so much for it.

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There will be no declugging for the Minolta, it belonged to one grand uncle, so that’s a keeper even if it goes out of the box only once a year.

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Around city center with a 1970’s Minolta Himatic 7s

CHANDIGARH – THE CAPITOL COMPLEX

 

The Open Hand Monument

So here we are on the last day of our trip, on the road to visit the Capitol Complex; the heart of Chandigarh, designed (partially) by Le Corbusier in the late 1950’s. An ode to modernist architecture that we have been longing to visit for years.

Palace of Assembly

Well not quite; aside from the bad planning (in my own opinion) of our travel agent, visiting Chandigarh is a bit more complicated than we thought. So apart from the 3 sites cited in my last post, there is nothing organised to visit the habitations buildings and finally you have to go through a guided tour to visit the Capitol Complex.

The Shadow Tower

This is not quite all : the two main buildings on the Capitol, the High court and the Assembly are in use (why should they not be after all?). So you cannot enter the High Court and you are lucky (we were) to enter the Assembly ( but no photos inside).

Punjab and Haryana High Court or palace of Justice

Add bye the time the guide assembled the small crowd of tourists we started our visit by mid morning, time was starting to be short and the light was quite bad for taking pictures.

As you can see above the high court is in use with layers in their work outfits.

Palace of assembly

In the opposite site of the plaza from the Hight court, the Palace of Assembly has a better lighting. It is overseeing a large pond and offers a spectacular view.


The holes in the front walls give nice perspectives and see through views.

Patterns on the assembly walls, reminding that man is the scale of the construction.

Getting out of the Assembly House the inevitable Ambassador car, now a civil servant official car, which used to be common taxis.

Mister Mohan

Our visit was accompanied by Mister Mohan, from the tourist Police who turned out to be a friendly person.

A few more things:

  • For the habitations buildings there are no restrictions to go and visit them, ask inhabitants,… we met some passionate french people who were spending a full week there. But Chandigarh is a big city so you better plan for what you want to see.
  • You can “pass by” on a road at the back of the Open Hand monument, in  a certain distance, without getting into a tour and then be able to take picture at better moments (I did not)
  • The tour of the Capitol Complex is a bit rushed through, you are not welcome to wander around or take too long with your photography nonsense,
  • You do not see on the pictures, the parking lots, the vans, the 20 Spanish tourists of our tour, the barriers,…
  • How did I manage to take so poor pictures of a site I longed to visit for decades? It shows (if needed) that some skills need working on.
  • Camera geekerry : color shots Leica M262, black and while Leica M6, Summicron 28 and Summicron 50
CHANDIGARH – THE CAPITOL COMPLEX

Amritsar street photography

Tea merchant

India is a feast for the street photographer, photo friendly people, a lot of color, everything is so different, so many things happening all the time. The tea merchant with his yellow scarf is one of the first pictures I took. Through the window of the car stuck in the traffic jam.

One of the many horse carts around

Soon we had to step out and walk to the golden temple as the traffic was so bad on Sunday. I stumbled on one of the many horse carts with the driver standing up gauging the traffic.

You can read the visit of the temple here.

Rickshaw driver

After the temple visit looking for our car, I came across this friendly rickshaw driver.

In the afternoon we went to Wagah border ceremony; here also the crowd after the ceremony on the way out offers many photo opportunities.

Ice cream

The crowd after the ceremony is eager to partake in ice cream, pop corns

The last pop corn parlor before the border

It gets dark quickly, and there is nearly one km of little stalls stretched along the car parks.

A fruit stall
Some more spicy stuff
“Let’s ride”: the burger stall

There is not enough time to stop at every stall to take some shots of vendors and their patrons. In this early evening, the lights, the fumes and the colors of the stalls make a beautiful composition every meter.

All shots with the Leica M262, Summicron 50mmF2.

Amritsar street photography

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

Sydney on Film

I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:

  • Leica M6
  • Leica M262
  • Summicron 28F2
  • Summaron 35mmF2.8
  • Summilux 50mmF1.4v2
  • Elmarit 90mmF2

5 or 6 rolls of film (I just shot 2) and small accessories.

I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.

On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.

The fish market is packed with Chinese tourists.

Men’s biz : a trendy barber in one of the galleries in central Sydney.

Sydney on Film

The year of shooting with Leica(s) – Part 1

 

I bought my first Leica in 2009; it was a very nice M4 paired with a Summilux 50mm version2; both from 1967 as close as I could to by date of birth (I was a bit worried at the time about getting involved in the double stroke or single stroke on the M3).  In 2009 I was already back into film for 2 years, I was lusting for a Leica. After much considerations I splurged the equivalent of 2500 USD on the above combo.

M4

If was not love at first sight with the Leica. First I was back to the shop (actually another) to invest in a light meter (Sekonic 380s). Then I brought it in  couple of trips, but with mixed feelings.

Japan 2010

I enjoyed using the little fellow, but really the results were no all great and also I have a trouble bringing the Leica on travel : I though the 35mm was redundant with my DSLR; at least in term of format.

The following years I bought a few other film cameras and got distracted, so indeed the love story with the M4 was not going the right way.

In 2013 I invested in a small LeicaIIIc and a Summitar 50mmF2; this fellow had a couple of problems, but I quite liked it for shooting around.
The Leica IIIc

I got a couple on third party lens in various stage of in-usability to pair him with (a back focusing Jupiter 35mm, a non-focusing Canon 135F4, not mentioning  the Industar of the Zorki 1) , but all in all we had good fun. Around this time I also invested in a 21mmF4 Color Skopar, that I always found difficult to use. And I made my first Leica trip only to Taiwan.

LeicaIIIc Taiwan 2013

Leica M4 Taiwan 2013

Last year finally when Lee Kwan Yew passed away I shot a lot of the funerals with the M4 and my interest was aroused again by the Leica M, so finally for a similar amount of the M4 kit, I bought a minty M6 Classic (Back) and a Summaron 35mmF2 (The version with the goggles).

And so started the year of shooting with Leica(s) (to be followed)

The year of shooting with Leica(s) – Part 1

CENO2 Graffiti Artist

This is the second time I bump into CENO2  over the past few years he is a Singaporean graffiti artist that lives abroad, apparently often in Chicago.

This time again I saw him working on a mural at Somerset Skate park in central Singapore. This was one of the first days where I was carrying around the M262 and Summicron 28.

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Back two weeks later I saw he had already replaced his drawing with the two followings.

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These were taken with the old Summilux 50mm V2 mounted on the M262.

You can learn more about Ceno2 at https://www.facebook.com/Ceno2Artkhalytis/

 

 

CENO2 Graffiti Artist