Summer holidays are just a memory now and after much procrastination, here is one of the rolls shot in this happy time (12th Roll of the year)
This is a roll of Polypan 50 shot at 100 ISO with the faithful M6 Classic and some Cron or another but most probably the 50mm v5. I have asked the lab to push one stop as this roll was given to me quite a few years back now by a friend in Singapore.
The street scenes are shot in Ai- en-Provence where I spend a couple of days with my family in August. The sun was hitting pretty hard which is quite ok for a low speed film.
You already know I am not too technical, but here we go for the techie moment: The Polypan 50 lacks a anti-halation layer ( I think it means no protection from the light bouncing from the back of the camera); this makes it glow in some areas, making the images a bit old time and dreamy. I also quite like the rather profound blacks, although not as much as in the Rollei retro 80s.
Aix is quite picturesque, but the next day we went to Chateau Lacoste, a magnificent estate 40 minutes drive from Aix, with Michelin starred chef restaurants, a vineyard, an entrance building made by Tadao Ando and dozens of art works spread in the garden.
Oh no that’s just a barrel.
Really worth visiting, I ll post more shots in the next posts.
Oh I lost track of the Polypan roll, well I think it aged a bit it seems there are marks here and there that are not common to processing issues, so I guess this is a bit of an experimental roll. For such a slow speed film it is a bit grainy, but all in all I really like it.
I still keep track of my rolls and sort them by date and year and enrich in Lightroom, the camera, film and lens ( Often an estimate). But when I used to boast of my one roll a week productivity, I must say I have now fell below one roll every second week.
I would like to shoot more but I don’t have time and may lack enthusiasm / drive / inspiration. This roll was shot in June 2022, with the Leica M6 classic, over a week end in Paris and the next one back in London.
This is a roll of Kodak TMAX 100, a film I really love for its high contrast in sunny weather, I bought a couple of rolls from Analogue Labs a few weeks before.
Most of the shots were taken with the Summicron 35mm Asph v2, really my go to lens. I love it for the perspective, but the 35 makes the pictures a bit too wide for me, my subject is always a bit lost in the frame, as I tend to avoid confrontation when I snap in the street with my wife/family.
On the other hand I frame my shots with just a couple of different styles, I think I manage to build a consistency in my flickr photo stream. I like my subject centred most of it.
We are so much into candid and street photography nowadays that sometimes I find it difficult to shoot non human subjects. They form a big part of urban poetry nonetheless.
Back in London it was Wimbledon and Mayfair offered public screening, with desk lounge chairs and drinks (of course)
Above shot is a bit missed, I thought the shadow would be more obviously funny/interesting, maybe I should reframe, but I rarely do too radical reframing just put upright a bit.
Heading to Soho always gives some opportunities, I met an American photog when shooting the above also carrying a M6 and a TLR.
Soho I said is always offering some opportunities.
As the light was going down, with 100 ISO the shutter speed had to go below 1/30’s hence the slight blur above.
So holidays were not over by then and I was still in Biarritz with the Leica M6 and a couple of Summicrons (35 and 50) when I loaded my second roll of Cinestill XX ( purchased in Aperture UK shop in London).
I think I changed the roll around the market, so some pictures of this place can be found on my previous post.
Markets are different that in Asia a Singaporean friend told me, Same same but different I reply. Goods, people, food, money,… all the same.
I found this set a bit flat to my taste, although the light was great that day, and it was still reasonably early.
I made the mistake not to ask the lab to scan in high res, so this format is the one at which I got my negs. I will have to rescan them but probably not immediately. I think the low res scan adds to the grain, but maybe I am wrong.
Biarritz has a market and also a seaside famous for surfing.
Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.
Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.
This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.
After leaving Paris, I travelled to my hometown of Cannes, famous for its festival, the beaches and its beautiful weather.
Cannes also boasts two main harbours, filled with oversized yachts but also with fishermen’s boats as in the two pictures above showing some traditional fishing boats called “pointus”.
The end of the bay on the east side is called la Pointe Croisette and hosts the casino named “Palm Beach”, whose name is sometime used to designate the area. The casino is under renovation, and for those with a culture in French cinema, the crane you see is located where the famous swimming pool of “Melodie en Sous Sol” was located.
Cannes is not just for stars : locals still play the “petanque”
And not all drive Rolls Royces.
A tiny Autobianchi can be found on the harbour (in excellent condition)
There was a lot of activity along the beach this year. Some relax, some have to work, thats life.
All shots with Leica M262 and 35mm Summicron Asph v2 or Elmar 50mmF3.5 ltm, what else do you need?
When life is slow and shooting slower, or when life is too fast to shoot, isn’t there an opportunity to look back at the albums ( ie Lightroom folders) for recent or not so recent pictures?
I don’t’ know how you sort your pictures, for me the digital shots end up being sorted in monthly folders (unless there is a very special event and I group them into that folder). I also end up putting the scans of each film roll in a separate subfolder under each monthly one.
I originally load these images in my working hard drive, but then move them to an externals one always attached to my PC plus a couple of backups. Its not fool proof but it means all my pictures are both at arms reach and reasonably safe. I do not have an off site backup though.
That also ensures I can “focus” on the images that are recent (or not so ) and that I have not shared.
Well lets say that when shooting gets slow and I need something to share I know where to look at. SO today these are some shots done around Singapore in May 2021, nearly 6 month ago.
Another time another place says the song. Walking around a few places I liked carrying around the Leica M262 and I think the 35mmSummicron Asph v2.
It is getting colder in London and there is some satisfaction looking at pictures from a warmer place.
Don’t worry I am not turning all sad and nostalgic, I have ordered some Ilford Fixer and some Vitamin C for the next round of Caffenol and even invested in a Thermometer so I can work properly. I have to Washing Soda at the moment but that will come soon.
So that’s it after 14 years in Asia I am moving back to Europe, UK to be precise. I have now been 6 weeks on the old continent, and a first post is long overdue. While all my stuff is in transit, I have carried in my hand luggage the M6 and the M262 with 3 summicrons, the 28, 35 and 50.
I have finished my first roll of expired Fuji Across 100 and had it process at the first shot I could find for the whooping price of 16 GBP. I could hardly believe it, but I will be back to Cafenol soon so this is a one off. It seems however that prices of film are a bit higher that in Singapore.
Shooting in a new country is both exhilarating and inhibiting : I can see so many new things to capture but also I am a bit camera shy these days, and don’t really know how people will react to the camera. I have engaged a couple of photographers in the street and they assured me there was no problem with this, but I have to get into the mood.
Strange enough, I don’t see many people with cameras in the street and I am yet to meet a Leica shooter, but I am keeping my eyes open.
The shots were scanned by the shop (Snappy Snap), it seems they did an ok job at it.
I hope you’ll enjoy the reading, my second roll is nearly done and I start having a backlog of digital, so get ready for more posts. All shots Leia M6 + summicron 28 Asph v1
A short post with not many words for the roll 14th of the year 2021. This is a roll of Ilford HP5+ hand-rolled from a bulk roll. I thought I counted 30 frames but it looks It did not count well and could just fire 25 shots.
I dug out the Leica M4 from the box and screw the Voigtländer 21mmF4 Color Skopar in front of it, set the 21-24mm finder, put a battery in my Sekonic light meter and hit the road.
The roll was processed at home in Caffenol Delta. I put a 6th of the water from the fridge to cool down the very hot tap water ( 29 to 30 degrees), and used the usual dev time (4.41 minutes) for the delta recipe. It looks it had a positive effect as the negatives were not as dark as usual.
The film dried overnight and was scanned today. After scanning there are a few dusts specs and white spots, but all in all a pretty successful processing.
A pretty mundane set of pictures : after 15 month without leaving Singapore, I start to be a bit bored. No big celebrations are happenings, it s a bit more of the same every week ends.
I shall not complain too much as the weather was pretty good that day, instead of the usual downpour we get on afternoons these days.
Luckily sometime the unexpected steps into the frame
Or you have lunch with friends
And suddenly when you feel you are finally in the mood, the film ends.
Passing my favorite photo shop the other day (Ruby Ye in Excelsior Plaza basement), I noticed a stack of an unknown (to me) boxes of film. I was told it is Kosmo Foto Mono. I heard of the brand before but never tried it. So I could not resist, parted from 14 SGD and walked home.
Next day was an unformal outing of the HUGS (Hasselblad User Group Singapore) and I brought both the Hassie (see last post) and the Leica M6 loaded with the said Kosmo Foto Mono and mounted with the 50mm Summilux v2 (My first ever Leica Lens). We met in Chinatown, to capture the Chinese New Year atmosphere.
That day was also the outing of the Urban Sketchers group, which gave us (me) plenty of pictures opportunity, I like shooting random strangers, but strangers in action is even better.
The Mono is a 100 ISO film, the weather that morning was quite ok for outdoor shots with normal speed and aperture. Except the below, inside the Chinatown complete, probably full open and 1/60 sec.
When I reached home after lunch the tricky question came : how do I process this film? Querying the Caffenol Facebook group I learned that this is some rebranded Kentmere 100, so I looked up processing time. But when I removed the label to take a nice scan of it for my collection I noticed the canister actually says Fomo.
Who to believe? Anyway checking the Massive Development Chart I noticed both the Kentmere 100 and the Foma 100 have the same development time for the same Caffenol formula. My vitamin C stock is a bit depleted but I still could find enough to process one roll with the following formula:
500 ml water. 27g Washing Soda, 8 g Vitamin C , 20g Netscafe classic
My room temperature here in Singapore is 28 Deg, so I scaled the time and processed for 6 minutes, with agitation the first 20 seconds then 3 inversions every minute. Using Ilford method to rinse, Ilford rapid fixer and dishwashing soap in the last rinse batch.
The negative is a bit over but the scams are looking good. There is a certain softness to them which is quite pleasant. 14$ is a bit expensive for a standard 100 ISO film, but I quite like the results so I may give it another try (oh yes maybe I have to finish by 100ft roll of Ilford Delta first, I probably have the equivalent of 12 rolls left in there)