After leaving Paris, I travelled to my hometown of Cannes, famous for its festival, the beaches and its beautiful weather.
Cannes also boasts two main harbours, filled with oversized yachts but also with fishermen’s boats as in the two pictures above showing some traditional fishing boats called “pointus”.
The end of the bay on the east side is called la Pointe Croisette and hosts the casino named “Palm Beach”, whose name is sometime used to designate the area. The casino is under renovation, and for those with a culture in French cinema, the crane you see is located where the famous swimming pool of “Melodie en Sous Sol” was located.
Cannes is not just for stars : locals still play the “petanque”
And not all drive Rolls Royces.
A tiny Autobianchi can be found on the harbour (in excellent condition)
There was a lot of activity along the beach this year. Some relax, some have to work, thats life.
All shots with Leica M262 and 35mm Summicron Asph v2 or Elmar 50mmF3.5 ltm, what else do you need?
If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).
So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.
You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.
Goldilocks’ car a pre WWII Citroen Rosalie I think
6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.
I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…
Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.
This is a follow up of the first roll shot in Hanoi (here). On the way back to Sapa, we stopped in the area from Hanoi which is close to the lake for a single night, lucky enough thee was this nice market next door.
Best shot of the roll was the first one, on the evening of the arrival, this man was barbecuing meet outside of the market.
This also is a roll of Tri-X 400 shot with the Leica M6, and the Summicron 50mm v5.
The market is small but large enough to shop with your moped.
The market though small has several entrances making for interesting lights (not that I may have used it).
Outside the market the area is very lively with street sellers, small shops and all.
On the fringe of the old quarter this is a nice area to visit, a lot of small hotels, shops, an further out you can walk to the lake are.
So off to Vietnam for Xmas 2019, for a bit of chilling time over Christmas. In the bag, the usual kit, M262, M6, 28,35 and 50 crons and of course a couple of Tri-x rolls.
Hanoi is a great place to shoot. People are friendly and generally not photo adverse. There are so many pictures to take, that if you cannot take one, just walk to the next.
As usual, the M6 is most often mounted with the 50 cron, that ensures a reasonable distance for candid shots.
Street side food vendors and their patrons are still a great subject.
I was last in Hanoi 10 years ago and the traffic has not changed, crossing the roads still feels like an adventure and motorcycles are omnipresent.
We arrived late on Christmas eve, so our first outing was a walk to Saint Joseph Cathedral on Christmas day. The mass was already going on when we reached and people were standing outside of the church.
After the service an orchestra was playing outside.
A good opportunity for selfies.
We walked down to the Metropole hotel, where the two Citroen below are standing guard. I stayed there 10 years ago, and at that time they could be sent to fetch you from the airport in style.
We then walk north in direction of Long Bien bridge, going through the old quarter.
Among many, I met these local photographers and we took shots of each others.
Finally we made it to Long Ben bridge.
Where I met the two young film photographers below.
Hey this was a long post. Be reassured the next roll is not as good.
Holidays are (were) here, once again I was very excited at the perspective of having something different to shoot (or just something extra, or just something). Something different this time was Australia, a family trip to the Coral Reef and Ayers Rock
As usual now I picked up the travel kit in my travel bag (3 year old Wotancraft scout) : The Leica M262 and Leica M6, plus a few lenses, 28 / 35 / 50 Summicrons and also the 90mm Elmarit. I know that’s a bit too much, but hey you don’t travel these places every week.
I was quite excited to shot a roll of Kodak Ektachrome. This is my third roll and I quite like it. I an not a great landscape photographer, but I had to give it by best shot.
Most of the shots here are done with the 28mm Summicron Asph V1.
I could jest by saying my recipe to shoot slide is : load the roll, removes the lens cap, aim, shoot. But that’s pretty is actually, the M6 meter is accurate (I changed the batteries before the holidays).
100 ISO is great for full daylight, still it was very bright, I cannot recall exactly, but a lot of shots where around 1/250 and F11.
The next best thing to shooting the the seascape is looking at sunsets. I often mock shooting sunsets, a bit cheesy, yeah yeah, but when its nice, its nice.
And the slide film is doing a good job in this case as well. Mettering was a bit more on the guesstimate side. It was a bit easy for me because I made the guesstimate work with the M240, so I did not lost many shots doing the above and the next one.
Final sunset with drinks at the jetty above before heading back to Cairns the next day, and hanging around a couple days there before reading to Ayers Rock.
Ayers rock is a beautiful place, at that time of the year (late October) but very hot (40 degrees Celsius), the colors are gorgeous. We had a very short stay there, so we did what we could.
We walked around the rock at lunchtime and dined under the stars.
Uluru is surely a superb place, beautiful, magic to a certain extent, maybe not as toutching as other places I have been to, but maybe I did not stay long enough.
And finally before you ask, I was in Uluru after the rock was closed from climbing, and would I have been there the week before I would have not climbed it.
Finally I shot a single roll during that week. The rest is digital and maybe that would be for another post.
I am cleaning a bit of my backlog, and found on my work-space some remaining pictures of our Taiwan trip back in Feb/March.
The only day we decided to take a tour with our friendly guide was also the only rainy day of the trip so it ends up being a no so great experience.
We took off from our hotel in Daan and headed to the North West, to visit what I believe is the Wufeng Lin Family Mansion and Garden. A historical house and garden from a rich Taiwanese family.
This is a very nicely preserved house, a quite interesting visit, not a good as the Lin Family mansion in Banqiao district but still a nice thing to see.
We then drove down to see the change of the guard at the National Revolutionary Martyrs’ Shrine, but we arrived too late, and the rain started. Continuing further west we stopped in Beitou, a suburb of Taipei known for its hot springs
The place made its living through mining and hospitality, including bath and spas.
There is a very nice museum is an old bath house, including the beautiful pool below.
At this point we headed along the Tamsui River to the fisherman’s wharf for lunch. We did not find anything much exciting, had a sandwich and then a long walk, without rain, before finding our car again.
The last stop was Tamsui old street, that we reached after visiting the interesting Fort San Domingo, showing an interesting display of the colonial times. By then the weather started to be very.
We nevertheless spent a good hour walking along the Tamsui River and through the old street with a stop at the beautiful Longshan temple, above and below.
Finally, after a nice Taiwan beer in a dry place, we happily headed back to the city and our hotel ( probably the rain stopped along the way ).
All shots Leica M262, Summicron 28/50/35, it was another day where the weather was not enticing to pull out the M6 and play with two cameras.
One of the thinks I wanted to visit during my last trip to London was Barbican Center.
The estate is an example of Britsh Brutalist architecture built between the 1960s in an area once devastated by World War II bombings. Opened in 1969 and is now home to around 4,000 people living in 2,014 apartments. The residential estate consists of three tower blocks and 13 terrace blocks. You can read more at https://en.wikipedia.org/wiki/Barbican_Estate
I cant remember having been there in my many trips to London when I was younger, I probably spent most of my time around Camden, Soho and Portobello road.
I finally reached the place on a rainy afternoon ; weather and timing were no really photography friendly. I did not take any film shots and I think I only used the 35 and 35 summicrons. I regret not having pulled out the M6 loaded with Tri-x from the bag, but it was really feeling cold and wet at the time
The place is really majestuous in its own way, it has been shot many times and its probably great for on location shots. The brutalist style is characterized by the usage of concrete on the outside parts of the buildings.
There are a lot of different constructions, passages and angles which can provide a great variety of subjects.
How to get there? Easy : Barbican is an underground stop on the Circle line, Hammersmith & City line and Metropolitan line.
A lot of details of the architecture and decoration are surely work a look as the lift lobby above (where does this flare come from?)
There are plenty of resources online about the estate, even some BBC programs about life in the estate.
All shots taken with Leica M262 and summicrons 28mm Asph v1 and 35mm Asph v2
I always found the mix of photography and beach repulsive, the salty breeze, the sand that gets everywhere, hands oily with sunscreen, splashes and the odds of falling into the water,… so much things happening that you don;t want a camera, let alone your precious Leica mixed into.
Well I must say I am a bit fantasizing here, as an adult the experience of the beach is not necessarily the one I had when I grew up along the shore of the french riviera. A stroll along the water not involving leaving the camera on a beach towel or in a bag in the sun is now more common that is use to be, and if it is a day I intend to go for dip, I generally take a lesser camera (read MEDIUM FORMAT ON THE BEACH : “LE CABANON DE LA PLAGE” AND MORE)
The sea side always offer a special quality of light, that works particularly well in black and white.
Also it is an endless opportunity of activities, landscapes and man made constructions.
All shots with Leica M6 on Kodak TMAX400 (The shop ran out of TriX), the first three were taken with the Summicron 50 v5, the rest with the Summicron 28mm Asph v1. Shooting at 400 on this very bright morning means the lenses are completely stopped down and the shutter speed at 1/500s or 1/1000s, which may not be idea technically. My favorite film the TMAX100 would surely have been better, but…
As I am here, on the same roll of film were also some street shots taken in Bangkok on the say back from Hua Hin.
A young film photog with his Olympus pen, he also shoots medium format.
Below are four shots of the food hawkers around our hotel near Lumpini park.
A friendly and muscular worker along the Chao Phraya river near the Grand Palace
Finally below are two shots of worshipers inside the Grand Palace i think.
The Church of the light is Osaka, is one of the most famous designs of JapanesearchitectTadao Ando and it was the highlight of our first day is Osaka.
Built in 1989, is it located 20km from the center of Osaka. It is a quite small building the chapel which is the original building is only a bit more than 100 sq meter.
When the parish approached Tadao Ando, the most important point was the lack of funding that was available for the building. That suits the minimalist approach of the architect who also chose to use some recycling planks for instance to built the bench.
The most iconic feature of the building is the wall of the chapel at the back of the altar wit its hollowed cross from which the light pours.
Bare concrete, narrow spaces, the emptiness is expected to make room for the spirituality.
The chapel also contains an organ (with rear view mirrors)
10 years later a second building, the Sunday school, was added on the side of the chapel with similar architectural elements.
You will learn that the church is not open for visits every day and that you have to register online for the visits. (we did). The ladies there were so nice that I don’t think it is a problem if you forget to do it, but given the time to get there better be safe. The entrance is free but you are asked to make a small donation for the maintenance of the building
Accessing the church from Osaka you have to take the train to Ibaraki station (30 minutes) and then the bus the church. All in all it should take 45 minutes to an hour. At the station there are not many signs, you have to take but number two which starts on the left most bus stop outside of the station when you face outside. There is a taxi stand there, you better ask than wandering for 20 minute like me.
The are plenty of excellent resources on the web of the church itself.
Color shots Leica M262, BW Leica M6+Ultrafine Xtreme 400ISO lens – Summicron 28,35 and 50