The city is one of the most sacred places in Sikhism, it is a big hour drive from Chandigarh.
The main Gurudwara is situated on a hill, you walk up from the parking.
It is quite beautiful and offers a great view on the surrounding area.
This place receives a lot of pilgrims as it is the place where the last two Sikh Gurus lived, so it is quite interesting to see the infrastructure. Below a hall were pilgrims can rest.
And below a young Sikh guarding the guesthouse for pilgrims (we unfortunately could not visit one).
The communal kitchen of this Gurudwara is also hudge. They have big pots.
In the kitchen he lady below started singing while making chapatis.
Finally a good shot of the chapati making machine:
Next we walked to a nearby temple with a sacred well a hundred stairs below ground.
From the outside there is a beautiful view on the Virasat-e-Khalsa, the museum of Punjab and Sikhism.
This museum is very well done, interesting and didactic, although it may sound a bit propagandist or proselyte , it gives a lot of information on the history of Punjab and Sikhism. I think it is a must do, to help memorize or clarify the things we learned through our trip.
So here we are on the last day of our trip, on the road to visit the Capitol Complex; the heart of Chandigarh, designed (partially) by Le Corbusier in the late 1950’s. An ode to modernist architecture that we have been longing to visit for years.
Well not quite; aside from the bad planning (in my own opinion) of our travel agent, visiting Chandigarh is a bit more complicated than we thought. So apart from the 3 sites cited in my last post, there is nothing organised to visit the habitations buildings and finally you have to go through a guided tour to visit the Capitol Complex.
This is not quite all : the two main buildings on the Capitol, the High court and the Assembly are in use (why should they not be after all?). So you cannot enter the High Court and you are lucky (we were) to enter the Assembly ( but no photos inside).
Add bye the time the guide assembled the small crowd of tourists we started our visit by mid morning, time was starting to be short and the light was quite bad for taking pictures.
As you can see above the high court is in use with layers in their work outfits.
In the opposite site of the plaza from the Hight court, the Palace of Assembly has a better lighting. It is overseeing a large pond and offers a spectacular view.
The holes in the front walls give nice perspectives and see through views.
Patterns on the assembly walls, reminding that man is the scale of the construction.
Getting out of the Assembly House the inevitable Ambassador car, now a civil servant official car, which used to be common taxis.
Our visit was accompanied by Mister Mohan, from the tourist Police who turned out to be a friendly person.
A few more things:
For the habitations buildings there are no restrictions to go and visit them, ask inhabitants,… we met some passionate french people who were spending a full week there. But Chandigarh is a big city so you better plan for what you want to see.
You can “pass by” on a road at the back of the Open Hand monument, in a certain distance, without getting into a tour and then be able to take picture at better moments (I did not)
The tour of the Capitol Complex is a bit rushed through, you are not welcome to wander around or take too long with your photography nonsense,
You do not see on the pictures, the parking lots, the vans, the 20 Spanish tourists of our tour, the barriers,…
How did I manage to take so poor pictures of a site I longed to visit for decades? It shows (if needed) that some skills need working on.
Camera geekerry : color shots Leica M262, black and while Leica M6, Summicron 28 and Summicron 50
Here we go again, here is my new year message to the world : happy new year to all go out and keep shooting film.
I think 2017 has been another very good year for film photography; the medium is getting more and more momentum. We saw a lot of new films released :Cinestill finally delivered the 120 version of 800T and 50D, Rollei gave us the Vario slide, Kodak is working on reviving Ektachrome, Japan Camera Hunter made more street pan and now has a second line, and more niche brands are creating or reviving special films. Of course Fuji keep on thinning his product line and Film Ferania is still not able to deliver its products. All in all the future of film is bright and it looks we are living more than just a fad. On the down side film camera prices are going up, but for most of it probably just from insanely low to still acceptable. The most expensive gear, Leica like, has not gone up much. Only the lenses that can be used on DSLR or four third cameras has seen unreasonably hikes.
As in the past (2015, 2016) lets see how I plaid my part this year.
I managed to beat my own record once again by shooting 65 rolls this year, 1 more that last year. With both 120 and 35 mm format that should be close to 2000 pictures. I would say that 1 roll per week is a good average, as I also shoot digital.
Below is breakdown of the rolls shot by camera:
Number of rolls
Last year rank
Agfa Isolette III
Kodak Autographic Jr 3a
Heineken Toy Camera
Clearly the Leica’s are the star of the year, now I shoot Leica digital, I always carry the M6 on holidays. Apart from a small issue on the winding side, this is a perfect image making machine and I now have a good set of lenses (28, 50, 90) that are foolproof and cover most situations. The Leica IIIc, is still my most used “lesser” camera, I invested in a beautiful 35mm F3.5 Summaron this year, and despite maybe a small intermittent curtain problem I can now use it without second hesitation. I still love the M4, but lacking meter it stayed home most of the year, until I dig it out this autumn, this one is faultless. I still love the Hasselblad, but I hardly carry it with me on holidays anymore, pity because my fridge is loaded with 120 rolls ,I have a long standing project of portraits that I may finally launch this year… The rest is done with my older cameras which for most have issues now, so I managed to make some odd nice shots but I would think twice before using them again.
This year again I offer you a breakdown of the films I shot :
Count of Film No
Rollei Retro 400s
Kodak TMY 400
Kodak TRI X
Fuji Fuji Xtra 800
Kodak Portra 160
Kodak TMX 100
Rollei Retro 80s
JCH 400 pan
Kodak Portra 400
Rollei Superpan 200
Fuji Superia 400
FilmNeverDies Shirokuro 400
Fuji Velvia 50
Rollei Retro 80s
Ilford Delta 100
Rollei ATP 32
This is a big variety; but as last year majority is 35mm, back and white; but there are about 20 colors rolls (10 last year) and a total of 16 120 format films (7 last year). The surprise may come at the Polypan 50 iso coming first with 9 rolls, these (and more) were given to me by my friend Ray, I like how it goes out and enjoy shooting at iso 50. Kodak and Rollei are still high up in the list.
The news was the Bergger Panchro, the Cinestill 50D and 800T in 120 format, but I did not made anything outstanding with them.
I confirmed this year my attachment to Leica systems, I nearly did not shoot any Nikon, apart on digital for some events. This year I plan to stick to the same program, camera and film wise, I have a bulk roll of Ultrafine Extreme 400, so this will give me 20 roll of 36 shots more or less, and the fridge is still stocked (around 50 rolls in there). I plan to upgrade my scanner, I have the Epson 500 for 8 years now, it served me well, I may have scanned, 300 rolls with it so that’s 1.5 $ a roll for scanning, I think it paid well for itself.
India is a feast for the street photographer, photo friendly people, a lot of color, everything is so different, so many things happening all the time. The tea merchant with his yellow scarf is one of the first pictures I took. Through the window of the car stuck in the traffic jam.
Soon we had to step out and walk to the golden temple as the traffic was so bad on Sunday. I stumbled on one of the many horse carts with the driver standing up gauging the traffic.
After the temple visit looking for our car, I came across this friendly rickshaw driver.
In the afternoon we went to Wagah border ceremony; here also the crowd after the ceremony on the way out offers many photo opportunities.
The crowd after the ceremony is eager to partake in ice cream, pop corns
It gets dark quickly, and there is nearly one km of little stalls stretched along the car parks.
There is not enough time to stop at every stall to take some shots of vendors and their patrons. In this early evening, the lights, the fumes and the colors of the stalls make a beautiful composition every meter.
The lowering of the flags ceremony at the Wagah border between India and Pakistan is a daily event attracting crowds of locals and tourists alike. It is a well oiled affair and when following a few basic instructions if very easy to attend.
From the Indian side, once you reached to the last parking before the border you will have to walk 1 or 2 Km before getting to the venue. You need to carry your passport if you are a foreigner, which will bring you to a separate seating area (more later)
You cannot carry much apart from cameras and wallet. No bags are allowed, I read that bringing in water is not allowed, but you can buy some inside.
I carried 2 Leica M bodies with lenses and the 90mm in my pocket, my passport, cell phone and wallet without problem.Note that cell phones are not working in the area.
The venue looks like a stadium with the actual border being at the center. The crowd can go as high as 2000 people from the Indian side.
The event starts at 5h30pm and last 30 minutes. You need to arrive well in advance ( we were there by 4h30pm ) to secure a seating; I was told that some people were sent back on the day we were there.
The ceremony is a show of rivalry and cooperation between the two countries, It starts with preliminaries of Bollywood style music played full blast, and displays of flags.
After a moment the guards will enter the arena and do their show.
The crucial bit is the seating, the area reserved for foreign passport holders in quite close to the border and on the top of the seats, this has the advantage of giving us some shade (the sun sets in the Pakistani side and it became very hot at some point), but the view of the Pakistan side is quite limited.
Also you are quite far ways form the show; the pictures here are done with the 90mm Elmarit on the M262, they give a good description of the event but are not great. Also keep in mind the light it not great and goes down, I needed higher ISO (400, then 640 then 1000) and also the place is very dusty.
Can you do better? Well yes: hang around until the top sits are full so you can sit lower and have a closer / better view. But the border guards are trying hard to make you sit at the right place.
At the end of the show it is possible to go close to the border and have a shot or two with some Indian guards.
I am not a great fan of demonstrations of national pride, but this was really fun. I was a bit concerned by the security aspect, being so close to the border, but it did some seem to bother the many foreigners that were present and I it did not feel unsafe there.
During our trip to Chiang Rai one of the most exciting activities available is to walk into Burma, for a few hours only. Driving one hour from our resort in Chiang Saen (already one hour north of Chiang Rai), we arrive in the Mae Sai checkpoint where it is possible to cross the border and enter Myanmar at Tachileik.
This in the Shan State; Tachileik boasts 50000 inhabitants.
Crossing the border is allowed provided that you leave your passport at the border and pay a nominal fee. Overnight stay is not permitted and I read that guesthouses in the border areas of Myanmar are not allowed to host foreign tourists.
The area close to the checkpoint has a busy market where Thai and Chinese tourists like to shop, for cheap counterweight of handbags, watches and so on. We rode a tuck tuck outside of this area in a more rural side of the city with its food market.
Aside from the usual colorful street life, a nearby covered market, shows more food stalls.
But also some fashion shops; tailors, housewares,…
A few streets from there, a Buddhist monastery, hosts young and old monks who were having their lunch when we arrived. There we could witness the ceremonial of meals, who its first, who last who eats what is not eaten by the others.
The main attraction in Tachileik may well be the replica of the Shwedagon Pagoda. Situated on a small hill. There are a few tourist / devotee stalls outside and food stalls on the parking.
One of the food stalls around the pagoda.
I tried one of these sweet pancakes, delicious. Grilled for you on the spot on the ground of the parking.
Our guide was very knowledgeable or the area and spoke fluent Burmese which made the experience very enjoyable.
3 hours in Myanmar, a new Stamp on our passports, time to head back in Thailand.
I felt very lucky last week when a friend of my wife told us a bout a fire dragon performance organized by a temple in Balestier area in Singapore. In 9 years here I have never seen such a thing and was very thrilled to see one.
The Fu De Gong temple is located in Kim keat lane, very easy to access by bus. I have been told by the friendly member of the temple that this is a taoist temple. I did not see the actual temple as we arrived at night fall and the premises were covered by the tent hosting the celebration.
There was maybe a couple of hundred people attending, on one side of the tent was a stage with a Cantonese opera (or wayang) on the other side a large shrine and in the middle an area for the performances.
When we arrived a very good quality lion dance was in process and we enjoyed for a good half hour until the riot begin. From the end of the road the Dragon was approaching; with music and flames; until it finally enters the tent (but that’s another story)…