A Harman Phoenix 200 test roll

Happy new year dear readers. January is coming to its end, but its never too late, so here is my first post of the year.

Back in December we visited the amazing exhibition of Daido Moriyama at the Photographer’s Gallery in Soho ( London) and I discovered that their shop in the basement has a dream selection of films.

I am still going to patronize the usual smaller shops but I think it’s great to be able to put one’s hand on the stuff you read about in blogposts. So I browsed the shelves and found a roll of the just available ( and if I am correct not for long) color film from Harman.

I vaguely remembered that Harman is the company producing the Ilford films, but frankly I don’t know much more. So at the end of December we were back home in Cannes for family holidays and I finished my roll of TMY400 and loaded the roll of Phoenix 200.

As you can see on the first picture the film has a very pretty ( odd?) yellow color out of the canister and once processed a pronounced purple tint. I loaded the film in full light, in the skate park above, but I don’t think it had any effect. And set the meter to 200ISO, although the film is said to have latitude ( but not so much if you read some reviews).

The skate park is a new addition to the Cannes cityscape, that day was really gorgeous and the tint of the film goes pretty well with the colors of the place.

Moving a bit further towards the Pointe de la Croisette I took a couple of shots of boats. I think we see here what people mean by the film being very contrasty.

I quite like the picture above, probably the color scheme fell right into the soft spot of the film, and the light being softer the contrast is less accentuated ( oxymoron )?

The four pictures above are taken along the promenade des Anglais in Nice. A certain atmosphere develops there, probably mid afternoon winter light and overcast day helps with the contrast. The feeling is very vintage.

Back in London, the dummies below were remarkable by their red heads. The glow is quite funny, I would say unexpected.

The Standard building renders pretty well ( overcast, mid afternoon ) with not so much color cast. Definitely vintage and some glow around the lights.

Bye Bye Georg Baselitz sculpture in Hyde Park.

Finally walking on a beautiful lunch time towards Hyde Park I met these two nice Brazilian students, one holding a Nikon F3, we had quite a long chat ( in the cold), and parted our way after taking this shot. This gives an idea of how skin tones are rendered.

Final word? Probably worth a try. Surely has a lot of character, I think Hartman said the film was experimental. A very specific vintage look, a lot of contrast but I probably won’t try again to be honest. If I compare with the post about the Cinestill 400 D I think the Cinestill has a lot less color cast, a smoother rendering of contrast, but ok its more expensive ( 12.5 GBP vs 17 GBP if I remember well).

Agent Shadow in Paris

The Leica M4 was my first Leica, I bought it in 2011 for the incredible amount of roughly 2000 Eur with a Summilux 50mm v2 attached, to the amazement of my son ( 9 years old then ) who looked at me counting 100 SGD bills as I paid the seller.

Bibliotheque Mazarine, Institut e France – Paris

The M4 had a strange double effect on me : first it was not love at first sight, second it still pushed me further down the Leica rabbit hole. Fast forward 12 years, I only shoot rangefinders ( 90% or more of my pictures ) and I sold my Nikon Digital Kit (awesome gear) .

Libre Service

So as per the opening picture I still own the M4, and shoot with it from time to time, the lack of a meter make me use the M6 more ( or the IIIC if I want to go back to basic). Over all these years however I am ashamed to admit that I have only shot about 50 rolls with it, so roughly 4 a year.

Bourse du commerce

Heading for Paris recently I attached the Summicron 35mm Asph v2 ( the only Leica Lens I ever bought new ) and loaded my second roll of Kosmo Foto Agent Shadow film. This is a pretty sexy combo, I also carried the Sekonic 380x.

La petite tailleuse de pierres

Actually not : the young lady above is not a stone mason, but close enough : she is a project manager in a company renovating historical buildings. And she was giving a hand for the “Journées du Patrimoine”, and yes : she can handle a hammer.

I can’t I have pop-up

So back to Agent Shadow… I found the name a bit ridiculous, why do you have to give witty names to films? Also I was not so amazed by my first roll. But at a third of the TMY / TRI-X price, it is worth giving it a second chance.

A Love Letter to Paris by Peter Turnley, by the Paris Townhall

In fact this roll gave me some good reasons to like the film : it is not too contrasty, grain is small, details are good. All in all this a very good midway between the HP5 and the TMY.

La Sorbonne

Mazarin statue on his tomb

We were lucky to be in Paris during the Journées Européennes du Patrimoine as we could visit a couple of historical buildings like the Institut de France, la Sorbonne and the College de France.

La Sorbonne library

A professor introducing us to the College de France

On the last day we had a bit of street action as the sun was going down. Walking towards Chatelet, we met what was left of a street party / demonstration.

On n’arrete pas un peuple qui danse

When suddenly arrived a massive party of rollers / cyclists.

Causing an interesting / interested reaction from the party side of the place.

Ensemble / together

I hope you enjoyed the pics. Film was processed ( and bought ) at Analogue Films in Shoreditch.

Leica IIIC, VC 21 and Kodak Profoto : mundane shots in London

Knightsbidge

Quite a while back actually, I shot a first roll after the IIIC was repaired. But one roll is not enough right?

Notting Hill

So, on a sunny day, I loaded the little fellow with a roll of Kodak Profoto 100 a fool proof colour print film that comes and goes from the shelfs, and screwed the Voigtlander Color Skopar 21mmF4 on its front.

First set of pictures were taken during a big walk to Notting Hill, Portobello road and back.

The area is usually very colourful and have a lovely rendering on film.

And the 21mm give some good dynamics to the pictures.

If you are familiar with my blog, you remember that a couple of years back I bought a metal 21/25mm external viewfinder made by Voigtlander to replace the plastic one that comes with the lens.

The optics of the plastic finder seems to unglue itself and move so its not fit for its purpose. I brought it back to the shop once, then tried to repair it myself, not so easy. In the end I bought the separate viewfinder for about half of the price of the lens ( both new).

As I am in no haste of finishing any roll, a week passed for the next stroll to Brick Lane.

Crossing the City on our way to Brick Lane ( because the tube broke down), we came across this white dead tree which in fact an art work by Maurizio Catellan.

… and we finally hit brick lane and its murals.

And another week passed, until we finally walked by Marylebone (above) and Soho ( Below).

In between, the Thai restaurant below is situated opposite the Aperture Camera shop where the IIIC was repaired.

There is always some action in Soho, but not enough to finish the roll. Luckily there is always a Sunday walk to Hyde Park…

where a lucky young fellow turned 30.

Very happy to walk around with the IIIC again and see that’s its working fine. The 21mm is still a hard beast to master and there are a couple of missed shots with my fingers in the frame. I finally quite like the film, maybe its better for evenly lit scenes. But overall I cannot complain.

NOTTING HILL CARNIVAL 2023 – 5 film shots

This is a small follow-up to Notting Hill Carnival 2023. I also carried with me the Leica M4 and Summicron 50mm v5 loaded with a roll of Kosmo Photo Agent Shadow.

This is the first time I use this 400 ISO film, and I don’t have a lot of info on it. Is it a knock-off of some existing formula ? I am not sure. It is said to be a 400-ISO panchromatic black-and-white film, so far so good. I read that the Mono 100 was some rebranded Fomapan 100, so it is likely to be a rebranded film, maybe Kentmere or Fomapan, I cannot find any decisive information.

The day was super bright anyway so al these shots were taken around F8 and 1/250th. I don’t this I measured for each shot, rather once for all.

These shots turn out to be quite pleasing to my taste, with good contrast and a lot of details. I would say probably a bit better that my average Ilford HP5 rolls, but once again the conditions were very good that day.

Notting Hill Carnival 2023

Last week end was Notting Hill Carnival in … Notting Hill area in London. The party last 3 days with the Monday, that falls on a public holiday being the “adult” carnival.

About two millions of people, converge to the area for a Caribbean, African, South American party.

It was my first time and as much as I like a street party this is a bit borderline. It was already very difficult to move where reaching Notting Hill gate, I was not sure it was such a good idea.

Very light closing, lot of booze, that shouted for a cocktail for a not so family friendly afternoon.

But then you go by the back streets ( because the wife said so ) and you get close to the action, people are cool and happy campers, music is loud and enticing.

So well you grab your Leica and lets the fun begin.

I carried the M262 and 35mm Summicron Asph v2 as usual ( I am boring ) and no change of lens. I also put in my bag a M4 with Summicron 50, but that will be for another time.

Once again the 35 is a great lens for such event where you can stand in the crowd. Compared with London Pride where you had to stay outside of the action, this is an opportunity for close encounters.

Moving location we found a nice spot where in between sound systems I met a group of film shooters.

The arrival of a Brazilian batucada was a welcome change in between blasting sound systems.

… temperature was rising

Photographer trying to convince a dancer to pose. This guys was doing some off camera flash shots and was pretty good at directing “models”.

Everybody was pretty happy to pose.

Above is a group of French speaking participants, the carnival is a real babel.

You already know I am not a mass shooter so all in all I shot below 200 frames in 2 hours, and maybe 3/4 of a fil roll, that is not very professional I know. But I am just a hobbyist. I will off course put 2024 Carnival in my agenda. Advise to self ( and others if they are interested ) : travel light, just bring the M262 and 35 and maybe the M6 and 50, avoid bringing a bag its hard to move with one in the crowd. Also pay more attention to the shutter speed, maybe it is time to play with the auto ISO.

London in Pride

Our left neighbour

Saturday 1st on July 23 was my first time attending London in Pride. I wasn’t sure about my expectations, but it was soon clear that this is a very popular event.

Our right neighbour

We managed to find a spot near Hyde park corner with direct access to the parade (behind grids though). We were super lucky to have colourful neighbours on our left and right side, so many of the people participating in the parade engaged with them, giving me some opportunities for some “action” to shoot.

Tom was here!

As much as I like taking snaps, I like enjoying the moment, so I stayed at the same place all afternoon, this is not necessary a great idea as after a while I had some serious backlight which is visible on the later shots.

Flying proud and safe with BA

So on the gear side, I brought the M262 for the digital shots and the M6 for film as usual. I carried a 50 cron v5, a 35 cron Asph v2 and the 90mm Elmarit.

The fireman’s kiss

On the M6 I had a few shots left on a Ilford Delta 400 ( black and white ) and rummaging in my film box I realised I did not had many rolls, I stopped hoarding films a while back. I bet that colour would be best suited (good guess) so between a Ektar 100 and an expired Cinestill 800T I settled for the later.

Ni hao

Ok that’s a bit silly, to shoot in daylight with a tungsten film I know, but being unsure of how easy it will be to shoot film that day, I settled for the cheaper film. I purchased this Cinestill as least 5 years ago so it probably cost me half of the Ektar cost, it was time to shoot it and I had decent daylight shots in the past. We ‘ll see in a couple of weeks how sound was this reasoning. And I compensated a bit for the old age of the roll by shooting at 400 ISO

Reflection

So here are a selection in my 600 or so pics. On the M262 I switched a few times between the 90mm and the 35. I think I rarely used the 50.

Pups out for a walk

A camera friendly diva

The flare due to the backlight is quite pronounced in the above, I did serious ( for me) Lightroom edition to compensate, but that’s not 100%. Also I did not put my reading glass when formatting my SD card so I inadvertently reset the camera to factory settings, so I lost the compensation control on the thumb wheel, which I normally use a lot.

Everything is better with bubbles

Mind the Gap

Mister Leather was in town

Y.M.C.A.

A lot of fun, charm, good spirit and probably quite a dose of courage for some participants. I’ll be back.

I hope you enjoyed the post.

Roll 11 – The Leica IIIC is back from repair

So the Leica IIIC went for a repair, at Analogue UK, he was suffering for a lazy curtain causing half of the frames to be underexposed.

When I collected the camera from the shop I loaded it with a roll of Ilford FP4, screwed in the Summaron 35mmF3.5 and hit the road for some test shots.

I have been quite slow to go expose the whole roll. The IIIc even flew to Singapore ( and back ) for a week of work when I only took 4 shots ( I was super busy).

One of the 4 shots is a portrait of my shy colleague Terrance above, while we had lunch at Keppel Bay.

The other 32 shots were taken around London, in my usual areas, Chelsea above, Regent’s Street below.

Or even people strolling along King’s road.

So what do I think about the repair? Well the main defect is gone, clearly there is no comparison with my two rolls from Paris in April.

If I want to be picky I would say that I still fill that I still found the right side of the pictures like the above a tad darker. But this is very subjective

When the light is more subdued left and right seems identically exposed.

Up close and personal, with some flare, that’s not on the body, relax.

The Austin Mini (Special) was my very first car back in 1986!

A colourful street, converted in black and white inside the camera.

Around that time everything felt regal.

Emergency Exit, inside a party bus

Fenwick has been sold and will go soon have I heard

Oh I recently read a review of the TT Artisan 28mmF5.6 LTM version, this is a very tempting lens to complete my LTM kit for a limited budget. The original Summaron prices has rocketed sky high. As we enter July tomorrow, Christmas is just 6 month away 🙂

Everything comes to an end. I hope yo enjoyed the post.

Drum & Bass On The Bike

So 4th of June 23 was a beautiful Sunday, where I forgot receiving an invite to join “Drum & Bass On The Bike” at 2pm at Wellington arch. But anyway as fate has it, by 5h30 I passed by the said arch and noticed there was quite a crowd.

DJ Dom Whiting the man himself

Bodies were shaking to to Drum and Bass sound of DomWhiting and frieds.

Good vide and music. Dancing in the street ? Anytime!

Selfie opportunity

Find out more at https://www.domwhiting.co.uk/

All shots Leica M262 and Summaron 35mm F3.5 LTM

2023 ROLL#06 – UNITE TO SURVIVE

This is the work

3rd of April 2023, Extinction Rebellion held a 4 days protest on Parliament Square in central London.

Sunday was a beautiful day, to march, dance and discuss.

Good opportunity to take a camera out, and make a bit of advertisement for the cause of fighting climate change.

So well there I went armed with the Leica M4 and the 50mm Cron, loaded with a roll of Kodak TMY400. I also use the handheld meter (Sekonic 380x) rather than the hot shoe one.

There is no planet B

… whatever Elon says

The mermaids…

.. are not yes instinct, and happy to pause for a snap.

The lady on the left photobombed the shot with her banner, I am not sure what is exactly her specificity. I feel that sometimes even if I agree with the big picture of the movement I may not find myself in one specific chapel, but ok I am here lets go with the flow.

A very witty speaker

There is no Planet B, encore !

I hope you enjoys the pics, and until proven otherwise lest assume there is no Planet B.

2023 ROLL#07 – Here comes the Nikon F3

Buckingham

After a three years hiatus I have resolved to pull the Nikon F3 out of the box. The F3 is amazing, a couple of fresh batteries (LR44 I am not fussy), turn the switch ON … et voila! its working.

Smelling something fishy

You can find a few posts on this blog my F3 :

• Another old fellow back from the magic cupboad – Nikon F3
• The Nikon F3 gets out the closet
• THE NIKON F3 : DOES IT FOCUS OR NOT
• Time travel with the Nikon F3

hurry up Alice

But for a quick summary, when my SRT101 broke in 1992 I bought a second hand beaten Nikon F3. Yes that was 30 years ago! I have carried it in a lot of places other this time, it gathered dust in the 2000’s when digital was the rage and did not get much more use when I went back to film and discovered the rangefinders.

I am a rockstar

But I love the F3. It is a camera I was really longing for, and since I bought the 50mm1.4 AIS for a travel in Nepal, I really have a nice combo there.

So, as I now belong a Nikon F facebook group I decided to ditch the L—- for a while and pick up the F3. That was week end before King Charles coronation so a bit of action was to be expected, or at least a few people wondering around.

What is the experience of shooting with the F3? Well last time I used it was in 2020 so I cannot say I am an expert, it is pretty simple. But alas I always compare to the M6, I think the rings turn i opposite direction, so focusing and adjusting aperture takes time.

reluctant models – I was only interested in the back light

I have a problem of focusing it seems. It may be me or the camera (I never had it serviced) ? Some shots are in focus, some slightly off, some were way off. I really got accustomed to the rangefinder patch.

Gillie and Marc sculpture at the back of Saint Paul

Gillie and Marc sculpture at the back of Saint Paul

It is not so critical, but I would have no confidence taking the portrait of someone and propose to print it for him. I would rate my chances at 30%, I think it would go up to 70 with the M6.

Nice legs

All in all a nice and pleasant experience ( nobody go hurt), it is a good camera to handle. A pleasant roll of my favourite film, the TMAX 100.

What’s on the menu?

So ? Back to the box? For the moment yes. But as I have paid for a full package of batteries, I will have to shoot more rolls to recover my investment. And yes I saw some mint F3s and they are still a pure object of lust, even if I am not 100% satisfied.

A final note, the Leica III is back from ApertureUK, and is loaded with a test roll of FP4. To be continued