Last week end (2nd to 5th of June) was the Queen’s Platinum Jubilee, a celebration giving some picture opportunities.
Friday, all started by the air parade shot from my window with the crappy Canon Serenar 135F4 mounted on the Leica M262. The lens was already mounted on the camera, I was just playing around last week.
The city was generally dressed up in national colours and royal memorabilia’s. Here the newspaper kiosk on Sloane Square, shot with the Summaron 35mmF2.8, the M version with goggles. I really went al vintage lenses this week,
Friday a steel band was playing on Kings Road, a couple of ladies made their best to warm up the atmosphere.
But they were not alone.
Even the Chelsea Pensioners were out.
Some people were rushing to parties in the hood.
The party went on until Sunday.
People rushed to the Mall on Sunday morning to see the parade.
and actually walking against the flow, we reached Hyde Park Corner and met the parade, with no crowd at all.
Sunday I changed the lens for the Summaron 35mmF3.5 ltm, a better choice as it is easier to focus without the goggles.
After watching so many horses, we moved to the Belgravia street party on Elizabeth street (the well named).
And all finished with a bit of music (and beer)
If you are not bored by now, I will have some film shots from Saturday to post as well.
All shots with Leica M262, with in order the Canon Serenar 135mmF4 ltm, the Summaron 35mmF2.8 M, the Summaron 35mmF3.5 ltm
A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.
I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.
The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.
It is very difficult to tell which one I used from the pictures.
So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.
When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.
But here are three shots of the park of the Chenonceau castle.
At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.
Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.
The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.
The last part we moved to Biarritz in the Basque Country, capital of surfing in France.
I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.
I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.
Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.
And here is the second roll shot with the Hassie in London last month. Kodak Ektar 100 shot at 100, with Hassie 500CM.
Friendly climate activist (Aren’t they all?)
I use a handled Sekonic L-308X, that is overkill for the job, but I had to change my last one after 10 years of service, some soldering broke, and I though about finding it a new home and treating me to a new meter.
I am impressed by the 3D pop on this shot. The hassie is a great ice breaker. I really like these first two shots.
A bit of Easter spirit was still hanging around.
We bumped into Malaysian students around Borough Market, chit chat about Singapore and Malaysia and took a few pics and weefy.
I was quite intrigues when I arrive din London to see these street shops selling food for cabbies and probably the general public also. I never tried though.
A colourful block near Victoria station
Film processed and scanned by Analogue Lab in Shoreditch.
My posts since July are like a pinball : London – Paris – Cannes – London – London – London – Paris – Cannes – London. There are worst things in life particularly by the time being.
I have tried many times to shot the water on pebbles and finally above is a picture I like. Probably the only picture with amazing colors.
This a roll of expired Portra 400 shot on the French Riviera during the Christmas season.
I missed Santa but the Christmas trees were growing very close to the sea this year. I used the faithful Leica M6 and either the Summicron 35mm Asph v2 or the Elmar 50 F3.5.
I found the seaside less inspiring that the city, but if you look closely there is always something to capture.
Older gents playing chess with their Covid masks on or not. I generally prefer to shoot Black and White on film, as I think the digital M renders more live like colours and the picture are popping more.
The misaligned sign of the “pétanque” club…
Nice is nice as goes the song, not too far away from Cannes, a big 30 minutes by train, and a bit more city like.
Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.
Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.
This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.
If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).
So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.
You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.
Goldilocks’ car a pre WWII Citroen Rosalie I think
6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.
I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…
Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.
That’s it Roll#2 is finally back from the lab. Thanks to some film fotogs I met in town, I finally find a more affordable lab, although I must say the over all price is still steep, but I am down to 10 £ for processing and scanning down from 16£ for my first roll.
Still a long way to go to beat Singapore prices. On a side note, I have ordered some Vitamin C and a thermometer so I can go back to Caffenol, as soon as I find some Soda wash.
Good job from the last, scanning is quite ok, I chose the high res JPG option for the price. I must say that after 18 month of Cafenol, I really cannot make the difference. More grain, less grain? I am not very technical.
Definitely London offers different scenes that Singapore, I still don’t feel at ease shooting random strangers, but there is enough going on to make useful subjects.
Roll 3 is under way, but as I mentioned somewhere else being grounded 10 days with Covid is not helping my photographic activity.
When life is slow and shooting slower, or when life is too fast to shoot, isn’t there an opportunity to look back at the albums ( ie Lightroom folders) for recent or not so recent pictures?
I don’t’ know how you sort your pictures, for me the digital shots end up being sorted in monthly folders (unless there is a very special event and I group them into that folder). I also end up putting the scans of each film roll in a separate subfolder under each monthly one.
I originally load these images in my working hard drive, but then move them to an externals one always attached to my PC plus a couple of backups. Its not fool proof but it means all my pictures are both at arms reach and reasonably safe. I do not have an off site backup though.
That also ensures I can “focus” on the images that are recent (or not so ) and that I have not shared.
Well lets say that when shooting gets slow and I need something to share I know where to look at. SO today these are some shots done around Singapore in May 2021, nearly 6 month ago.
Another time another place says the song. Walking around a few places I liked carrying around the Leica M262 and I think the 35mmSummicron Asph v2.
It is getting colder in London and there is some satisfaction looking at pictures from a warmer place.
Don’t worry I am not turning all sad and nostalgic, I have ordered some Ilford Fixer and some Vitamin C for the next round of Caffenol and even invested in a Thermometer so I can work properly. I have to Washing Soda at the moment but that will come soon.
So that’s it after 14 years in Asia I am moving back to Europe, UK to be precise. I have now been 6 weeks on the old continent, and a first post is long overdue. While all my stuff is in transit, I have carried in my hand luggage the M6 and the M262 with 3 summicrons, the 28, 35 and 50.
I have finished my first roll of expired Fuji Across 100 and had it process at the first shot I could find for the whooping price of 16 GBP. I could hardly believe it, but I will be back to Cafenol soon so this is a one off. It seems however that prices of film are a bit higher that in Singapore.
Shooting in a new country is both exhilarating and inhibiting : I can see so many new things to capture but also I am a bit camera shy these days, and don’t really know how people will react to the camera. I have engaged a couple of photographers in the street and they assured me there was no problem with this, but I have to get into the mood.
Strange enough, I don’t see many people with cameras in the street and I am yet to meet a Leica shooter, but I am keeping my eyes open.
The shots were scanned by the shop (Snappy Snap), it seems they did an ok job at it.
I hope you’ll enjoy the reading, my second roll is nearly done and I start having a backlog of digital, so get ready for more posts. All shots Leia M6 + summicron 28 Asph v1
This is bit back to the future as I already posted about rolls 12,13, and 15, but rest assured roll 10 will come in due time. I was complaining last week about life in Singapore being less photogenic since the Covid started last year. Man I did not knew what was coming.
For one week now we are in Heightened alert mode, basically we are back in a quite strict mode, mostly : non essential workers are asked to stay home, it is not possible to eat or drink outside (eateries can thankfully to take away), quarantine form most countries are extended to 3 weeks in selected hotels and coming into Singapore is quite difficult (even for residents).
Having enjoyed a lot more freedom than most countries since last July, we feel taken a bit aback by this new deal. So my color roll shot a couple of weeks before this soft lockdown 2.0 seems quite joyful and interesting for the place in time where I write from.
We were discussing our last holidays abroad, which were in March 2020, when we could still fly (in half empty planes though) and I remembered that I brought the Nikon F3 to Thailand and shot only two or three rolls before putting it back in the box. So it was time to pick it up again and give it another go.
I will explain a bit later this month but I am downsizing a few things, so I am shooting what’s left in the fridge rather than go and by fresh film. So I picked up my last roll of Portra 400, which is a bit overkill for just walking around, but ok I an clearing my fridge. The roll was shot over two days around Singapore.
I put the 50mmF1.4 on the F3, because my other lenses are too big for just walking around. I must say I have always been a big proponent of the 50mm, claiming the 28 / 50/ 135 were the trinity of my generation, and only young punks would walk around with a 35 as their normal lens. But I think I have moved my point of view a little bit…
The yellow Burmese girl
I have used many 35mm on the Leica system (film or digital) and I finally came quite used to it (I own 3 😦 ). The versatility of the 35mm, with a field of view larger by more than 30% is quite impressive and I think I really appreciate it on the Leica’s to the point that I find the 50mm narrow. Off course you have to step closer to your subject, but that’s not so much or a problem with a small rangefinder.
Getting closer with a SLR, even a small old fellow as the F3 is a bit less easy. Also (I am happy to be corrected) it seems the offer in term of 35mm (Vintage of course) is a bit lesser that the offer in 50mm, where Nikon has a few outstanding lenses.
So ok I feel now that the 50 is a bit narrow but at the same I don’t think I will invest in a new (even a new old) lens for the Nikon at this point) (And remember I am decluttering).
The roll was processed at Whampoa Colours, scanned by their good services, and shared on the web. Damn I still have not collected my negs. The combo F3 + 50mmF1.4 AIS + Porta did a fairly good job. I shot most of the time in Auto mode, meaning the speed is controlled automatically by the aperture I selected, quite easy with a 400 ISO film (shot at 320).
It seems the focusing of the F3 with the 50 is quite ok, I would need to try with the original 35-70 F3.5 AI Pro see if I have any problems. But that’s a heavy lens, not for casual walks.
A well deserved treat.
A final though for the road, a lot of my pictures from 25-30 years suck, I feel very bad, because souvenirs from this time are scarce, but on the upside It looks like my photography has progressed.