A wet day in chinatown

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A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).

The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.

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I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.

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You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.

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Sure this will come a popular spot for street photography.

The 4 shots above were taken in a rainy afternoon,  with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.

As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.

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I hope you enjoyed the visit

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A wet day in chinatown

A roll of Kodak Ektar shot with the Leica IIIc

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01. The first shot, in a Hindu temple in little India

Hello, today a little pointless exercise consisting in reviewing the shots of an entire roll. You will see below keepers in a larger size that the dismissed shots.

I loaded the roll during the LUGS (Leica User Group Singapore) outing in Little India last month inside Sri Veeramakaliamman Temple. This is always a good place for shooting.

Lesson from the first frame: always skip the first 1 or 2 frames, otherwise in the unlikely event you like the shot, it may be half burned.

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02. Sri Veeramakaliamman temple in little India

 

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03. Hindu temple in little India

It is quite rare that I shoot color films with the IIIc, actually I mostly shot Black and white film anyway, I feel very restricted by color film, I generally prefer to shoot digital for color.

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04. Coconut stall Little India
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05. Coconut stall Little India

So far no shot is great, maybe number 5 is ok, street activity, a bit of the documentary style, probably ok technically. I like the color of the Ektar for “street” photos.

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06. Mural

There are many mural in little India now, this one is in a back alley, it is not so great , or maybe too much. The shot is quite bad, not sure its even in focus.

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07. Working Class Hero

Probably an Indian actor, the first good shot, nice color. Taken bottom up with the 35mm, the vertical line are of course not straight, but that’s the name of the game.

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08. Working class hera take two.

Not as good.

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09. Cardboard Man

Ok you get that it it about the plight of people making a leaving from urban scraps. Not such an uncommon sight in Singapore. Informative, but not necessarily a great pic.

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10.Elephant Park

I would find that picture quite uninteresting, but technically ok; color-wise it is another chance for the Ektar to rock.

Leaving Chinatown and moving toward city center, two visions of hotel 81 in Jalan Besar.

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11. Hotel 81 in Jalan Besar
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12. Hotel 81 in Jalan Besar

Second shot is better exposed an less traffic in the middle. Roughly ok, The Art Deco building is attractive, but not overwhelming.

In the street with a camera in hand it is tempting to catch passers by, in particular if they are charming.

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12. Female passer-by 1

Too far, would you even have noticed her?

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13. Female passer-by 2

Motion blur, Out of focus, bad framing.

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14. Female passer-by 3

So what?

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15. Colorful

Maybe yes, maybe not, that was just a try.

The same afternoon I walked into Chinatown

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16. Ceno2 new mural

Quite a bad pic, maybe OOF ? Shame. I thinks it’s also not Ceno2’s best mural.

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17. South Bridge Road commercial building
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18. South Bridge Road commercial building

The two commercial buildings are quite ok, I would be happy to show the second one, the colors and details are good to my taste, and the composition not so bad.

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19. Strangers with brolly

 

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20. Strangers with brolly

Second version is probably an ok street shot, movement, color and overall an umbrella.

 

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21. Buddha tooth relic temple

Buddha tooth relic temple, one random shot

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22. The mosque on new bridge road

I tough the light was great and worth capturing

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23. Mural in “Amoy Alley”

I quite like this one, unusual.

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24. Satay club

Another random shot, not great angle, too far, not showing much.

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25. MBS reflection

Ok ok we can try.

Next great spot is the Merlion Park, it is always endless fun shooting people taking selfies there.

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26. The lady in cheamseong

It would have work with better light, the subject here is a bit lost in the background.

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27. Posing

This one is really random.

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28. Uncle shooting a relative (or friend)

Something was going on, but it was not the right moment yet.

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29. The same uncle in action

I think that one is ok, just average but ok. Nice light, funny pause and all.

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30. hijacking the shot

Nothing easier to ask somebody who pause if you can also take a shot. Too contrasty but probably OK.

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31. The three good fairies

These three Muslim ladies remind me of the good fairies in Walt Disney’s Cinderella. They were very happy to oblige. I like he colorful bags, maybe a second closer shot without the bags would have been a nice complement.

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32. Beach Road

The new building on Beach Road in the evening light. Nice tourist shot.

 

Finally the next 5 shots were taken during the next LUGS outing in Tiong Bahru, on my birthday.

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33. a fish stall

Ok I think I took enough fish stalls so far not to call this one a keeper.

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34. Another fish stall

I would keep this one, framing is nicer, action is clear. technically I think it’s ok, may need to be overexposed a little bit.

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35. Fruit Stall

Obviously random

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36. Fruit Stall (again)

The lens was attracted by the lady in the center, but one week later it does not look like it is enough.

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37. Tiong Bahru street scene

 

So where am I a the end of the exercise? I managed to shot 36 and half frames on this roll, all exposed properly and focused reasonably well (two are debatable), the only thing you can take from this is that my IIIC works reasonably well and, probably, produces a comparable result to a modern camera. One picture out of three,  I will probably share on one of the Facebook groups I partake in. Real keepers (going on Flickr), will be  “Working Class Hero“, “Strangers with brolly“, “the three good fairies“, maybe the “Other fish stall“.

At this point in time he Leica IIIc is my favorite 35mm film camera : it is small and sexy and over the time it get slightly improved : by the addition of the a 35mm Summaron (f3.5), then by the one of a 35mm finder. I always dismissed the 35 finders as being not useful, but in the end this accessory  proved very good for composition. Over the years I had the curtain changed, there is still a a small defect when shooting at fast speeds, the right side exposure is a bit under exposed, but it looks like using it more often, at least one roll a  month, it seems to be less obvious.

Hope you enjoyed the reading and viewing, to later

 

A roll of Kodak Ektar shot with the Leica IIIc

Around city center with a 1970’s Minolta Himatic 7s

The Himatic 7s

Beginning of the year and excitement to try the Ultrafine Xtreme 400 that I am bulk loading, I am taking the odd camera from the treasure box.

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The painter (who is also a photographer)
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Major checker competition
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Back alley

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A couple of weeks back it was the turn of the 1970’s Minolta Himatic 7s. Actually the 7s was released in 1966 same year as me. The Himatic is a rangefinder camera with a sharp, fast 45mm F1.8 lens, and in-camera metering.

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Ok I don’t quite like the the Himatic too much : it is heavy feels clunky compare to the German rangefinders; it is not that fast to operate, and also the metering died on mide during a bike tour.

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I also the viewfinder to be not that bright and having too many signs inside; there are just three visible sides of the frame, so I always wonder how to frame the fourth.

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Shoe locker outside Mustapha

BUT when I got the roll from the shop I must say that I am impressed by the result, the lens is fast and sharp and the 45mm give a bit of air to the shots.

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This is my 3rd roll of the Ultrafine Xtreme 400 bulk and I quite like it. I am new to handrolling, the picture below is the last of the roll, so the first from the bulk that I attached to the canister and I think it was exposed to light. Pitty I like this shot.

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Upside down nap

I think I like the film, it is now 3 rolls I shot this year and 2 last years, it is on the contrasty side but nothing too extreme, so it makes a good replacement for TRI-X or TMY 400. The shot below is quite smooth as I like it. Actually tones quality reminds me of a proper wet paper print.

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Mmm also I fell the Epson v800 gives immediately better results that the v500, but this may be just because I paid so much for it.

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There will be no declugging for the Minolta, it belonged to one grand uncle, so that’s a keeper even if it goes out of the box only once a year.

Around city center with a 1970’s Minolta Himatic 7s

Amritsar street photography

Tea merchant

India is a feast for the street photographer, photo friendly people, a lot of color, everything is so different, so many things happening all the time. The tea merchant with his yellow scarf is one of the first pictures I took. Through the window of the car stuck in the traffic jam.

One of the many horse carts around

Soon we had to step out and walk to the golden temple as the traffic was so bad on Sunday. I stumbled on one of the many horse carts with the driver standing up gauging the traffic.

You can read the visit of the temple here.

Rickshaw driver

After the temple visit looking for our car, I came across this friendly rickshaw driver.

In the afternoon we went to Wagah border ceremony; here also the crowd after the ceremony on the way out offers many photo opportunities.

Ice cream

The crowd after the ceremony is eager to partake in ice cream, pop corns

The last pop corn parlor before the border

It gets dark quickly, and there is nearly one km of little stalls stretched along the car parks.

A fruit stall
Some more spicy stuff
“Let’s ride”: the burger stall

There is not enough time to stop at every stall to take some shots of vendors and their patrons. In this early evening, the lights, the fumes and the colors of the stalls make a beautiful composition every meter.

All shots with the Leica M262, Summicron 50mmF2.

Amritsar street photography

A first roll of Polypan F50

Uncles at play. The best shot of the roll.

Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).

Nice special “glow” and shades or grey

It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently.  It can be pushed to 100 or 200 as some friends do, I may try on the next roll.

The girl in Wanzi.

This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.

Music Head

The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.

Egg Business

This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250

At the crossing

The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.

Edit with highlights “in line”

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Original version
I though it was more interesting to share about this new experience that following up my last post about the art of curating  films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
Time off

A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to  be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.

Some fools sell, some fools buy.

You can check the on the web;

 

Thanks for reading.

A first roll of Polypan F50

Curating my weekly roll of film

 

 

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The uncle Tiong Bahru market

The title is a bit pedantic, but actually it came from something very down to earth. I recently reviewed 30 years on pictures for a small personal project and the experience was both fun and sad. The fun side came from the obvious pleasure of looking at them : the reason why we like photography. The sadness was brought in by the shots I did not take: these long lost friends I have no portraits off, this great week end, that awesome holidays; my first car, but also for the lack of quality of some shots, making them unusable for my project, and just plain depressing : how could have I done that?.

This lead me to reflect (quickly) on the quality of the many shots I take, and my overall photographic journey. A bit further in my thinking came the idea of sharing how I select my shots maybe for a rolls or two.

I just collected today a roll of Ilford Delta 100 from the lab, it was shot with the Leica IIIc and the Summaron 35mmF3.5, over two weeks of relatively no inspiration and crap weather. So maybe this roll is a bit more lame than usual, but let’s see.

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Curating my weekly roll of film

THE SECOND ROLL OF BERGGER PANCRO400

Most common activity : posing in from the Mexican style mural

Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.

Second most favorite activity : show your best profile to the camera

I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.

Painting is older than film

The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!

Small variation : a duo in from of a plain wall

The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!

Is it the conjunction of the small aperture used and / or  the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.

Whats going on there?

Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.

I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.

 

 

THE SECOND ROLL OF BERGGER PANCRO400