Hare Krishna Celebration in Trafalgar Square

A strange sadhu

Here are a few shots of a Hare Krishna celebration in October in Trafalgar square in London. Is stumbled over the party by complete chance.

Hare Hare its all in the flare

I was armed for the occasion ( well not for the occasion then as it was by chance) with the Leica M6 classic and the Summicron 50mmV5.

Hare Hare its all in the flare

For once I had a Kodak TMAX 100ISO film loaded, not the usual Ilford HP5 coming from my endless bulk roll.

Cling cling
And the band kept on playing

Very friendly atmosphere, an opportunity to remember and share our love of India and its culture.

Some may still be lost…

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Hare Krishna Celebration in Trafalgar Square

Paris in Summer

“Paris est une fête” as goes the say (Paris is a party) ; I am not 100% sure about it but Paris in summer surely put me in a great mood, and I enjoy shooting in the streets that I am rediscovering after so many years.

— Asian tourist checking a Korean restaurant —

This is summer 2022, probably my 5th or 6th trip in a year, carrying the M6 (The old one) and the Summicron 50v5 and a roll of Kodak TMA100, my favourite film very appropriate (I think) to the summer time. This is my 16th film of the year, so I am now far from my past One-roll-a-week diet, but ok this is not a competition.

— Lets go surfing —

— Watching the world goes bye —

— two trios —

— A classic style paint shop —

— Saint-André des Arts —

— Passage Choiseul —

— The Conran shoppers —

— an odd workshop in the centre of town —

Paris in Summer

The Queen is dead (The film edition)

There are a few inconvenient living close to Buckingham palace, one good thing is that its easy to drop buy when something is happening, even an unfortunate event as the passing of queen Elizabeth II.

It was easy to go a couple of times over the fatal week end, shoot a bit of film, with the M6 and the Summicron 50v5.

Oh we are 20th of October 2022 today, so from now on I have to specify that my M6 is an original classic one with alloy body, not the new version with mate paint over brass body, as it seems these things matters to camera makers.

This is part of a roll of Ilford HP5, hand rolled from the 30 meters spool I bought nearly 2 years ago, processed at the usual Analogue Films Lab in Shoreditch.

The two days were quite different, the Friday being is, may I say, more interesting and laid-back, we could even see the King getting out of the palace. The area before the palace was easy to access, and I circled it a few times.

Saturday, the place was packed to the point of not being accessible (no interest if you ve been here the day before), and the crowd was mostly laying flowers in Green Park.

It was a heyday for photographers, even for smartphotographers from Asia.

Talking about the event with my wife we remembered that we witnessed the passing of King Baudouin of Belgium in 1993 while we were living there (sorry I don have any pictures) and the one of Lee Kwan Yew in Singapore in 2015 (you can find some of my pictures here), but don’t go imagining things.

The Philippino ladies kindly agreed to have their pix taken
Are you ok?
The Queen is dead (The film edition)

Paris in the spring

Batmaid (Boulevard Beaumarchais)

So this is the second part of my second roll of Cinestill XX I started in Biarritz. I was not super satisfied with the scanning so I plugged the old Epson v800 and rescan the whole film. I did not like the scan for two reasons, first I forgot to ask for high res, and I though the pictures were a bit small. Second I thought it was too grainy and had too much contrast.

City of Romance (Rue Amelot)

I quite liked the result of the Epson, if I recon correctly I scanned in 2400 dpi, saved as B&W JPG using the standard holders. The result is a bit smooth, that you may assimilate to lack of sharpness.

Fun in Paris (Ile de la cité)

I think there is a bit on compromise between sharpness, grain and details. Well anyway I am not very technical, I like these scans better.

Ready maestro (Rue de Buci)

These shot are still part of the same trip so I think the lens is either the Summicron 50mm v5, either the Summicron 35mmF2 Asph v2, attached to the Leica M6 classic

Glorious food (Rue du pas de la mule)

After the second roll, its a bit difficult to make an opinion on the Cinestill XX, as I am not sure how properly my lab process it. As I said before a bit too much grain for my taste (remember my favourite film is the Rollei Retro 80), but maybe there is a ratio between the distance to the subject and the grain that makes it less suitable to my may of shooting (I usually do streets shots between 5 and 10 meters) ? Did anybody consider that?

Public transport ( Rue Saint Antoine)

Enough of the technical bit, Paris in the spring is a beautiful place to be. That’s a first for me in about 15 years so I was under the spell, and I thing that will be the same for the seasons to come.

A l italienne (Boulevard Saint Germain)

Paris is not as eccentric as London, but there is a good mix of old and new, tourists and locals, fake and authentic, making you raising your camera every 5 minutes. Ok I am a slow shooter so that will be once every thirty minutes.

Lost if thoughts (Rue de la petite boucherie)

One last technical thing: I can see on forums the never ending question of bringing films through airports: remember that there are x-ray machines as well when you take the Eurostar. I never cared being worried about X-ray machines damage to film. I think if you are an amateur this is irrelevant. If you are a pro that’s different, but then you can always buy and process locally if its so important.

For the ladies : the firemen of Paris (Bords de Seine, quai François Mitterrand)
Lost ( Quai des Grands augustins)

Thanks for reading.

All shots Leica M6 Classic, Summicron 35 or 50, Cinestill XX shot at 200 ISO, I put an indication of where the pictures were shot so you can plan a tour. This roll is older that the one displayed in My last roll of Ektachrome.

Paris in the spring

A Royal Week-end

Last week end (2nd to 5th of June) was the Queen’s Platinum Jubilee, a celebration giving some picture opportunities.

Friday, all started by the air parade shot from my window with the crappy Canon Serenar 135F4 mounted on the Leica M262. The lens was already mounted on the camera, I was just playing around last week.

WWII planes, I think a Lancaster bomber and four spitfires

The city was generally dressed up in national colours and royal memorabilia’s. Here the newspaper kiosk on Sloane Square, shot with the Summaron 35mmF2.8, the M version with goggles. I really went al vintage lenses this week,

A couple of “street parties” happened through the kingdom over he week end, mostly involving food and drinks, here in Mayfair Friday.
Paul Smith window in Marylebone.
I was expecting more silliness in the street, but ok some people really played the game.

Friday a steel band was playing on Kings Road, a couple of ladies made their best to warm up the atmosphere.

The queen of the afternoon

But they were not alone.

Even the Chelsea Pensioners were out.

Some people were rushing to parties in the hood.

The party went on until Sunday.

Chinatown

People rushed to the Mall on Sunday morning to see the parade.

But I met Stan Laurel.

and actually walking against the flow, we reached Hyde Park Corner and met the parade, with no crowd at all.

Sunday I changed the lens for the Summaron 35mmF3.5 ltm, a better choice as it is easier to focus without the goggles.

After watching so many horses, we moved to the Belgravia street party on Elizabeth street (the well named).

God save the queen
The queen

And all finished with a bit of music (and beer)

If you are not bored by now, I will have some film shots from Saturday to post as well.

All shots with Leica M262, with in order the Canon Serenar 135mmF4 ltm, the Summaron 35mmF2.8 M, the Summaron 35mmF3.5 ltm

A Royal Week-end

My first roll of Cinestill XX

London, where else?

A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.

I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.

The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.

Balthazar’s bride

It is very difficult to tell which one I used from the pictures.

Twins
Off the wall

So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.

Fashion addicts

When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.

But here are three shots of the park of the Chenonceau castle.

At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.

A street in Cite Fujes built by Le Corbusier

Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.

The market
The blue oyster cult
Street life

The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.

The last part we moved to Biarritz in the Basque Country, capital of surfing in France.

Life is a beach

I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.

Bay watch
Local artists
The market

I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.

Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.

Hope you enjoyed the ride.

My first roll of Cinestill XX

Twelve a dozen

And here is the second roll shot with the Hassie in London last month. Kodak Ektar 100 shot at 100, with Hassie 500CM.

Friendly climate activist (Aren’t they all?)

I use a handled Sekonic L-308X, that is overkill for the job, but I had to change my last one after 10 years of service, some soldering broke, and I though about finding it a new home and treating me to a new meter.

Unhappy campers

I am impressed by the 3D pop on this shot. The hassie is a great ice breaker. I really like these first two shots.

Market Magic

A bit of Easter spirit was still hanging around.

Hassie is for making friends

We bumped into Malaysian students around Borough Market, chit chat about Singapore and Malaysia and took a few pics and weefy.

The Cabbies café

I was quite intrigues when I arrive din London to see these street shops selling food for cabbies and probably the general public also. I never tried though.

A colourful block near Victoria station

Battersea station

Film processed and scanned by Analogue Lab in Shoreditch.

Twelve a dozen

French Riviera on Portra 400

Mare Nostrum

My posts since July are like a pinball : London – Paris – Cannes – London – London – London – Paris – Cannes – London. There are worst things in life particularly by the time being.

I have tried many times to shot the water on pebbles and finally above is a picture I like. Probably the only picture with amazing colors.

High FLyer

This a roll of expired Portra 400 shot on the French Riviera during the Christmas season.

I missed Santa but the Christmas trees were growing very close to the sea this year. I used the faithful Leica M6 and either the Summicron 35mm Asph v2 or the Elmar 50 F3.5.

L’estérel

I found the seaside less inspiring that the city, but if you look closely there is always something to capture.

The masked gamers

Older gents playing chess with their Covid masks on or not. I generally prefer to shoot Black and White on film, as I think the digital M renders more live like colours and the picture are popping more.

The “pétanque” club

The misaligned sign of the “pétanque” club…

Or the first bathers of the year (actually not quite but they will do for today)

Nice is nice as goes the song, not too far away from Cannes, a big 30 minutes by train, and a bit more city like.

Holidays !
Individuality
Topolino forever

The Michelin Building at dusk

Finally back in London.. thanks for watching

French Riviera on Portra 400

Last black and white shots of 2021

Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.

Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.

This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.

Hope you enjoyed watching…

Last black and white shots of 2021

Bye Bye Paris

Paris by night

If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).

Palais Royal

So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.

Goldilocks was here

You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.

Goldilocks’ car a pre WWII Citroen Rosalie I think

To each his (her) own

6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.

The model and her phographers.
False hopes?

I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…

That week Josephine Baker made it to the Panthéon. A bit of history captured here.
Patron un p’tit coup on a soif

Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.

Paris by night again and again
Bye Bye Paris

Bye bye, but don’t be sad I will be back soon.

Bye Bye Paris