A first roll of Polypan F50

Uncles at play. The best shot of the roll.

Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).

Nice special “glow” and shades or grey

It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently.  It can be pushed to 100 or 200 as some friends do, I may try on the next roll.

The girl in Wanzi.

This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.

Music Head

The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.

Egg Business

This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250

At the crossing

The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.

Edit with highlights “in line”

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Original version
I though it was more interesting to share about this new experience that following up my last post about the art of curating  films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
Time off

A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to  be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.

Some fools sell, some fools buy.

You can check the on the web;

 

Thanks for reading.

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A first roll of Polypan F50

Curating my weekly roll of film

 

 

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The uncle Tiong Bahru market

The title is a bit pedantic, but actually it came from something very down to earth. I recently reviewed 30 years on pictures for a small personal project and the experience was both fun and sad. The fun side came from the obvious pleasure of looking at them : the reason why we like photography. The sadness was brought in by the shots I did not take: these long lost friends I have no portraits off, this great week end, that awesome holidays; my first car, but also for the lack of quality of some shots, making them unusable for my project, and just plain depressing : how could have I done that?.

This lead me to reflect (quickly) on the quality of the many shots I take, and my overall photographic journey. A bit further in my thinking came the idea of sharing how I select my shots maybe for a rolls or two.

I just collected today a roll of Ilford Delta 100 from the lab, it was shot with the Leica IIIc and the Summaron 35mmF3.5, over two weeks of relatively no inspiration and crap weather. So maybe this roll is a bit more lame than usual, but let’s see.

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Curating my weekly roll of film

THE SECOND ROLL OF BERGGER PANCRO400

Most common activity : posing in from the Mexican style mural

Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.

Second most favorite activity : show your best profile to the camera

I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.

Painting is older than film

The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!

Small variation : a duo in from of a plain wall

The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!

Is it the conjunction of the small aperture used and / or  the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.

Whats going on there?

Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.

I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.

 

 

THE SECOND ROLL OF BERGGER PANCRO400

A morning in Myanmar

During our trip to Chiang Rai one of the most exciting activities available is to walk into Burma, for a few hours only. Driving one hour from our resort in Chiang Saen (already one hour north of Chiang Rai), we arrive in the Mae Sai checkpoint where it is possible to cross the border and enter Myanmar at Tachileik.

This in the Shan State; Tachileik boasts 50000 inhabitants.

Crossing the border is allowed provided that you leave your passport at the border and pay a nominal fee. Overnight stay is not permitted and I read that guesthouses in the border areas of Myanmar are not allowed to host foreign tourists.

The area close to the checkpoint has a busy market where Thai and Chinese tourists like to shop, for cheap counterweight of handbags, watches and so on. We rode a tuck tuck outside of this area in a more rural side of the city with its food market.

Aside from the usual colorful street life, a nearby covered market, shows more food stalls.

But also some fashion shops; tailors, housewares,…

A few streets from there, a Buddhist monastery, hosts young and old monks who were having their lunch when we arrived. There we could witness the ceremonial of meals, who its first, who last who eats what is not eaten by the others.

The main attraction in Tachileik may well be the replica of the Shwedagon Pagoda. Situated on a small hill. There are a few tourist / devotee stalls outside and food stalls on the parking.

One of the food stalls around the pagoda.

I tried one of these sweet pancakes, delicious. Grilled for you on the spot on the ground of the parking.

Our guide was very knowledgeable or the area and spoke fluent Burmese which made the experience very enjoyable.

3 hours in Myanmar, a new Stamp on our passports, time to head back in Thailand.

All shots with Leica M262 and Summicron 28mmF2.

A morning in Myanmar

Japan Camera Hunter – JCH 400 FILM

During my trip to Melbourne where I discover the FilmNeverDie  shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.

You can find the announcement of the film and read more about it there.

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This does not look to be  a re-branded film as the negs have the mention JCH.

This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.

I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.

Exposure is measured with a handheld Sekonic 308s lighmeter.

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Peanut stall

This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.

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There’s a cow behind the bins

For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.

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Cookie stall
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Fellow film shooter, using a Canon 7s and Summar 50mm (but I saw he has more tricks in his bag)

The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros

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Kueh shop

Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives  nice gradation of grey.

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The ladies selling newspaper on Keong Saik Road
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Happy fellows
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Night shot in Chinatown, a Bakua shop
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Preparing for Chinese new year

Even this night shot with back-light could be salvaged and give a nice rendering.

All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.

JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.

 

 

Japan Camera Hunter – JCH 400 FILM

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

THE SECOND FILM WITH THE LOMO KONSTRUKTOR.

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This has been more than two years since I was offered the Lomo Konstruktor kit by my wife and my son. It took me 2 month to complete and shoot the first roll and actually it took another two years for me to shoot a second roll.

(See my first post here)

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There are a couple of reasons for this none might be very good nor definitive, but here they are.

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I first found the Konstruktor very flimsy.  The winding is very hard (hence the frames overlapping, or extra spacing), the shutter mechanism is quite hard to press causing camera shake more often than not.

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The F10 lens and 1/80s speed are only allow well lit scenes; my first roll for 400 ISO and a few of the pictures were underexposed. I had a try this time with a 800 ISO Fuji Extra, and some shots are over exposed but all in all that’s not too bad.

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I found the framing and focusing difficult, ok focusing a F10 lens is not that critical after all.

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Finally I have enough sh*t cameras a home and the Lomo does not bring anything really new. It’s back on the shelf now, it may stay there for a little while.

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THE SECOND FILM WITH THE LOMO KONSTRUKTOR.