Well actually this roll was shot between mid December and the first week of January. It travelled around a bit as it started from London (Spitalfields market on the first three shots)
Then came Xmas holidays and a trip to see the family in Cannes on the French Riviera, and the long awaited trip to Lapland (Guess which shot). I will try to talk about my (limited ) experience shooting in Lapland but maybe another time.
We were back from Lapland in Paris the 1st of Jan
Then finally back in London (one have to work)
Then back to Cannes and Nice again.
and finally back to London where I have to go to Brick lane to drop this roll.
Ok so these two months were not very good for my carbon footprint and I feel a bit ashamed, although some of the trips were done by train. This also mean this roll of Kodak TMY-400 travelled quite a bit and went through at least 6 scans, and is still faring pretty well. I still have a TMZ 3200 that I bought for Lapland and did not shot, so it will also have a bit of mileage and it will be interesting to see how it turns out.
All shots were done with a Leica M6 classic and a Summicron50mm v5 or 35mmAsph v2.
“Paris est une fête” as goes the say (Paris is a party) ; I am not 100% sure about it but Paris in summer surely put me in a great mood, and I enjoy shooting in the streets that I am rediscovering after so many years.
— Asian tourist checking a Korean restaurant —
This is summer 2022, probably my 5th or 6th trip in a year, carrying the M6 (The old one) and the Summicron 50v5 and a roll of Kodak TMA100, my favourite film very appropriate (I think) to the summer time. This is my 16th film of the year, so I am now far from my past One-roll-a-week diet, but ok this is not a competition.
I still keep track of my rolls and sort them by date and year and enrich in Lightroom, the camera, film and lens ( Often an estimate). But when I used to boast of my one roll a week productivity, I must say I have now fell below one roll every second week.
I would like to shoot more but I don’t have time and may lack enthusiasm / drive / inspiration. This roll was shot in June 2022, with the Leica M6 classic, over a week end in Paris and the next one back in London.
This is a roll of Kodak TMAX 100, a film I really love for its high contrast in sunny weather, I bought a couple of rolls from Analogue Labs a few weeks before.
Most of the shots were taken with the Summicron 35mm Asph v2, really my go to lens. I love it for the perspective, but the 35 makes the pictures a bit too wide for me, my subject is always a bit lost in the frame, as I tend to avoid confrontation when I snap in the street with my wife/family.
On the other hand I frame my shots with just a couple of different styles, I think I manage to build a consistency in my flickr photo stream. I like my subject centred most of it.
We are so much into candid and street photography nowadays that sometimes I find it difficult to shoot non human subjects. They form a big part of urban poetry nonetheless.
Back in London it was Wimbledon and Mayfair offered public screening, with desk lounge chairs and drinks (of course)
Above shot is a bit missed, I thought the shadow would be more obviously funny/interesting, maybe I should reframe, but I rarely do too radical reframing just put upright a bit.
Heading to Soho always gives some opportunities, I met an American photog when shooting the above also carrying a M6 and a TLR.
Soho I said is always offering some opportunities.
As the light was going down, with 100 ISO the shutter speed had to go below 1/30’s hence the slight blur above.
I had a couple of events recently and thought about trying the new Kodak TMax 3200. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012.
I loaded the Leica M6 and used my brand new Summicron 35mm Asph v2. The M6 meter is basic but consistent.
The result is quite disappointing, chances are that can be some issue with the processing as the lab may not get used to this film yet (but they have been quite reliable so far).
What is so disappointing? Mainly the high level of grain. I shot a roll of Ilford 3200 last year and it was far lot better. Ok the lighting conditions vary, last year was a concert where the band was quite lighten up on a dark background.
On this roll there are different scenes with various lighting conditions. The first shot isoutdoor, late afternoon light. The next two ones are a show for kids, one make up session lighten through a bright large window, the second a little girl during the show.
Shots 4 and 5 are taken during the preparation of the Charity day in my office. Light on shot 4 is challenging, as it’s shot through glass. But 5 is standard office neon light.
The last 6 shots were taken during the opening party of Merci Marcel restaurant in Singapore (thank you guys this was a nice party). The pictures are quite moody, and the 35 mm is a great party lens. Maybe I should have overexposed a bit?
Small walk to Neil Road a few weeks back to check the intriguing architecture of the old abandoned St Matthews Church.
Most of the information here is taken from Remember Singapore a great site about things of the past in Singapore.
The original church was built in the 1890’s as a place of worship for the British sailors.
It operated though all the first half of the 20th Century, including the Japanese occupation during WWII.
In the late fifties, St Matthew’s embarked on a re-building plan of its main church building.
Designed with a distinctive Modern style, the new double-storey building consisted of a prayer hall on top of a large function room. It also possessed an unique vertically protruding roof that looked like a ship’s prow, and a tall concrete bell tower that was erected beside the main chapel.
The bell was removed sometime in the 2000’s.
Also, after the war, St Matthew’s Church carried out plans to, expand its premises, including the construction of a vicarage and a kindergarten was also built in the early fifties.
The new kindergarten was designed in simple Art Deco-style; it had a sloping roof laid with terracotta Marseilles tiles and timber windows with louvers.
Color pictures Leica M262 ; B&W pictures Leica M4 with Kotak TMAX 100.
Wide angle Summicron 28mmF2 Asph ; normal lens Summicron 50mm F2 type V
I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:
5 or 6 rolls of film (I just shot 2) and small accessories.
I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.
On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.
The fish market is packed with Chinese tourists.
Men’s biz : a trendy barber in one of the galleries in central Sydney.
This was also the day I tried my “new” Canon (yes you read correctly)
My friend Chum gave me his EOS-1N last week. In pristine condition I must say. I rushed to Excelsior Plazza Saturday to get a lens. I bought a 50mm1.8 MKII for 99 SGD. Load 8 new batteries in the grip, a roll of TMAX and Sunday was the day I shot a Cannon SLR for the first time.
All the rituals are starting again with the new year and the “Singapore Photo Walks” organized by Bernard Goh are part of them.
My son loves them because of the lunch that follows in local eateries; they are quite informal and Bernard makes his best to bring us to interesting places of Singapore; we go some new places and we also revisit some. This is not very technical outing, but discussing gear and techniques is always part of the outing. I realized I am no more the only film shooter ; some ladies came last summer with some Canon or Olympus SLR and last month Mano turned up with a Leica M4-P.
So January was time to go back to Pulau Ubin; Ubin is small island at the north east of Singapore, 10 minutes from the cost, in the middle of the straight between Singapore and Malaysia. This is my 3rd or 4th time there but the first with the group. Taking the boat is already an adventure, they are some oldish style motor boats that take a dozen people for the ride from Changi Village.
The walk was actually a ride, as Ubin is known as a cycling place among Singaporeans, there is not traffic apart from a couple of local cars and taxis; the island is flat. This is the first time I cycle there, I normally prefer to walk.
Cycling implied that the gear is kept to a minimum. My son took his Nikon p7100, I took the folding Agfa loaded with TMAX100 and the Leica M4 with some Rollei Slide film.
The discovery of the day was the Wei Tuo Fa Gong Temple ;it really made us feel like being on holidays in one of the surrounding countries.
The kitchen inside a village (Kampong) house on the island of Pulau Ubin. The man leaving there is selling drinks to tourists cycling by; I think he cooks just for himself.
Singapore is so small we also managed to bump into some friends I have not seen for a while; we dropped out of the group for lunch back at Changi Village and had some Ipoh hor fun (noodles with chicken) at the hawker center.
The rangefinder of the Agfa is not fixed nor is the winding knob, but the guessometer works just fine thank you.
Second part to follow with the slides soon as they take a good two weeks to process and this week most business were closed for Chinese new year.
One of the first films in Cafenol; nice harbor under July mid-day sun. I’ve been walking around nice with the Hassie and the d700+17-35 for the last two hours, I definitely looked like a sweaty tourist. This is the last shot of the film, I put a Portra in just after and make a couple of very similar shots.. maybe another post tomorrow?