I enjoy browsing back the not so used scans and these are from one roll of November / December 2022. Unlike the most recent roll I posted, this one is shot entirely in London, it is the penultimate of my bulk roll of Ilford HP 5 bought in Singapore from Ruby Photo back in early 2021.
No surprise, the roll was shot with the Leica M6 classic and probably most of the shots were done with the Summicron 35mm Asph v2. The two shots above, early in the roll were taken around Spitalfields Market near my office and they were probably shot on my way to the lab to drop or collect one roll ( ANALOGUE FILMShttps://www.analoguefilms.co.uk/)
Because I am a slow shooter I carried the film around London for a couple of weeks,
The highlight of the roll was bringing some dear friends to Spitalfields and Brick Lane, quite an interesting area for visitors.
But first to Liverpool street station
Then through the street towards the market.
Finally to Brick lane
Hope you enjoyed the walk, this was roll #24 of 2022.
It has been super long since I last posed anything so here is my first post of 2023, even though these are pics of 2022. These are picture of the Italian Market that happens once a month, the first week end of the month, in Cagnes sur mer, near Nice, on the French Riviera.
Very colourful, even in black and white. Excellent cold cuts and cheese, pretty good value for money.
Genuine food sellers coming from nearby italy.
Shots were done with Leica M262+Summicron 50 and Leica M6 with Summicron 35mm Asph v2 on Kodak TMY (400Iso)
So this is the second part of my second roll of Cinestill XX I started in Biarritz. I was not super satisfied with the scanning so I plugged the old Epson v800 and rescan the whole film. I did not like the scan for two reasons, first I forgot to ask for high res, and I though the pictures were a bit small. Second I thought it was too grainy and had too much contrast.
I quite liked the result of the Epson, if I recon correctly I scanned in 2400 dpi, saved as B&W JPG using the standard holders. The result is a bit smooth, that you may assimilate to lack of sharpness.
I think there is a bit on compromise between sharpness, grain and details. Well anyway I am not very technical, I like these scans better.
These shot are still part of the same trip so I think the lens is either the Summicron 50mm v5, either the Summicron 35mmF2 Asph v2, attached to the Leica M6 classic
After the second roll, its a bit difficult to make an opinion on the Cinestill XX, as I am not sure how properly my lab process it. As I said before a bit too much grain for my taste (remember my favourite film is the Rollei Retro 80), but maybe there is a ratio between the distance to the subject and the grain that makes it less suitable to my may of shooting (I usually do streets shots between 5 and 10 meters) ? Did anybody consider that?
Enough of the technical bit, Paris in the spring is a beautiful place to be. That’s a first for me in about 15 years so I was under the spell, and I thing that will be the same for the seasons to come.
Paris is not as eccentric as London, but there is a good mix of old and new, tourists and locals, fake and authentic, making you raising your camera every 5 minutes. Ok I am a slow shooter so that will be once every thirty minutes.
One last technical thing: I can see on forums the never ending question of bringing films through airports: remember that there are x-ray machines as well when you take the Eurostar. I never cared being worried about X-ray machines damage to film. I think if you are an amateur this is irrelevant. If you are a pro that’s different, but then you can always buy and process locally if its so important.
Thanks for reading.
All shots Leica M6 Classic, Summicron 35 or 50, Cinestill XX shot at 200 ISO, I put an indication of where the pictures were shot so you can plan a tour. This roll is older that the one displayed in My last roll of Ektachrome.
Last week end (2nd to 5th of June) was the Queen’s Platinum Jubilee, a celebration giving some picture opportunities.
Friday, all started by the air parade shot from my window with the crappy Canon Serenar 135F4 mounted on the Leica M262. The lens was already mounted on the camera, I was just playing around last week.
The city was generally dressed up in national colours and royal memorabilia’s. Here the newspaper kiosk on Sloane Square, shot with the Summaron 35mmF2.8, the M version with goggles. I really went al vintage lenses this week,
Friday a steel band was playing on Kings Road, a couple of ladies made their best to warm up the atmosphere.
But they were not alone.
Even the Chelsea Pensioners were out.
Some people were rushing to parties in the hood.
The party went on until Sunday.
People rushed to the Mall on Sunday morning to see the parade.
and actually walking against the flow, we reached Hyde Park Corner and met the parade, with no crowd at all.
Sunday I changed the lens for the Summaron 35mmF3.5 ltm, a better choice as it is easier to focus without the goggles.
After watching so many horses, we moved to the Belgravia street party on Elizabeth street (the well named).
And all finished with a bit of music (and beer)
If you are not bored by now, I will have some film shots from Saturday to post as well.
All shots with Leica M262, with in order the Canon Serenar 135mmF4 ltm, the Summaron 35mmF2.8 M, the Summaron 35mmF3.5 ltm
Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).
That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.
This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.
The Fiat 500 is associated to the Dolce Vita, a movie that was host in … Technicolor black and white.
In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.
On the seaside you can also so some street type shots.
Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.
Finally two random shots, trying to see what can be done a bit closer.
Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.
Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.
This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.
If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).
So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.
You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.
Goldilocks’ car a pre WWII Citroen Rosalie I think
6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.
I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…
Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.
I travelled to Paris in November last year for the first time in more than 10 years, the main reason being that I left the last 14 years on the other side of the planet. We were blessed with nice weather for the first part of our stay.
It was real fun being a tourist in a city I leaved for in the late 80’s. Like London, it takes me a little time to adjust and turn my eye to the local subjects and actually press the shutter, but there are really plenty of subjects here.
I carried my usual set in Paris, the M262 and the M6, but due to some luggae constraints I only carried two lenses : the Summicron 35mm Asph v2 and the vintage screw mount Elmar 50mmF3.5.
The Summicron is as always a great performer, and the Elmar is very pleasant. I must say the aperture adjustment at the front of the lens is a pain on a film camera without meter, but with the M6 or even better with the M262 set on auto mode, its no longer a problem.
Yes subjects are plenty in Paris, the sites, the people, the tourists, there is always something to shoot. I found there are also a lot of smaller shops that in London, which are making nice subjects.
Of course I was blessed being there during Christmas season where a lot of decorations are making the city even more attractive.
Below a few more random pictures. I have a couple more sets on Paris to come and in a few weeks, some analogue shots will come up.
If read until now you deserve me to whish you a happy new year, keep on shooting and may the light be with you.
When life is slow and shooting slower, or when life is too fast to shoot, isn’t there an opportunity to look back at the albums ( ie Lightroom folders) for recent or not so recent pictures?
I don’t’ know how you sort your pictures, for me the digital shots end up being sorted in monthly folders (unless there is a very special event and I group them into that folder). I also end up putting the scans of each film roll in a separate subfolder under each monthly one.
I originally load these images in my working hard drive, but then move them to an externals one always attached to my PC plus a couple of backups. Its not fool proof but it means all my pictures are both at arms reach and reasonably safe. I do not have an off site backup though.
That also ensures I can “focus” on the images that are recent (or not so ) and that I have not shared.
Well lets say that when shooting gets slow and I need something to share I know where to look at. SO today these are some shots done around Singapore in May 2021, nearly 6 month ago.
Another time another place says the song. Walking around a few places I liked carrying around the Leica M262 and I think the 35mmSummicron Asph v2.
It is getting colder in London and there is some satisfaction looking at pictures from a warmer place.
Don’t worry I am not turning all sad and nostalgic, I have ordered some Ilford Fixer and some Vitamin C for the next round of Caffenol and even invested in a Thermometer so I can work properly. I have to Washing Soda at the moment but that will come soon.
Passing my favorite photo shop the other day (Ruby Ye in Excelsior Plaza basement), I noticed a stack of an unknown (to me) boxes of film. I was told it is Kosmo Foto Mono. I heard of the brand before but never tried it. So I could not resist, parted from 14 SGD and walked home.
Next day was an unformal outing of the HUGS (Hasselblad User Group Singapore) and I brought both the Hassie (see last post) and the Leica M6 loaded with the said Kosmo Foto Mono and mounted with the 50mm Summilux v2 (My first ever Leica Lens). We met in Chinatown, to capture the Chinese New Year atmosphere.
That day was also the outing of the Urban Sketchers group, which gave us (me) plenty of pictures opportunity, I like shooting random strangers, but strangers in action is even better.
The Mono is a 100 ISO film, the weather that morning was quite ok for outdoor shots with normal speed and aperture. Except the below, inside the Chinatown complete, probably full open and 1/60 sec.
When I reached home after lunch the tricky question came : how do I process this film? Querying the Caffenol Facebook group I learned that this is some rebranded Kentmere 100, so I looked up processing time. But when I removed the label to take a nice scan of it for my collection I noticed the canister actually says Fomo.
Who to believe? Anyway checking the Massive Development Chart I noticed both the Kentmere 100 and the Foma 100 have the same development time for the same Caffenol formula. My vitamin C stock is a bit depleted but I still could find enough to process one roll with the following formula:
500 ml water. 27g Washing Soda, 8 g Vitamin C , 20g Netscafe classic
My room temperature here in Singapore is 28 Deg, so I scaled the time and processed for 6 minutes, with agitation the first 20 seconds then 3 inversions every minute. Using Ilford method to rinse, Ilford rapid fixer and dishwashing soap in the last rinse batch.
The negative is a bit over but the scams are looking good. There is a certain softness to them which is quite pleasant. 14$ is a bit expensive for a standard 100 ISO film, but I quite like the results so I may give it another try (oh yes maybe I have to finish by 100ft roll of Ilford Delta first, I probably have the equivalent of 12 rolls left in there)