STPI Open day and Takashi Murakami: From Superflat to Bubblewrap

This year the STPI in Singapore had its open day during the Takashi Murakami exhibition “From Superflat to Bubblewrap“, this was the opportunity to kill two birds with one stone.

No need I think to introduce the iconic Japanese artist who uses manga like practice to depict modern Japan. I only had B&W film that day so I did not took many pictures of the art works.

Open days at the STPI (Former Singapore Tyler Print Institute) are always enjoyable, if you have young children they can discover and experiment various print practices, that also work it seems for  teenagers and young adults alike.

For guys (or gals) with a camera, it is a nice opportunity to captures willing models engaged in not so common activities.

The STPI now positions itself as a gallery, aiming to promote the usage of print and paper mediums.

Artists shown in the gallery often have a collaboration with the print makers.

The smiling lady at the printing press has been working there for years, she is now an independent architect ; time flies.

All shots were done with the Leica M6 and Summicron 50mm on Kodak Tri X, at 400 ISO.  genarally shot between F2 and F4 and 1/60s ro 1/12s. The film was processed by Ruby photo (or rather their usual contractor) and scanned at home on Epson v800 with Silverfast.

I generally convert the images to grey-scale and remove dust spots in Adobe Elements and adjust the contract and brightness in Lightroom.

The workshop can also be a treasure where odd objects can be found and pictured for eternity.

One of the DIY items of the week end was an STPI apron.

You can see picture of the last workshop I went to 4 years ago STPI at that time pictures were shot with Canon EOS 1N and 1.8 Canon lens.

 

A tour around Taipei

I am cleaning a bit of my backlog, and found on my work-space some remaining pictures of our Taiwan trip back in Feb/March.

The only day we decided to take a tour with our friendly guide was also the only rainy day of the trip so it ends up being a no so great experience.

We took off from our hotel in Daan and headed to the North West, to visit what I believe is the Wufeng Lin Family Mansion and Garden. A historical house and garden from a rich Taiwanese family.

This is a very nicely preserved house, a quite interesting visit, not a good as the Lin Family mansion in Banqiao  district but still a nice thing to see.

We then drove down to see the change of the guard at the National Revolutionary Martyrs’ Shrine, but we arrived too late, and the rain started. Continuing further west we stopped in Beitou, a suburb of Taipei known for its hot springs

The place made its living through mining and hospitality, including bath and spas.

There is a very nice museum is an old bath house, including the beautiful pool below.

At this point we headed along the Tamsui River to the fisherman’s wharf for lunch. We did not find anything much exciting, had a sandwich and then a long walk, without rain, before finding our car again.

The last stop was Tamsui old street, that we reached after visiting the interesting Fort San Domingo, showing an interesting display of the colonial times. By then the weather started to be very.

We nevertheless spent a good hour walking along the Tamsui River and through the old street with a stop at the beautiful Longshan temple, above and below.

Finally, after a nice Taiwan beer in a dry place, we happily headed back to the city and our hotel ( probably the rain stopped along the way ).

All shots Leica M262, Summicron 28/50/35, it was another day where the weather was not enticing to pull out the M6 and play with two cameras.

London on Film

I spent a week in London recently with my family and brought the usual travel kit (Leica M, M262 and the Summicrons 28mm Asp, 35 Asph v2 and 50mmv5), I brought a nice set of films but in the end I did not shoot much, only a roll of TriX and half a roll of Portra  400. And on digital as we are here I took a mere 300 shots.

Looking at the TriX shots I am quite pleased; as usually they have been dropped for processing at Ruby photo in Singapore and scanned at home ; but when I was there I was a bit puzzled about what or who to shoot.

On one hand I am so used to travel in Asia that I am a bit lost in European cities, I am not sure about people reactions to the camera (I like candid shots), but also I think the whole way the big city works need so getting used to. So a bit of frustration. Maybe also my expectations were a bit too high, who knows.

London as changed a lot since I was last there 14 years ago. The south bank area is so lively now, also packed with tourists and street performers.

Asian tourists selfy-ing themselves are everywhere, but that’s the same all over the planet. Here at the Borough Market, a place that I never saw before, this is definitely a good area to shoot.

There are many food stalls there.

Some attractions on South Bank are using old lorries that are worth a shot imo. I only realized today that the London eye was reflecting on the bonnet of the lorry, I would have framed it better if I have known.

A morning stroll in SOHO, is also a nice opportunity for people shooting.

Or just window shopping.

In the places I never visited before was Ealing Broadway, home of the Ealing Studios who produce(s/d) cinema and television shows.

Finally another happy discovery was Old Spitalfields Market that I visited the day of the vintage records market.

A couple more Portra shots below:

 

FIRST ROLL OF Rollei Variochrome

“A la Mort Subite” Brussels – Belgium

Summer holidays have been over for a few weeks, and it is time to go back to this blog. As usual I did not shoot as much as expected during the holidays. One poor roll of medium format Rollei 80S with the old Kodak Autographic, and with the M6 a roll of Kodak Gold and the present roll of Rollei Vario Chrome.

L’Atomium – Brussels – Belgium

The Rollei Varichrome is a reversal (slide) film, claimed to have high latitude and can be shot between 200 and 400 ISO, 200 being recommended for scanning. Although introduced in 2017 it seems it is a “new old” stock that will have a limited availability. some reading suggest this is altogether expired material already. Note this film can be cross processed in C41 as well.

L’Atomium – Brussels – Belgium

My complete roll is a bit over exposed, in particular those of the Atomium, generally the dark areas are not dark enough.

Le botanique – Brussels – Belgium

Above shot of the botanical garden in Brussels is very pleasing, the lack of contrast gives a great mood.

The following street shots taken during the FIFA world cup final also work quite ok. The vintage look is overall quite nice, except maybe the picture of the two young ladies, but it may just be the exposure being off on that one.

FIFA World Cup Final – Downtown Brussels

FIFA World Cup Final – Downtown Brussels

FIFA World Cup Final – Downtown Brussels

FIFA World Cup Final – Downtown Brussels

FIFA World Cup Final – Downtown Brussels

Mrs B

I like very much the first shot and the one above taken in the vintage café “La Mort Subite”.

All in all this looks too much like an Instagram filter to me, some shots are very satisfactory, but it will become very gimmicky to use. The experience is quite expensive as well, I think the roll was like 18SGD and the processing 13 SGD, so more or less 1SGD a shot. Shooting a roll of Kodak Gold would cost half of this and Instagram filters are free. In conclusion it is worth giving it a try, but then it’s better have a subject on which you will shot your whole film, the gimmick effect being lost in the consistency of the subject. For instance I imagine a wedding photographer may like to shot a roll of this as a special feature. For me I don’t think I’ll use this again.

Finally two shots below on quite different subject :

Still life : a traditional French post box

Countryside restaurant outside Manila (Philippines)

 

All shots at 200 ISO with Leica M6 and one Summicron or the other (28, 35, 50) and scanned on Epson v800.

 

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

Leica M240 – A rented friend for a lonely week end (Day one, Friday)

This is it, I finally found a way to get my hands on a Leica M240 without breaking the piggy bank : I have rented it for a week-end. I never really thought of renting camera gear, but actually that makes a lot of sense. I managed to have 3 days to play around with this expensive toy for a fraction of the cost. I rented a M240 black and an Elmarit 28mmF22.8 here in Singapore at Camera Rental on new bridge road for less than 400 SGD where the combo costs something around 13K. Quite effective, oh did I mention this is my birthday present (the rental).

So this is it, it is nearly 4pm on Friday and on the way to work I collect the beast. As I said in my last post I borrowed a M9 and Summicron 28mmf2 a few weeks back so I am not overly surprised by the first contact. There are however a few immediate differences:

• the screen in larger
• the shutter is a loss less noisy (I could not figure out why the M9 had to make so much noise)
• the Elmarit is so small, the idea of its price makes me laugh, nobody would ever believe it

I have brought my old Summilux 50mmF1.4 and tries it in the shop, it looks to be working well and frankly it will hardly leave the body.

On the way to the office I stopped at the Yueh Hai Ching Temple  and take a few shots, the weather is overcast and sun quickly going down anyway, so nothing exceptional.

I tried a few portraits while in the office with the available light. Wide open the results are a bit soft and probably suffers from some little camera shake due to the slow speed set by the camera. Yes I made the mistake to set the speed to Auto, I did not realize until later that instead of cranking up the ISO the camera lowers the speed until it reaches 1/focal length. But as the Summilux is not recognized by the camera the lower speed is not calculated (I think) so some shots were done at 1/12th and 200 ISO: ridiculous.

Later I go outside for a walk and take some handheld shots of Marina Bay with the 28mm with manual settings, clearly that fares a little bit better.

I have big plans for the Saturday, so I go straight to bed after work.