Concerts : Ash Code ( IT) – March 2024

Ash Code is a Dark Wave band from Italy, actually form Napoli. They were playing here in March, opening for French band Corpus Delicti. I could not resit to go back to concert shooting after a very long hiatus.

I wasn’t sure how much gear the venue would allow me to bring in, so I settled for one lens one body set. Namely the LeicaM6 classic and the summicron 50mm v5. My favourite provider had no more Kodak TMZ 3200 so I bought two rolls of Ilford 3200 for the whole show.

The venue is  229 at 229 Great Portland and the evening organized by Reptile. I had no problem checking the camera in. I had set the body to 6400 ISO, but I will come back to this later.

The concert was great. Ash Code, produces some dancy tunes, not very remote to what Sisters of Mercy would have done, with a bit more synthwave side. Maybe a better comparison could be found in the direction off some 80’s belgian bands , remote cousins of Neon Judgement or Parade Ground.

They deliver a pretty good show, Alessandro and Claudia taking turns to the mic. Although I am pretty new to their music, that was a very enjoyable.

The scene was quite dark with a lot of back light, so not super ideal, but access to the front of the stage was super easy. I shot a concert of a friends band with the same set-up a few years back and I realised that the only good shots are those where there are both dark areas and highlighted ones, there is not point shooting a scene without contrast, whatever the ISO.

I also had a discussion with a pro about the value of metering : because most of the scene is in the dark, your meter will be fooled and try to over expose. So having shot the rolls at 6400 ISO I had them processed at box speed, actually pulling the film or compensating by -1 stop ( there is no compensation setting on the M6 ). I think that was a wise choice. Because most of the shots were taken at 1/125 f.2 or f2.8, I have a fantasy of setting the speed and aperture once for all and not to bother, but I was told otherwise.

More on on Ash Code:

Discogs : https://www.discogs.com/artist/3844956-Ash-Code

Bandcamp : https://ashcode.bandcamp.com/music

Oh great party afterwards by the Reptile team, but it takes too long to recover past a certain age.

Malta on Cinestill 400D

Here are a bit too many pictures of my first ever Cinestill 400D roll for my first ever trip to Malta.

I bought this roll a while back, maybe 6 months, from Analogue Labs ( where this roll was processed) for what seemed to a bit too much money ( about 18 GBP).

Marsaxlokk

I waited for the correct opportunity and here I am going to sunny Malta for a family holiday.

Marsaxlokk Sunday market

The D in 400D stands for daylight, and the film is described as a fine grain color film with daylight balance. It has soft tones, natural saturation, warm skin tones. The film can be shot between 200 and 800 without push process and up to 3200 with push process.

Marsaxlokk Sunday market cleaning up

I loaded the film in the faithful Leica M6 classic, fitted with the Summicron 50mm v5. ( some shots may have been taken with the 35 Asph v2 or the 38 Asph v1, but generally the 50 is attached to the M6 and the others to the M262)

I set the ISO dial of the camera to 400, not knowing what was best for my situation, the box speed seems to always be a safe bet.

Valetta

The days were very sunny so a lot of the shots were done with high speed and smaller apertures. The colors remind of Kodak Portra ( warm tones) maybe and surely has a certain vintage look to them. Is this expected or not, I am not sure.

The film surely has very fine grain and shows a lot of details.

I also find the shots to have a lot of contrast, maybe just bit too much for my taste. But it is a very nice result I think. I an already looking to buy some more.

Oh and Malta in this story? Malta is a small country consisting in a few islands, the capital Valetta is where we stayed. If you are open minded there are plenty of things to do, mostly around history and architecture.

There are also plenty of outdoors activities.

Diving just outside the city walls is one of them.

The place is attracting quite a crowd of tourists, in this mid-term holidays the place was packed with French and Britons.

A street photographer with his box camera

A couple of steep streets with stairs are hosting several bars and eateries.

Our first stop was Marsaxlokk with a famous Sunday fish market. You can access from Valetta by bus or Uber. From the ferry terminal in Valetta you can access the northern island of Gozo ( we missed because the schedule changed the day we planned to go) or you can take a 2 Euros ride across to the 3 cities.

Tourist boat touring the harbour

Boats in the Three Cities marina.

Typical houses with their bow windows

The fortifications and the war museum

Wuestenwinds beach

At night

Finally on the light picture, you can see a very special effect around the led lights. I think its called halation. Very common on the 800T film, but I was not aware that the 400D would also produce it. Anyway, this picture managed to go in Explore on flickr, so thank you Cinestill.

I hope you enjoyed the reading.

Leica IIIC, VC 21 and Kodak Profoto : mundane shots in London

Knightsbidge

Quite a while back actually, I shot a first roll after the IIIC was repaired. But one roll is not enough right?

Notting Hill

So, on a sunny day, I loaded the little fellow with a roll of Kodak Profoto 100 a fool proof colour print film that comes and goes from the shelfs, and screwed the Voigtlander Color Skopar 21mmF4 on its front.

First set of pictures were taken during a big walk to Notting Hill, Portobello road and back.

The area is usually very colourful and have a lovely rendering on film.

And the 21mm give some good dynamics to the pictures.

If you are familiar with my blog, you remember that a couple of years back I bought a metal 21/25mm external viewfinder made by Voigtlander to replace the plastic one that comes with the lens.

The optics of the plastic finder seems to unglue itself and move so its not fit for its purpose. I brought it back to the shop once, then tried to repair it myself, not so easy. In the end I bought the separate viewfinder for about half of the price of the lens ( both new).

As I am in no haste of finishing any roll, a week passed for the next stroll to Brick Lane.

Crossing the City on our way to Brick Lane ( because the tube broke down), we came across this white dead tree which in fact an art work by Maurizio Catellan.

… and we finally hit brick lane and its murals.

And another week passed, until we finally walked by Marylebone (above) and Soho ( Below).

In between, the Thai restaurant below is situated opposite the Aperture Camera shop where the IIIC was repaired.

There is always some action in Soho, but not enough to finish the roll. Luckily there is always a Sunday walk to Hyde Park…

where a lucky young fellow turned 30.

Very happy to walk around with the IIIC again and see that’s its working fine. The 21mm is still a hard beast to master and there are a couple of missed shots with my fingers in the frame. I finally quite like the film, maybe its better for evenly lit scenes. But overall I cannot complain.

Roll 11 – The Leica IIIC is back from repair

So the Leica IIIC went for a repair, at Analogue UK, he was suffering for a lazy curtain causing half of the frames to be underexposed.

When I collected the camera from the shop I loaded it with a roll of Ilford FP4, screwed in the Summaron 35mmF3.5 and hit the road for some test shots.

I have been quite slow to go expose the whole roll. The IIIc even flew to Singapore ( and back ) for a week of work when I only took 4 shots ( I was super busy).

One of the 4 shots is a portrait of my shy colleague Terrance above, while we had lunch at Keppel Bay.

The other 32 shots were taken around London, in my usual areas, Chelsea above, Regent’s Street below.

Or even people strolling along King’s road.

So what do I think about the repair? Well the main defect is gone, clearly there is no comparison with my two rolls from Paris in April.

If I want to be picky I would say that I still fill that I still found the right side of the pictures like the above a tad darker. But this is very subjective

When the light is more subdued left and right seems identically exposed.

Up close and personal, with some flare, that’s not on the body, relax.

The Austin Mini (Special) was my very first car back in 1986!

A colourful street, converted in black and white inside the camera.

Around that time everything felt regal.

Emergency Exit, inside a party bus

Fenwick has been sold and will go soon have I heard

Oh I recently read a review of the TT Artisan 28mmF5.6 LTM version, this is a very tempting lens to complete my LTM kit for a limited budget. The original Summaron prices has rocketed sky high. As we enter July tomorrow, Christmas is just 6 month away 🙂

Everything comes to an end. I hope yo enjoyed the post.

2023 ROLL#03 – LONDON IN COLOR

Borough Market – Hot Chocolate

OMG this is roll 03 already ! But one sec where is roll 01? Well ok Roll 01 is sitting tight in the computer, waiting for its blog post, but I think I could share a few colour shots for a change.

The players – Clerkenwell

So actually the trip starts where Roll02 finished, in Borough Market, I had a bit of a hard time to load a roll of Portra 400 in the M6, god knows why. This is always so easy but not that day. So I missed a few shots and soon after it was loaded it was too dark for the Summaron 3.5. On the way back we walk up to Smithfield market, then up to Clerkenwell, where we met these gents playing chess outside of a church.

Who cares about signs when you drive a Jag – Chelsea

Sunday was more a Chelsea / Thames river walk where I first met the above Jag then towards the Thames I met again the following acquaintance.

The return of the penny farthing- Chelsea

The guy on the penny farthing this time in colour, the cars don’t make much for a background, but I had not enough time to move them around.

Then a long walk along the Thames.

My photographic weeks are long tunnels where nothing happens until the next week end, so after a long apnoea I carried the roll of Portra ( with the camera around it) to the west side that time.

The three wise men

Around Harrods I met these three happy Chelsea pensioners, they are retired servicemen from the British army, leaving in Chelsea. They were happy to pose for me in front of a big car. When I told them with such a big car one may think they were having a good life they told me that indeed they had. Nice to meet happy folks from time to time.

Kensignton Palace entry

Through Hyde Park and towards Nothing Hill I notice the doorbell of Kensington Palace, next time I am invited I’ll know where to ring. Two Pictures are not much for a Sunday but ok there’s no hurry.

Meanwhile life goes on

Opposite 10 downing street Ukrainians continue demonstrating against the war that is still going on in our backyard, while here life goes on.

… a special tourist

Moving eastwards, Benjamin Netanyahu was in town, causing some of his countrymen to express what hey think of his visit to the UK and recent policies. The man travels in style, staying the Savoy.

A couple of shots reminding of the Empire and its colonial past.

Monuments to the Gurkha’s

A Royal Enfield Side Car

Dancing in the streets

Luckily all is not doom and gloom and people are still dancing in the streets.

I hope you enjoyed the walks, maybe a bit of Paris action soon…

The Italian Market (Cagnes sur mer – France)

It has been super long since I last posed anything so here is my first post of 2023, even though these are pics of 2022. These are picture of the Italian Market that happens once a month, the first week end of the month, in Cagnes sur mer, near Nice, on the French Riviera.

Very colourful, even in black and white. Excellent cold cuts and cheese, pretty good value for money.

Genuine food sellers coming from nearby italy.

Shots were done with Leica M262+Summicron 50 and Leica M6 with Summicron 35mm Asph v2 on Kodak TMY (400Iso)

Enjoy and bon appetit.

Hare Krishna Celebration in Trafalgar Square

A strange sadhu

Here are a few shots of a Hare Krishna celebration in October in Trafalgar square in London. Is stumbled over the party by complete chance.

Hare Hare its all in the flare

I was armed for the occasion ( well not for the occasion then as it was by chance) with the Leica M6 classic and the Summicron 50mmV5.

Hare Hare its all in the flare

For once I had a Kodak TMAX 100ISO film loaded, not the usual Ilford HP5 coming from my endless bulk roll.

Cling cling

And the band kept on playing

Very friendly atmosphere, an opportunity to remember and share our love of India and its culture.

Some may still be lost…

Biarritz in Black and White

So holidays were not over by then and I was still in Biarritz with the Leica M6 and a couple of Summicrons (35 and 50) when I loaded my second roll of Cinestill XX ( purchased in Aperture UK shop in London).

The Market

I think I changed the roll around the market, so some pictures of this place can be found on my previous post.

Markets are different that in Asia a Singaporean friend told me, Same same but different I reply. Goods, people, food, money,… all the same.

I found this set a bit flat to my taste, although the light was great that day, and it was still reasonably early.

I made the mistake not to ask the lab to scan in high res, so this format is the one at which I got my negs. I will have to rescan them but probably not immediately. I think the low res scan adds to the grain, but maybe I am wrong.

To go or not to go that is the question

Biarritz has a market and also a seaside famous for surfing.

Nah not enough waves

Baywatch

It has sometime a bay watch vibe.

Surf is family thing here

Cal look

My first roll of Cinestill XX

London, where else?

A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.

I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.

The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.

Balthazar’s bride

It is very difficult to tell which one I used from the pictures.

Twins

Off the wall

So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.

Fashion addicts

When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.

But here are three shots of the park of the Chenonceau castle.

At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.

A street in Cite Fujes built by Le Corbusier

Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.

The market

The blue oyster cult

Street life

The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.

The last part we moved to Biarritz in the Basque Country, capital of surfing in France.

Life is a beach

I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.

Bay watch

Local artists

The market

I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.

Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.

Hope you enjoyed the ride.

On the French Riviera

After leaving Paris, I travelled to my hometown of Cannes, famous for its festival, the beaches and its beautiful weather.

It did not disappoint its son. The weather was perfect, mostly bright blue skies all the time and a far warmer climate that Paris (or London).

Cannes also boasts two main harbours, filled with oversized yachts but also with fishermen’s boats as in the two pictures above showing some traditional fishing boats called “pointus”.

The end of the bay on the east side is called la Pointe Croisette and hosts the casino named “Palm Beach”, whose name is sometime used to designate the area. The casino is under renovation, and for those with a culture in French cinema, the crane you see is located where the famous swimming pool of “Melodie en Sous Sol” was located.

Cannes is not just for stars : locals still play the “petanque”

And not all drive Rolls Royces.

A tiny Autobianchi can be found on the harbour (in excellent condition)

And a 1950’s Peugeot 203 can be found driving around (slightly less good condition).

There was a lot of activity along the beach this year. Some relax, some have to work, thats life.

The sunsets on these winter days were often breath-taking.

All shots with Leica M262 and 35mm Summicron Asph v2 or Elmar 50mmF3.5 ltm, what else do you need?